Null PARIS SECOND HALF OF THE 19th CENTURY
Kettle complete with stove and lamp i…
Description

PARIS SECOND HALF OF THE 19th CENTURY Kettle complete with stove and lamp in chased cast silver. It stands on a tripod base whose leafy openwork decoration frames three silver profiles of Roman emperors - a reminder of the cameos that the silversmith sometimes featured on his works. The circular kettle, with its clissé handle, is chased with a more classical frieze of leafy geometries framing a medallion on either side left free of engraving. Goldsmith: Jules WIESE 1818 - 1890, in all letters WIESE PARIS and hallmark in a rhombus. Minerva hallmark Gross weight (clasped handle): 2138g, H.26cm Jules WIESE, founder of this illustrious firm after the death of Froment-Meurice in 1855, of which he was one of the kingpins, put his eclectic creativity at the service of secular and religious goldsmithing and jewelry, experimenting with a number of techniques, including enameling and setting hard stones or antique pieces. This "eclecticism" was criticized at the 1867 Exposition Universelle. His son succeeded him until 1930.

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PARIS SECOND HALF OF THE 19th CENTURY Kettle complete with stove and lamp in chased cast silver. It stands on a tripod base whose leafy openwork decoration frames three silver profiles of Roman emperors - a reminder of the cameos that the silversmith sometimes featured on his works. The circular kettle, with its clissé handle, is chased with a more classical frieze of leafy geometries framing a medallion on either side left free of engraving. Goldsmith: Jules WIESE 1818 - 1890, in all letters WIESE PARIS and hallmark in a rhombus. Minerva hallmark Gross weight (clasped handle): 2138g, H.26cm Jules WIESE, founder of this illustrious firm after the death of Froment-Meurice in 1855, of which he was one of the kingpins, put his eclectic creativity at the service of secular and religious goldsmithing and jewelry, experimenting with a number of techniques, including enameling and setting hard stones or antique pieces. This "eclecticism" was criticized at the 1867 Exposition Universelle. His son succeeded him until 1930.

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