BRASSAÏ (Gyula Halász, dit) (1899-1984) Miró at the Maritime Museum, Barcelona, …

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BRASSAÏ (Gyula Halász, dit) (1899-1984)

Miró at the Maritime Museum, Barcelona, 1955 Silver print on baryta paper, circa 1970-1975 On back: handwritten references "ET. 3228 - Cat n° 65 - 33 x 27,5" in pencil by the author. Stamps: "© Copyright Brassaï", "Tirage de l'auteur", "Succession Brassaï Estate". 27.5 x 33 cm (approx. 30 x 40 cm)

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BRASSAÏ (Gyula Halász, dit) (1899-1984)

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Estim. 700 - 750 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Merce Cunningham and Dance Company, 1966. For show in Sitges on July 29, 1966. Avant Lettre lithograph, issue 97/200. Signed in plate and numbered in pencil. Measurements: 73,5 x 50 cm. Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 30 000 - 35 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Five drawings, 1963. Set of five ink, wax and watercolor drawings on pages and double-pages of "Album 19". Each of the drawings is accompanied by a certificate of authenticity issued by ADOM. One of them is signed. Size: 30,5 x 22 cm (2); 44 x 30,5 cm (3). Set of five drawings by Joan Miró on pages from "Album 19", a portfolio of lithographs containing an essay by Joan Perucho. This is the booklet of the exhibition held at the Sala Gaspar Gallery in Barcelona, which took place between 26 October and 15 November 1963. Joan Miró trained in Barcelona and made his individual debut in 1918 at the Galeries Dalmau. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of the surrealist poets and painters, he gradually matured his style; he tried to transpose surrealist poetry into visual art, based on memory, fantasy and the irrational. His third exhibition in Paris in 1928 was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum devoted a retrospective exhibition to him, which was to be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes at the Venice Biennale and the Guggenheim Foundation in Venice, the Carnegie Prize for Painting in Venice, the Gold Medals of the Generalitat de Catalunya and of the Fine Arts, and was awarded honorary doctorates by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 2 000 - 2 400 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Barça". Lithograph, copy 50/50 . Signed and numbered in pencil, Measurements: 100 x 70 cm; 116 x 87 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 1 200 - 1 500 EUR

André VILLERS (1930-2016). Picasso's eyes, Cannes, 1955. Silver print. Silver print. Signed lower right. Signed, stamped by the photographer and annotated "Les yeux de Picasso 1955. Tirage solarisé réalisé par moi-même" on the back. 44 x 42 cm. Provenance: Acquired from the photographer

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