Null ANTONI TÀPIES Barcelona (1923) / (2012) "Great Chair", 1966
Mixed media on …
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ANTONI TÀPIES Barcelona (1923) / (2012) "Great Chair", 1966 Mixed media on paper Signed in the lower right corner On the back labels from Albright-Knox Art Gallery, NY; Martha Jackson Gallery, NY and Galerie Michael Haas, Berlin Origin: -Martha Jackson Gallery, New York Collection: -Private collection, USA -Private collection, Barcelona Exhibitions: -Martha Jackson Gallery, New York 1968 cat.nº29, per(b/w) -Albright-knox Art Gallery, Buffalo-Museum of Contemporain Art, Chicago-Marion Koogler McNay Art institute, San Antonio-Des Moines Art Center, Des Moines-Musee d'Art Contemporain, Montrea, 1977; cat.nº 96 Bibliography: -Anna Agusti, "Tàpies. Complete work. Volume 2. 1961-1968", Fundacio Antoni Tàpies, edicions Poligrafa, SA, Barcelona 1990; nº1574, p. 316 Measurements: 114.5 x 57 cm

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ANTONI TÀPIES Barcelona (1923) / (2012) "Great Chair", 1966 Mixed media on paper Signed in the lower right corner On the back labels from Albright-Knox Art Gallery, NY; Martha Jackson Gallery, NY and Galerie Michael Haas, Berlin Origin: -Martha Jackson Gallery, New York Collection: -Private collection, USA -Private collection, Barcelona Exhibitions: -Martha Jackson Gallery, New York 1968 cat.nº29, per(b/w) -Albright-knox Art Gallery, Buffalo-Museum of Contemporain Art, Chicago-Marion Koogler McNay Art institute, San Antonio-Des Moines Art Center, Des Moines-Musee d'Art Contemporain, Montrea, 1977; cat.nº 96 Bibliography: -Anna Agusti, "Tàpies. Complete work. Volume 2. 1961-1968", Fundacio Antoni Tàpies, edicions Poligrafa, SA, Barcelona 1990; nº1574, p. 316 Measurements: 114.5 x 57 cm

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ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Glissement", 1981. Etching, aquatint and carborundum, P.A. copy. Signed and justified by hand. With stamped seal of Barbará Calcografía, Barcelona. Measurements: 60 x 69 cm (print); 80,5 x 121 cm (paper). Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Layetanas Galleries, he travels to Paris in 1950, with a grant from the French Institute. In 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both collective and individual, were held all over the world, in outstanding galleries and museums such as the Guggenheim in New York or the Modern Art Museum in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great importance to the material substratum of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Prize, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Prize for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.