PASCUAL MADOZ Pamplona (1806) / Genoa, Italy (1870) FRANCISCO COELLO DE PORTUGAL…

Description

PASCUAL MADOZ Pamplona (1806) / Genoa, Italy (1870) FRANCISCO COELLO DE PORTUGAL Y QUESADA (1820)/(1898) "Leon and Extremadura: 4th supplement sheet", 1848-1868

Engraving Under the direction of Jose Saenz Diez; The plans have been arranged by Francisco Coello, the outline by Raynaud, the topography by Millian and the lyrics by J. Burty; The explanations have been written by Pascual Madoz. Mounted on fabric. It comes in a case with occasional damage. Measurements: 83 x 11 cm

657

PASCUAL MADOZ Pamplona (1806) / Genoa, Italy (1870) FRANCISCO COELLO DE PORTUGAL Y QUESADA (1820)/(1898) "Leon and Extremadura: 4th supplement sheet", 1848-1868

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18K white gold necklace with magnificent 22.01 ct aquamarine. Color grade: AAA-vibrant blue. Pure under the magnifying glass. Good size quality. No evidence of treatments. Adorned by a meleé of brilliants and diamonds in a chain. Total weight of diamonds: 8.50 cts. Tab closure with safety chain. Attached is the gemological opinion of the aquamarine issued by the Spanish Gemological Institute.

Important detachable necklace in 18K white gold with magnificent riviére of brilliants, mixed cushion rectangular cut citrine of 26 cts., color A-deep orangey yellow, pure under the magnifying glass and round cut citrine of 10.67 cts., color A -deep orangey yellow, pure under the magnifying glass. Total weight of diamonds: 20 cts. Attached is a report on the citrines issued by the Spanish Gemological Institute.

Estim. 700 - 900 EUR

JOSE CHECA GALINDO (B. 1950-) A 20TH CENTURY OIL ON CANVAS

CUZQUEÑA SCHOOL 18th century Adoration of the shepherds Oil on canvas Measurements 66.5 x 91 cm This canvas represents one of the favorite themes of Cuzco painting, the Adoration of the Kings. To make this composition, the painter probably used the engraving of the Adoration of the Magi by Gerard Seghers (1591-1651), engraved by Paul Pontius in 1631. The figures are arranged in a single plane, favoring the narration of the subject. The canvas follows the Cuzco taste, for the color and the introduction of purely Andean techniques such as the use of brocateado.

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