UMBERTO MALATESTA MALATESTA UMBERTO
Fabrica di Roma (Viterbo) 1954

Living surfa…
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UMBERTO MALATESTA

MALATESTA UMBERTO Fabrica di Roma (Viterbo) 1954 Living surface 2019 Acrylics and enamels on wood panel 84.00x125.00x4.00 Abstract painting focused on the search for sign and material values of the surface, made on wooden panel with acrylics and enamels.Unique original work signed on the back and accompanied by certificate of authenticity on photo.

95 

UMBERTO MALATESTA

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BENGT LINDSTRÖM (Sweden, 1925 - 2008). Untitled. Acrylic on paper glued to board. Presents label on the back of the Juana Mordó Gallery, Madrid. Signed in the lower left corner. Measurements: 104 x 74 cm; 110 x 80 cm (frame). This piece reflects an aesthetic language where various avant-garde movements and the translation of the history of art are reflected. From a new perspective in which the aesthetic transgression at the hands of the artist that involves the creation of an image with its own language and personality. Through the use of color the work offers the viewer a new vitalist aesthetic that merges with a diluted and fluid technique that spreads over the surface of the canvas in an apparently random way. However, compositionally the artist has managed to create a completely harmonious image where the mastery of color and technique achieve an expressive, vitalistic and dynamic image that captures and creates a dialogue with the viewer. Bengt Lindström began his artistic training at the Stockholm Academy (1944-1945) and at Isaac Grünewald's school of painting. He later worked with Aksel Jorgensen, before spending some time in Chicago and moving to Paris. There he worked in the studios of Fernand Léger and André Lhote. In 1949 he began to paint in a less figurative and increasingly colorful style. His first solo exhibition took place in Sweden in 1954, at the Gummesson Art Fair. From the 1950s onwards, he took part in several group exhibitions and salons in Paris. Recognized from the 1950s onwards, Lindström held solo exhibitions in cities such as Paris, London, Brussels, Cincinnati and Tokyo. Most of his work is currently held at the Krimaro Foundation, as well as at the Reina Sofia Museum in Madrid, the Carnegie Institute, the Pompidou Center in Paris and the Tate Gallery in London, among many others.

LUIS FEITO (Madrid, 1929-2021). "Composition. Lithography. Exemplary 42/99. Signed and justified in pencil. Measurements: 76 x 57 cm; 93 x 73 cm (frame). Luís Feito, born and formed in Madrid, was one of the founding members of the group El Paso. In 1954 he held his first individual exhibition, with non-figurative works, at the Buchholz gallery in Madrid. From that moment on Feito exhibited regularly in the most important cities of the world, such as Paris, Milan, New York, Helsinki, Tokyo and Rome. Appointed professor at the San Fernando School of Fine Arts in 1954, two years later he left teaching and went to Paris on a scholarship to study the current avant-garde movements. During this period he was influenced by automatism and matter painting. In 1962 he became a founding member of the El Paso group, with which he had lost contact during his years in Paris. His first works are inscribed within figurative painting, to then go through a phase in which he experiments with cubism, and finally fully enter into abstraction. At the beginning he only used black, ochre and white colors, but when he discovered the potential of light, he began to use more vivid colors and smooth planes. He evolved to use red as a counterpoint in his compositions (since 1962) and, in general, more intense colors. In his abstract phase, which includes the 1970s, Feito shows a clear tendency towards simplification, with the circle predominating in his compositions as a geometric form. Possibly, the influence of Japanese art can be seen in his preference for large bands of black. Most of his works are untitled, so they are usually recognized by a number assigned to them. Among his awards is his appointment as Officer of the Order of Arts and Letters of France in 1985. In 1998 he received the Gold Medal of Fine Arts in Madrid, and was appointed Full Member of the Royal Academy of Fine Arts of San Fernando. In 2000 he was awarded the Prize of the Spanish Association of Art Critics at the Estampa Salon, in 2002 the AECA Grand Prize for the best international artist at ARCO, in 2003 the prize for the most relevant artist at the Osaka Art Fair (Japan), in 2004 the Prize for the Culture of Plastic Arts of the Community of Madrid, in 2005 the Francisco Tomás Prieto Prize of the Fábrica Nacional de Moneda y Timbre, and in 2008 the Jorge Alió Foundation Prize and the Grand Prize for Spanish Contemporary Art CESMAI. Luis Feito is represented in the most important museums around the world.