Null Three large German iron keys, circa 1700 
Iron. Two hollow spike keys. All …
Description

Three large German iron keys, circa 1700 Iron. Two hollow spike keys. All three keys with ring chalk. One prismatic bit, one S-shaped bit and one ornamentally pierced bit. Traces of corrosion. One key with paint residue. Length 23.5 - 24 cm. Condition: II

8593 

Three large German iron keys, circa 1700 Iron. Two hollow spike keys. All three keys with ring chalk. One prismatic bit, one S-shaped bit and one ornamentally pierced bit. Traces of corrosion. One key with paint residue. Length 23.5 - 24 cm. Condition: II

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Collection of 11 mostly large-format original drawings by German artists of the 20th century, some mounted under passepartout. Collection of 11 mostly large-format original drawings by German artists of the 20th century, some mounted under passepartout. Contains: Karl Schwesig. Harbor scene. 1951. watercolors on Fabriano laid paper. 44 x 59 cm. Signed and dated, verso with estate stamp. - Id. Portrait of Schöpflin. 1932. pen and ink on paper. 25.5 x 25 cm. Signed, dated and inscribed, verso with estate stamp. - Id. Two pencil drawings. 1930. 28 x 38 cm each. Each dated and with estate stamp on verso. - Käte Lehmann. Malta. n.d. India ink on paper. 73 x 51 cm. Signed and inscribed. - Richard Gessner. Harbor scene. 1934. charcoal and colored chalk on tracing paper. 64.5 x 48 cm. Signed, dated and inscribed. - Id. Harbor scene. 1922. charcoal on paper, mounted on support. 33.5 x 44 cm. Signed, dated and inscribed. - Karl Mausbach. Forest scene near Hugenpoet Castle. 1960. watercolor on textured paper. 78 x 58 cm. Signed, dated and titled from the passepartout. - Unknown artist. Italian city scene. 1995. ink and watercolors on paper. 65 x 49 cm. Illegibly signed and dated. - Unknown artist. Lion. Red chalk on vergé. 61.5 x 47.5 cm. - Unknown artist. Berlin type. Pencil on laid paper. 32 x 20 cm. - The large drawing by Schwesig with backed tear. Partially minimally browned. Overall in fine condition. Collection of 8 mostly large-format original drawings by German artists of the 20th century. Some mounted under passepartout. - Contains: see above. - The large drawing by Schwesig with backed tear. Partly minimally browned. Overall very well preserved.

Spain - FRIGARD (Pierre). Relation fidelle de tout ce qui s'est passé dans le voyage de Monseigneur le Duc d'Anjou, Roy d'Espagne et de Messeigneurs les Ducs de Bourgogne et de Berry depuis Versailles iusqu'à Iron [= Irun]. [MANUSCRIT] Sl, December 4, 1700 (1701). In-12, 108 pp. in fine, highly legible handwriting (approx. 30 lines per page, a few cross-outs and erasures), with engraved frontispiece with blank cartouche (Paris, chez Bonnart), bearing a handwritten title "Journal du sr. Frigard, ordinaire de la musique du Roy", brown calf, ornate ribbed spine, red speckled edges (period binding). A very important and interesting first-hand account of the journey made by the young Philip V to his Spanish states after his grandfather Louis XIV accepted Charles II's will. The account of a man who was educated, but not part of the world of the "greats". According to the indications in the title block, the author is Pierre Frigard, a native of Louviers and the King's ordinary musician. Indeed, his name appears in the Mercure galant's list of the principal musicians who made the trip to the Spanish border. The date given at the beginning (December 4, 1700) corresponds to that set by Louis XIV for the departure of the suite, but the full text must date from at least 1701, if not later. The extended tour had been planned by Louis XIV as a sort of "tour de France" for his two grandsons. The text is packed with details on each of the stops, where the main preoccupations, once the masses had been sung, revolved around the table and the "nymphs". Piquant anecdotes and bon mots continue throughout.