Null "Chaise Longue" model LC/4, design by Le Corbusier, Pierre Jeanneret and Ch…

Description

"Chaise Longue" model LC/4, design by Le Corbusier, Pierre Jeanneret and Charlotte Perriand Cassina, c.1970 With metal and steel structure and biscuit and leather cushion with flaws. Signed "Le Corbusier LC/4 E0202". Measurements: 67 x 163 x 53 cm

288

"Chaise Longue" model LC/4, design by Le Corbusier, Pierre Jeanneret and Charlotte Perriand Cassina, c.1970 With metal and steel structure and biscuit and leather cushion with flaws. Signed "Le Corbusier LC/4 E0202". Measurements: 67 x 163 x 53 cm

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Starting price 300 EUR

Le Corbusier, Charlotte Periand, Pierre Jeanneret / Cassina: Black leather mattress for chaise longue, model LC4, new condition

Design - 2-seater sofa - unsigned, designed by Le Corbusier (1887 - 1965) 2-seater, Italy, ClassicFactory 24 version, steel, white leather, sofa from the LC series in cubic design with steel frame and leather upholstery - designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand in 1928, it is one of the most famous models of the LC series, white leather, stained, stronger signs of wear, SH/GH approx. 45x70cm, W/D approx. 126x53cm

Estim. 1 200 - 1 500 EUR

After LE CORBUSIER (1887-1965), Pierre JEANNERET (1896-1967), Charlotte PERRIAND (1903-1999). Chaise longue, model LC4, painted steel base, chrome frame and seat in foal skin, headrest cushion in black leather, signed Le Corbusier LC4 and numbered 1554 on the frame. Edition of the 70's. 80x170x55cm. (Wear on seat and headrest).

Estim. 600 - 800 EUR

LC1 armchair, Cassina, from 1965. chrome-plated tubular steel frame with tilting dossel; upholstered in black and white mottled leather; leather armrests. Signature on frame Le Corbusier LC/1 1631, cm. 61X59X68 (very slight signs of wear). Designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand in 1928, the armchair was presented in 1929 at the Salon d'Automne along with other important models such as the Fauteuil Grand Confort, petit modèle and grand modèle armchairs, the Table tube d'avion table and the Chaise longue à réglage continu. Like other models in the collection, the Fauteuil dossier basculant armchair derives from an in-depth study of the body's posture and, in this particular case, offers itself as the perfect support for compound relaxation that predisposes to conversation. Its perfect compositional simplicity, adaptable to different contexts, is also declined in the versions of 1928 for Villa Church and 1930 for the exhibition at the Union des Artistes Modernes.

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