Null Curved Peace kiss plate in painted polychrome enamel with gilding remains, …

Description

Curved Peace kiss plate in painted polychrome enamel with gilding remains, depicting the Nativity. Black counter-enamel. Limoges, circa 1500 Height: 7.9 cm - Width: 6.2 cm (small accidents and missing parts in the center of the plate and around the edges, wear)

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Curved Peace kiss plate in painted polychrome enamel with gilding remains, depicting the Nativity. Black counter-enamel. Limoges, circa 1500 Height: 7.9 cm - Width: 6.2 cm (small accidents and missing parts in the center of the plate and around the edges, wear)

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Estim. 200 - 400 EUR

Fireback/stove plate, Saarland 1738, Halberghütte, cast iron, allegory, 'Peace', the allegory refers to the Peace of Vienna in 1738, the goddess of peace lights the weapons of war with the torch, in her left hand she carries the sign of Mercury Protector of Trade. Next to it is a putti with a cornucopiaand flowers. The frame suggests the Saarland origin of the plate, approx. 48 x 48 cm, 18 kg

Estim. 1 500 - 2 000 EUR

Gilded bronze kissing plate depicting the Throne of Grace in an architectural frame with fluted columns and pediment; putti, horns of plenty, garlands, shields, inscription PAX.VOBIS. (Peace [be] with you) Italy, Venice, mid-16th century H. 20.8 cm An in-depth study by American art historian and collector Mike Riddick has examined this type of architecturally framed kiss of peace plaque. He notes Raphael's influence, particularly in the interpretation of the cherubs. Riddick lists four plates with similar frames and various subjects, two depicting the Risen Christ in private collections, one dated 1557, another in the Louvre with the Lamentation at the Foot of the Cross (inv. OA 2543) and this one illustrating the Throne of Grace. He likens this production to the school of the silversmith Antonio da San Marino, who worked in Rome for Popes Innocent VIII and Alexander VI. Bibliography : - M. Riddick, Metalwork in the Ambit of Raphael Link: https://renbronze.com/2021/04/26/metalwork-in-the-ambit-of-raphael/ Works consulted: - P. Malgouyres, De Filarete à Riccio. Italian Renaissance bronzes (1430-1550). La collection du Musée du Louvre, Paris, Louvre Editions; Mare & Martin, 2020, p. 340, n° 190

A French silver-plated plaque with homage to the Virgin Mary, 17th century Round-arched plaque made of brass, silver-plated and gilded on the front. Enthroned Mary with child and several assistant figures and angels in a field framed by ornate niche architecture. Slightly rubbed. Dimensions 12.5 x 8 cm. Condition: II

Estim. 1 500 - 2 000 EUR

LIMOGES Mid-16th century, workshop of Pierre REYMOND The Adoration of the Magi Baiser de Paix (Kiss of Peace) in painted polychrome enamel with gold highlights, salmon-colored counter-enamel. Presented in a later molded wood frame painted red 7.5 x 5.5 cm (fixing hole at the top of the plate)

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