Null SMALL PALETTE (40 to 50 Btles approx.) of OLD MILLESIMES. (To discover and …

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SMALL PALETTE (40 to 50 Btles approx.) of OLD MILLESIMES. (To discover and enjoy).

277

SMALL PALETTE (40 to 50 Btles approx.) of OLD MILLESIMES. (To discover and enjoy).

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Estim. 600 - 750 EUR

Two exquisite pallets made of Gandhara slate. Gandhara, ca. 2nd - 3rd century AD. a) ø 10.5 cm. Green-grey slate. Cosmetic tray, divided by a "T-shape", the upper register shows two winged dragons facing each other in high relief, the lower half of the tray is divided into two quadrants by stable walls, creating hollows, presumably for mixing ancient cosmetics. Ornamental bars and border, rim on the underside decorated with stylized leaves. b) � 13.2cm. Green-grey slate. Finely carved cosmetic tray, divided into seven segments by stable bars, the shallow, bowl-shaped dish has a decorated rim and a figural scene in high relief in the upper third, with the remaining space divided into three rectangular and one round, bordered, central depression. Ornamental decoration in the recesses, two triangular borders carved in high relief with ornamental decoration in the lower third. 2 pieces! Stone pallets of this type are among the earliest finds of Gandharan sculpture and were produced under the Indo-Greek and Indo-Parthian kingdoms from the 2nd century BC. These small bowls were usually carved from slate, serpentine or steatite and were mainly found in domestic contexts, suggesting their use in everyday life as toilet and cosmetic trays. Most of these stone trays were decorated with images inspired by Hellenistic, Roman and Parthian art. Gandharan artists reinterpreted episodes from classical myths in such a way that the scenes depicted could also be understood in terms of local Buddhist iconography. The result was a unique syncretism between classical and Buddhist elements. Chips to the edges. Provenance: Ex collection J.H., Munich, acquired late 1990s until before 2004.

Estim. 300 - 400 EUR

Eva MORAZE, born 2001 Le Fils Pont-Aven, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 07/72 and an edition 04/50. Little boy wearing Pont-Aven costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Eva MORAZE, born 2001 Le Fils Pont-L'Abbé, Nantes - 2024 Watercolor, acryla-gouache and colored pencil on 300g paper. Unique piece, dated and signed lower left, with certificate of authenticity. 29.7 x 21 cm Includes a set of Seven Families cards 10/72 and an edition 07/50. Little boy wearing Pont-L'Abbé costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Pivaut school in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Eva MORAZE, born 2001 The Elliant Son, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 06/72 and an edition 03/50. Little boy wearing Elliant costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

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