Null FRANZ LUDWIG GÜSSEFELD Osterburg (Germany) (1744) / Weimar (Germany) (1807)…
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FRANZ LUDWIG GÜSSEFELD Osterburg (Germany) (1744) / Weimar (Germany) (1807) "Madrid, Toledo et Mancha" Hand-illuminated engraving Map comprising Madrid and Castilla la Mancha emphasizing roads, paths, routes, etc., such as they were arranged during the second half of the 18th century. Based on the maps of Tomas Lopez (1730-1802). Measurements: Footprint: 51 x 47 cm

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FRANZ LUDWIG GÜSSEFELD Osterburg (Germany) (1744) / Weimar (Germany) (1807) "Madrid, Toledo et Mancha" Hand-illuminated engraving Map comprising Madrid and Castilla la Mancha emphasizing roads, paths, routes, etc., such as they were arranged during the second half of the 18th century. Based on the maps of Tomas Lopez (1730-1802). Measurements: Footprint: 51 x 47 cm

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Pohle, Leon Friedrich - 1841 Leipzig - 1908 Dresden, "Portrait of Agnes Böhme", oil/wood, youth portrait of Agnes Böhme, married Albrecht, she is depicted in a blue and white striped dress with a low-cut back, she wears a black ribbon around her neck and a red flower in her hair, she is looking directly at the viewer over her left shoulder, on the reverse inscribed in pencil " Agnes Albrecht about 18 - 20 years old, painted by Leon Pohle in Weimar between 1865-1870", restored, partially minimal retouching, approx. 49x36cm, frame minimally bumped, approx. 64x51cm. Pohle was a German genre, history and portrait painter, studied at the Dresden Academy of Art from 1856 to 1860, supported by his teachers he then became a pupil of the painter Joseph van Lerius in Antwerp, where he remained until 1864, after returning to Germany Pohle came to Weimar, where he joined the Weimar School of Painting as a pupil of Ferdinand Pauwels at the Grand Ducal Saxon School of Art for two years; in the summer of 1866 he left Pauwels' studio and returned to his home town, making study trips to France, Holland and Vienna; Pohle's early works were still very much rooted in genre painting, partly due to his teachers. He later found his own style in history painting and settled as a freelance artist in Weimar in 1868, where he turned away from genre paintings and historical compositions and devoted himself to portrait painting. In 1877, Pohle accepted a professorship at the Dresden Academy of Art and was appointed full professor there, producing numerous portraits, some of them of other artists such as the painters Ludwig Richter and Carl Gottlieb Peschel or the sculptor Ernst Hähnel. Literature: Internet