Pedro Cano Pedro Cano
(1944)
Eduardo's friends 1978 Lithograph 70x40 cm Signatur…

Description

Pedro Cano

Pedro Cano (1944) Eduardo's friends 1978 Lithograph 70x40 cm Signature and numbering "Pedro Cano 44/100". Embossed stamp and label by the Il Torchio Romano printer.

208

Pedro Cano

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Starting price 4850 EUR

Mitoraj Igor (1944-2014) / Artcurial: Sculpture "Les Mains", year 1978, patinated bronze on a travertine base, signed lower right, numbered 188 /250, with Artcurial certificate dated February 15, 1980, signed in the artist's hand, H: 59, H with base: 68 cm, (resale rights + 4%)

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DOMINGO SARREY (Santander, 1948). Untitled, 1973. Oil on panel. Signed and dated in the right central margin. Measurements: 45 x 54 cm; 63 x 72 cm (frame). Domingo Sarrey is a visual artist born in Santander. His first video art work was generated at the Computer Center of the Complutense University of Madrid in 1968, while he was studying physics, although he had already made other cinematographic creations in 8 mm. He was the first artist to create and exhibit a multivision with six projectors, "PANORAMA 78", at the MEAC (Spanish Museum of Contemporary Art) in 1978. Other works such as "Villa María", "La Fábrica", "Palabras ", "Emisión de radio", "Lectura", etc., were produced between 1972 and 1982, and were exhibited as the first manifestations of video art as an artistic medium in some of the most renowned galleries, art centers and institutions such as the Museo de Bellas Artes de Santander 1978, the Galería Juana Mordó, 1979, the Espacio P (by Pedro Gardel) 1982, La Casa de Velázquez, 1982, the Liceo Francés 1983, or Fundación Juan March 1984, among others.

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Immaculate Virgin in Oval, attributed to Pedro Anastasio Bocanegra (Granada, 1638-1689), 17th century Spanish school Oil on canvas, with vintage cornucopia-type frame, framed measurements: 100 x 84, canvas measurements: 82 x 62 cm. Pedro Anastasio Bocanegra would become the most active artist in the city of Granada at the end of the 1660s. After a brief stay in Seville, in 1686 he went to the Madrid court under the protection of Don Pedro de Toledo, Marquis of Mancera, who helped him obtain the title of painter to the king ad honorem for his painting Allegory of Justice (Royal Academy of Fine Arts of San Fernando, Madrid). Other important works to highlight are the adoration of the Eucharist (convent of Las Góngoras, Madrid), some portraits of members of the Trinitarian order (Palace of Carlos V, Granada), as well as several paintings that represent the Virgin with the Child and different saints, and The Triumph of David, in the Prado Museum. Bibliography: Wethey, Harold Edwin, «Cano’s Granada Disciples», Spanish Art Archive, no. cv, Madrid, 1954, pp. 25-34.

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Magnificent Pair of Still Lifes with Summer Fruits and Birds, ATTRIBUTED TO BLAS DE LEDESMA, Spanish Renaissance school, 16TH CENTURY Pair of oil paintings on canvas. Measurements: 145 x 92 cm (framed) and 149 x 123 cm (canvases). Origin: important private collection, Spain. We are in front of an exceptional representation on canvas from the 17th century, representing the allegory of summer following the typical style of still lifes popularized by Blas de Ledesma. Blas de Ledesma, a Spanish painter first documented in Granada between 1602 and 1614, is considered one of the first artists to cultivate still life painting in Spain and one of its greatest exponents. With only one signed work, a halo of mystery was woven over him that places him for the first time in Granada in 1602, he is documented that together with Pedro de Raxis the possible authorship of the dome that crowns the imperial staircase of the Monastery of Santa Cruz la Real in Granada. In 1606 he is documented in Andújar (Jaén), working on the painting of one of the vaults of the church of Santa María. It is this condition of mural painter that Francisco Pacheco refers to, who praises him in the Art of Painting, dealing with the technique of gilding, together with Pedro de Raxis and Antonio Mohedano. In 1614, back in Granada, he drew a plaster vault for the Mocárabes room in the Alhambra and is quoted in the cathedral, with unspecified work, together with Miguel Cano, father of Alonso Cano. His death is documented at the end of 1615 or beginning of 1616, since the Brotherhood of Corpus Christi, to which he belonged, celebrates a mass for the responsibility of his soul soul on January 5, 1616. His only signed and documented work is Still Life at the High Museum of Art in Atlanta (Georgia). In it, a wicker basket full of cherries stands centered and with some flowers symmetrically arranged on the sides. Also the cherries that have fallen on the tablecloth seem carefully arranged and everything is ...

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