Null Two German stoneware vessels, 17th century
Conical jug, banded at the top …

Description

Two German stoneware vessels, 17th century Conical jug, banded at the top and bottom and with a simple band handle, portrait head in a diamond-shaped medallion. Large parts replaced, restored and repaired. Height 19.5 cm. Comes with an earthenware bottle with rich ornamental decoration. Neck and foot chipped and with damaged glaze. Height 18.5 cm. Condition: II -

8474

Two German stoneware vessels, 17th century Conical jug, banded at the top and bottom and with a simple band handle, portrait head in a diamond-shaped medallion. Large parts replaced, restored and repaired. Height 19.5 cm. Comes with an earthenware bottle with rich ornamental decoration. Neck and foot chipped and with damaged glaze. Height 18.5 cm. Condition: II -

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Starting price 600 USD

Ribemont-Dessaignes, GeorgesDie Ballade vom Soldaten. Mit 34 Farblithographien, davon 25 blattgroß, und zwei lithographierten Vignetten. Stuttgart, Manus Presse 1974. Lose Doppelblätter in illustriertem Originalumschlag und hellblauer -leinenchemise und -schuber (H. Wennberg, Leonberg). Ernst, Max Ribemont-Dessaignes, Georges Die Ballade vom Soldaten. Mit 34 Farblithographien, davon 25 blattgroß, und zwei lithographierten Vignetten. Stuttgart, Manus Presse 1974. Lose Doppelblätter in illustriertem Originalumschlag und hellblauer -leinenchemise und -schuber (H. Wennberg, Leonberg). Spindler 161.15. - Vgl. Spies/Leppien 218, Brusberg 176 und Lang, Surrealismus 45 (alle die französische Ausgabe) Erste deutsche Ausgabe mit den prachtvoll farbeigen Originallithographien von Max Ernst. - Eins von 199 Exemplaren der deutschen Ausgabe (Gesamtauflage je 217 in deutscher, englischer und französischer Sprache sowie einmalig 98 Suitenausgaben). - Im Druckvermerk von Verfasser und Künstler signiert. - Auf Velin d'Arches. - Druck der Lithographien auf den Pressen von Pierre Chave. - Eines der letzten von Max Ernst geschaffenen Malerbücher mit den eindrucksvollen Farblithographien. - Sauberes und gutes Exemplar. With 34 color lithographs, 25 of which are sheet-sized, and two lithographed vignettes. - First German edition with the splendidly colored original lithographs by Max Ernst. - One of 199 copies of the German edition (total edition of 217 each in German, English and French as well as 98 one-off suite editions). - Signed by author and artist in the printer's note. - On wove paper d'Arches. - Lithographs printed on the presses of Pierre Chave. - One of the last painter's books created by Max Ernst with the impressive color lithographs. - Clean and good copy.

Starting price 200 USD

Kreuzigung Christi. 1. Hälfte 19. Jh. Öl auf Leinwand. 57,5 x 45 cm. - Die Leinwand doubliert. Partiell mit leichtem Craquelée. Firniß etwas angegilbt. Insgesamt gut. Deutsch, 19. Jahrhundert Kreuzigung Christi. 1. Hälfte 19. Jh. Öl auf Leinwand. 57,5 x 45 cm. - Die Leinwand doubliert. Partiell mit leichtem Craquelée. Firniß etwas angegilbt. Insgesamt gut. Dargestellt ist Jesus Christus am Kreuz, zu Füßen einer der Apostel, der ihn beweint. - Das Gemälde veorten wir in der deutschen Schule der 1. Hälfte des 19. Jh. Oil on canvas. - The canvas is doubled. Partially with slight craquelure. Firnis somewhat yellowed. Overall good. - Jesus Christ is depicted on the cross, with one of the apostles weeping at his feet. - We locate the painting in the German school of the first half of the 19th century.

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Dutch School of Rembrandt from the 17th century, attributed to Jourdeville, Isaac de (1612 in Leiden – 1645 in Amsterdam) 81 x 66 cm, no frame attached. Important and decorative portrait of a Turbaned Knight, possibly a wealthy Dutch merchant. Work markedly connected with the Dutch school of Rembrandt of the 17th century, specifically in the style of his best disciple, Isaac de Jourdeville, who, born an orphan, soon became Rembrandt's student in November 1629 and traveled with him to Amsterdam in 1631 There are still documents related to their learning written by their tutors. He returned to Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for only a few years; In 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke later married the painter Frederik de Moucheron. Following the death of Maria le Febure, her second husband declared himself unable to support her first husband's three children, along with her own two children, although she offered to raise Jacob Jouderville until the age of 18. By then De Melder He acted as an art dealer, and the liquidation of his wife's estate shows an interesting list of artists to whom his estate owed money or who owed money to his estate. Provenance: private collection, Barcelona.

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