Null An enameled glass showing the arms of the Counts of Pocci, Petersdorf, Frit…

Description

An enameled glass showing the arms of the Counts of Pocci, Petersdorf, Fritz Heckert, circa 1880 Colorless, slightly greyish glass, the strong base with a hand crack. Polychrome decoration in enamel colors all around the slightly conical wall. On the front the coat of arms of the Counts of Pocci, inscribed "Graf von Pocci 1766". The gilding on the rim heavily plastered. Height 8 cm. The Italian-born officer Count Fabrizio Evaristo von Pocci (1766 - 1844), who entered Bavarian service under Elector Karl Theodor, was the father of Franz von Pocci, the famous German draughtsman, etcher, writer, musician and composer. Condition: II

8459

An enameled glass showing the arms of the Counts of Pocci, Petersdorf, Fritz Heckert, circa 1880 Colorless, slightly greyish glass, the strong base with a hand crack. Polychrome decoration in enamel colors all around the slightly conical wall. On the front the coat of arms of the Counts of Pocci, inscribed "Graf von Pocci 1766". The gilding on the rim heavily plastered. Height 8 cm. The Italian-born officer Count Fabrizio Evaristo von Pocci (1766 - 1844), who entered Bavarian service under Elector Karl Theodor, was the father of Franz von Pocci, the famous German draughtsman, etcher, writer, musician and composer. Condition: II

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Starting price 400 EUR

Bisson, EduardFeengestalt. Ca. 1900. Crystoleum auf konvexer Glasplatte. 27 x 18 cm. Signiert. Im Rahmen der Zeit gerahmt. Bisson, Eduard Feengestalt. Ca. 1900. Crystoleum auf konvexer Glasplatte. 27 x 18 cm. Signiert. Im Rahmen der Zeit gerahmt. Bei der Technik des Crystoleum wird ein Albuminabzug auf die Innenseite einer konvexen Glasplatte geklebt. Im Folgeschritt wird die Papierunterlage des Abzuges abgerieben, sodass nur die transparente Emulsion zurückbleib. Im Anschluss wurde die Arbeit rückseitig dann von Hand in Ölfarben koloriert. Crysstoleen waren zwischen den 1880er - 1910er Jahren sehr beliebt. - Edouard Bisson war ein französischer Maler des Fin de Siècle. Er ist vor allem für seine ätherischen Frauendarstellungen bekannt, bei denen er sich auf die Überhöhung einer stilisierten Form weiblicher Schönheit konzentrierte und die stillistisch stark an die Präraffaeliten erinnern. Bisson stellte merhmals im Pariser Salon aus und gewann 1900 die Bronzemedaille auf der Weltausstellung. - Auf dem Glas punktuell mit wenigen und oberflächlichen Kratzern. Insgesamt gut. Crystoleum on convex glass plate. Signed. Framed in a frame of the time. - In the Crystoleum technique, an albumen print is glued to the inside of a convex glass plate. In the following step, the paper backing of the print is rubbed off so that only the transparent emulsion remains. The work was then coloured on the reverse side by hand in oil paints. - Edouard Bisson was a French painter of the Fin de Siècle. He is best known for his ethereal depictions of women, in which he concentrated on the exaggeration of a stylised form of female beauty and which are strongly reminiscent of the Pre-Raphaelites in terms of stillness. - On the glass with few and superficial scratches in spots. Overall well preserved.

Starting price 5 EUR

[LITERATURE] CHAMPNEY - LENOTRE - MILLER - D'ESTE. Romance of the Bourbon Chateaux (1910) - The Dauphin (Louis XVII) the Riddle of the Temple (1922) - Rasputin the Holy Devil (1928) - A Study of the Renaissance (1904). In-8 format, publisher's boards / dust jacket, gilt-edged head boards. Numerous black illustrations in / out of text. Good condition.

Estim. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

Estim. 50 - 80 EUR

PLANISPHERE PHILIPS "showing the principal stars visible for every hour in the year". Cardboard celestial planisphere showing the principal stars visible for every hour in the year. (accidents and missing parts). Diameter: 25.7 cm.

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