Null Titouan LAMAZOU (born 1955).
Tarapt welet Al Mousser - 2013.
Niger.
Acrylic…

Description

Titouan LAMAZOU (born 1955). Tarapt welet Al Mousser - 2013. Niger. Acrylic and sand on paper. Dimensions: 56x43 cm.

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Titouan LAMAZOU (born 1955). Tarapt welet Al Mousser - 2013. Niger. Acrylic and sand on paper. Dimensions: 56x43 cm.

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PIERRE GUARICHE (1926-1995) Small "G10 bis" model sofa, varnished molded ash plywood armrest structure, black enameled tubular metal legs, "free-span" spring seat suspension, foam seat and back cushions, covered in gray fabric. Airborne nameplate under seat. Circa 1955 Height 77 cm - Width 140 cm - Depth 77 cm A small 'G10 bis' sofa in varnished ash moulded plywood, black enamelled tubular metal and fabric. Editor's plate. 30 1/4 x 55 1/8 x 30 1/4 in. BIBLIOGRAPHY : Catalog for the exhibition "Mobi-Boom l'explosion du design en France 1945-1975", Musée des Arts décoratifs, Paris, 2010, drawing of sofa reproduced on p. 130

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Jonathan DE PAS (1932-1991) & Donato D'URBINO (1935) & Paolo LOMAZZI (1936) Living-room furniture, Onda model, comprising a sofa and three armchairs with tubular structure in blackened steel and upholstered in polyurethane foam covered with Havana leather. Numbered. Edition: Zanotta, year 1980. Armchair: H: 70 - W: 85 cm. Sofa: H: 70 - W: 135 cm Wear and stains. Bibliography: - Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p. 342 - Giampiero Bosoni et al, Jonathan De Pas, Donato D'Urbino, Paolo Lomazzi studio di architettura e industrial design, Ricerche Design Editrice, Milano, 2011, p. 156

BERROCAL, MIGUEL (1933 - 2006)

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JOAN JOSEP THARRATS VIDAL (Girona, 1918 - Barcelona, 2001). Untitled, 1993 Mixed media and collage on paper. Signed and dated in the lower margin. Measurements: 50 x 35 cm; 81,5 x 66,5 cm (frame). In this painting with collage on paper made by Tharrats in the nineties, towards the end of his life, we can contemplate the consolidation of a language of informalist roots, which on this occasion stages the symbolic struggle between energy fields materialized in the form of chaotic strokes of calligraphic echoes and gestural impulses. After beginning his training in Béziers (France), in 1935 Tharrats returns to Barcelona and enters the Massana School. He began his artistic activity after the Civil War, in a style that evolved from a certain initial impressionism towards a progressive abstraction, through the influences of Mondrian and Kandinsky. Co-founder of Dau al Set together with Brossa, Ponç, Cuixart and Tàpies, Tharrats made his individual debut in 1949, at the El Jardín galleries in Barcelona. From 1954 he exhibited regularly at the Sala Gaspar in Barcelona, as well as in 1955 in Stockholm and New York, in 1959 at the Biennial of São Paulo, and in Venice at the Biennials of 1960 and 1964. In 1955, after the dissolution of Dau al Set, he participated in the constitution of the Taüll group together with Muxart, Guinovart and his former colleagues Cuixart and Tàpies. Eleven years later, in 1966, he was also a founder of the Association of Contemporary Artists. A pioneer of post-war Catalan avant-gardism, Tharrats evolved from the surrealist-influenced linear abstraction of his Dau al Set period to a richly textured, colorful, free-form informalism. Apart from easel painting, he developed his own version of printmaking techniques ("maculaturas"), and also made posters, book illustrations, murals, stained glass, mosaics, jewelry and opera scenographies. In 1983 he was awarded the Cross of Sant Jordi, and in 1994 the National Prize of Plastic Arts. That same year he joined the Royal Academy of Fine Arts of San Jordi. His work is present in various museums and collections around the world, such as the MoMA and the Guggenheim in New York, the Tate Gallery in London, the MACBA or the Reina Sofia Museum in Madrid.

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