Null Two small gilded Nepalese Bodhisattvas, 19th century
Two richly decorated,…

Description

Two small gilded Nepalese Bodhisattvas, 19th century Two richly decorated, finely cast bronze and fire-gilt figures of seated Bodhisattvas. One figure with base closed by a copper plate. Age patina, gilding minimally rubbed. Height 9 cm each. Condition: II

8205

Two small gilded Nepalese Bodhisattvas, 19th century Two richly decorated, finely cast bronze and fire-gilt figures of seated Bodhisattvas. One figure with base closed by a copper plate. Age patina, gilding minimally rubbed. Height 9 cm each. Condition: II

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Estim. 8 000 - 8 500 EUR

MAISON ALPHONSE GIROUX ( act. 1799-1867). Etagère; c. 1860. Chiseled and burnished bronze with engraved glass plates. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris. Measurements: 89.5 x 48 x 48 cm. Etagère made of gilded bronze and Japanese-style glass in its design. Japanese products became increasingly familiar in Paris thanks to a large exhibition in the Japanese pavilion at the Universal Exhibition of 1867 and later in Vienna in 1873. The Parisian firms Christofle and Barbedienne were the main exponents of the new fashion for Japonisme. It was applied mainly to metal furniture with little or no woodwork. In the Western decorative arts and mixed motifs and Japanese in the same object, which can often make it difficult, if not impossible, to define precisely whether the object should be described as chinoiserie or Japonisme. A magazine called Art Amateur in New York was one of the first to use the word "japanesque" as an appropriate response to Giroux's cabinet. Two designer makers and early advocates of an oriental style in Paris were Giroux and Duvinage. The former sold his store to Ferdinand Duvinage and his partner Harinckouk in 1867. Giroux mainly adapted Chinese art; his publication Meubles et fantaisies, circa 1840, shows tables in this new fashionable idiom and is reminiscent of the papier-mâché furniture of the same period. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris.

Starting price 270 EUR

Tertullianus, Quintus SeptimusOpera, ad vetustissimorum exemplarium fidem locis quamplurimis emendata Nicolai Rigaltii. Editio secunda. 2 Tle in 1 Bd. Mit zwei Titeln in Rot und Schwarz und zwei Holzschnitt-Titelvignetten. Paris, Mathurin du Puys, 1641. 10 Bll., 860 S., 1 w. Bl., 130 S., 41 Bll. Folio. Ldr. d. Zt. mit goldgepr. RTitel, RVergoldung und DFileten (berieben und bestoßen, Gelenke angeplatzt, Kapitale restauriert). Tertullianus, Quintus Septimus Opera, ad vetustissimorum exemplarium fidem locis quamplurimis emendata Nicolai Rigaltii. Editio secunda. 2 Tle in 1 Bd. Mit zwei Titeln in Rot und Schwarz und zwei Holzschnitt-Titelvignetten. Paris, Mathurin du Puys, 1641. 10 Bll., 860 S., 1 w. Bl., 130 S., 41 Bll. Folio. Ldr. d. Zt. mit goldgepr. RTitel, RVergoldung und DFileten (berieben und bestoßen, Gelenke angeplatzt, Kapitale restauriert). Grässe VI, 70. Brunet V, 729. Ebert II, 915. Wetzer/Welte X, 1207 (unter Rigaltius). - Hinterer fliegender Vorsatz mit hs. Annotationen des 19. Jh. Papierbedingt leicht gebräunt und teils leicht wasserrandig. Gutes Exemplar. 2 parts in 1 vol. With two titles in red and black and two woodcut title vignettes. Contemporary leather with gilt title and gilt deocration on spine (rubbed and bumped, joints chipped, capitals restored). - Rear flyleaf with annotations in manuscript from the 19th century. Paper slightly browned and partly slightly waterstained. Good copy. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 200 EUR

Sánchez de las Brozas, FranciscoMinerva, seu de causis linguae latinae commentarius. Cui inserta sunt, uncis inclusa, quae addidit Gasp. Scioppius, et notae Jac Perizonii (...). Mit gestochenem Frontispiz u. Titel in Rot u. Schwarz. Amsterdam, Janssonius van Waesberge, 1714. 1 weißes Bl., 15 Bll., 864 S., 32 S., 31 Bll. Index, 2 weiße Bll. 8°. Pgt. d. Zt. mit Filetenvergoldung, kleinen Eckfleurons und Wappensupralibros auf den Deckeln, hs. RTitel u. mont. modernem RSchild, moderne Baumwollschließen (etw. fleckig, berieben u. bestoßen, Kapital mit kl. Einriss, Vergoldung tls. etw. verblasst). Sánchez de las Brozas, Francisco Minerva, seu de causis linguae latinae commentarius. Cui inserta sunt, uncis inclusa, quae addidit Gasp. Scioppius, et notae Jac Perizonii (...). Mit gestochenem Frontispiz u. Titel in Rot u. Schwarz. Amsterdam, Janssonius van Waesberge, 1714. 1 weißes Bl., 15 Bll., 864 S., 32 S., 31 Bll. Index, 2 weiße Bll. 8°. Pgt. d. Zt. mit Filetenvergoldung, kleinen Eckfleurons und Wappensupralibros auf den Deckeln, hs. RTitel u. mont. modernem RSchild, moderne Baumwollschließen (etw. fleckig, berieben u. bestoßen, Kapital mit kl. Einriss, Vergoldung tls. etw. verblasst). Vgl. Brunet V, 118. - Schöne Ausgabe von einem der Hauptwerke des spanischen Gelehrten. Die Erstausgabe erschien 1587 (vgl. auch Jöcher IV, 104). Das Werk wurde bis ins 19. Jahrhundert aufgelegt und verhalf dem Verfasser zu dem Ehrentitel des "Vaters der lateinischen Sprache". - Vorsätze mit kl. Fehlstellen u. Verklebungen, insgesamt etw. gebräunt u. fleckig, vereinzelt mit kl. hs. Anmerkungen. Insgesamt wohlerhaltenes Exemplar in dekorativem Einband. With engraved frontispiece and title in red and black. Contemporary vellum binding with fillet gilding, small corner fleurons and coat of arms supralibros on covers, handwritten spine title & mounted modern spine label, modern cotton strap clasps (slightly stained, rubbed & bumped, capital with small tear, gilding partly a bit faded). - Fine edition of one of the main works of the Spanish scholar. The first edition appeared in 1587, the work was published until the 19th century and helped the author to the honorary title of "Father of the Latin language". - Endpapers with small missing parts and glue stains, overall somewhat browned and stained, occasionally with small handwritten annotations. Altogether well preserved copy in decorative binding. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 200 EUR

Gérard (nach), FrançoisMiniatur-Porträt von Juliette Récamier. Spätes 19. Jh. Gouache auf Bein. Ca. 8 x 6,5 cm. Gerahmt. Miniaturen Gérard (nach), François Miniatur-Porträt von Juliette Récamier. Spätes 19. Jh. Gouache auf Bein. Ca. 8 x 6,5 cm. Gerahmt. Feinmalerische Kopie nach dem berühmten Gemälde des französischen Meisters Baron Gérard, welches um 1802 entstand und sich heute im Pariser Musée Carnavalet befindet. - Sehr gut erhalten. François Gérard (after). Portrait of Juliette Récamier. Late 19th century. Gouache on bone. Framed. - Finely painted copy after the famous painting by the French master Baron Gérard, which was created around 1802 and is now in the Musée Carnavalet in Paris. - In very good condition.

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