Null JEAN-BAPTISTE OLIVE (1848-1936) Sausset-Les-Pins et le Château Charles-Roux…

Description

JEAN-BAPTISTE OLIVE (1848-1936) Sausset-Les-Pins et le Château Charles-Roux signé et inscrit ‘Sausset B Olive’ (en bas à droite) huile sur toile 140 x 240 cm Littérature : Franck BAILLE, Jean-Baptiste OLIVE, catalogue raisonné, Regard de Provence, 2008 (ill. no. 2147, p.173)

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JEAN-BAPTISTE OLIVE (1848-1936) Sausset-Les-Pins et le Château Charles-Roux signé et inscrit ‘Sausset B Olive’ (en bas à droite) huile sur toile 140 x 240 cm Littérature : Franck BAILLE, Jean-Baptiste OLIVE, catalogue raisonné, Regard de Provence, 2008 (ill. no. 2147, p.173)

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Estim. 700 - 800 EUR

HELMAN. Three engravings on French Revolution. A beautiful large-format print from a drawing by Charles Monnet depicting the agitated assault of the people of Paris on the Bastille prison on July 14, 1789; the episode that triggered the French Revolution.Beautiful engraving from a drawing by Charles Monnet showing an episode from the French Revolution: on July 14, 1790, the first anniversary of the storming of the Bastille, the Fête de la Fédération is celebrated on the Champ de Mars.A beautiful engraving from a drawing by Charles Monnet depicting the fountain that was built in 1793 on the site of the Bastille prison. Known as the 'Fountain of Regeneration,' it was of Egyptian inspiration and depicted a woman from whose breast water gushed forth. Isidore Stanislas Helman (1743 - 1806), was a French engraver highly appreciated for the lightness and smoothness of his burin, who produced numerous engravings from many late 18th century paintings, including works by Nicolas Lavreince, Pierre Antoine Baudouin, Jean Duplessis-Bertaux, Jean-Baptiste Le Prince, Hubert Robert, Louis-Joseph Watteau and others.

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REIMS (Marne) SUTAINE family / Part of the archives of this old Reims family of wine merchants (Jean-Baptiste Sutaine, a bourgeois merchant, was an alderman of Reims in the 18th century): over 40 documents, 1790-1820, concerning the Cense-Neuve farm, formerly part of the Valroy Abbey in Saint-Quentin-le-Petit (Ardennes), acquired as Biens Nationaux: various documents concerning the purchase as Biens Nationaux, deeds of sale, counts of guardianship, shares, successions, inventories, transfer of shares, estimates of work (expeditions, private deeds mentioned "fait en double", "fait triple entre les comparants" or "fait en sextuple entre nous"), various letters; concerned: Philippe Henry Sutaine, Jeanne Baptiste Bertherand (widow of the previous owner), Alexandre Sutaine, Philippe Charles Sutaine etc.

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ARIOSTO, Lodovico (1474-1533). Orlando Furioso. Birmingham: G. Baskerville, 1773 Copy printed on fine paper of this elegant edition of Ariosto's masterpiece illustrated with engravings by some of the most celebrated Parisian and London artists of the time. The publisher John Baskerville (1706-1775) began work on the book on commission from the Molini brothers, important continental publishers active in Paris; the text was corrected by the editors from the 'errors of language, sense and orthography, all of which abound in other editions' (trans.) and enriched with over 40 illustrations from drawings by Giovanni Battista Cipriani, Charles Nicolas Cochin, Charles Dominique Joseph Eisen, Jean-Baptiste Greuze, Charles Monnet and Jean-Michel Moreau the Younger. 4 volumes, large 8vo, (230 x 145mm). Frontispiece portrait of the author, 46 engraved plates at the opening of each canto from drawings by Cipriani, Cochin, Eisen, Monnet, Jean-Michel Moreau the Younger and others, text on tissue paper (foxing, the plate of canto 16 with repaired tear at the outer margin). Modern red morocco, spines and boards gilt, yellow edges, within slipcase. (4)

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H. AUBRY-LECOMTE (1787) after HERSENT (1777), The children of the Duke of Berry, 1822, Lithograph Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The children of the Duke of Berry, 1822, Lithography Technique: Lithography on China paper, rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse stands on a small chair and holds the hand of her brother Henri d'Artois, Duke of Bordeaux. The painting's political significance as a portrait of a ruler is due to the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, on 13 February 1820 in front of the Paris Opera. Louvel wanted to end Bourbon rule in France with this assassination, but created a martyr who now symbolised the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication following the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was again proclaimed the rightful king of France by the Bourbon loyalists and after both 1848 and 1870 he was to ascend the throne again as Henry V, but this failed. The masterly graphic depiction of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ child in the stable suggests itself and the fixated gaze prefigures a claim to power that is to be honoured. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and was appointed professor at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France, Size: Paper: 43,1 cm x 31,7 cm (17 x 12,5 in), Plate: 32,8 cm x 26,7 cm (12,9 x 10,5 in)

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