Null VICENTE VELA Algeciras (1931) / Madrid (2015) "Seated figures"
Mixed techni…

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VICENTE VELA Algeciras (1931) / Madrid (2015) "Seated figures" Mixed technique on paper Measurements: 68 x 48 cm

109

VICENTE VELA Algeciras (1931) / Madrid (2015) "Seated figures" Mixed technique on paper Measurements: 68 x 48 cm

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Bertrand DORNY (1931-2015) "Oiseau de nuit Color print framed under glass Signed, titled and justified "14/50" in pencil at bottom outside plate H 53 x W 41 cm Freckles

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Rosenthal "Buddha, klein" als Kerzenhalter Designed by Otto Koch in 1923, green rose mark addition Bavaria 1931, embossed model number F67, naturalistic moulding in white porcelain, on a notched square plinth with bevelled corners an off-centre seated Buddha with outstretched hands, in front of him a small round recess in the base (probably for a candle), rare moulding as candle holder, good condition for its age, h 9.5 cm.

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JAVIER TERCERO (Valdepeñas, Ciudad Real, 1970). Untitled. Cyclic Universes Series V, 2022. Acrylic and aerosol on canvas. Attached catalog of the author. Signed, dated and titled on the back. Measurements: 181 x 120 cm. Javier Tercero, Valdepeñas studied Technical Design and Plastic Arts, specializing in "Artistic Photography", in EASDAL of Tomelloso (C. Real). He has had solo exhibitions in: Cultural Center "Cecilio Muñoz Fillol", Municipal Museum and Exhibition Center La Confianza de Valdepeñas; Exhibition Hall-Primavera-Casa del Reloj, Madrid; Centro de las Artes, Alcorcón (Madrid); IES Ramón Giraldo de Villanueva de los Infantes and EASDAL Antonio López, Tomelloso. He has also participated in other collective works, of which we highlight: IX Gregorio Prieto National Contest, Valdepeñas and Museum of the city of Madrid; X Contest of Plastic Arts Ángel Andrade of Ciudad Real; LXII National Exhibition of Plastic Arts of Valdepeñas; VI Contest Art and Energy Union Fenosa; IX National Contest Vela Zanetti (Burgos); Paloma Sanz Gallery (Madrid); International Contest of Photography PHOCO; Jesús Bárcenas Prize of Painting Municipal Museum of Valdepeñas and López Villaseñor of Ciudad Real. His works are in numerous collections of great artistic relevance among which include the collection of the Junta de Comunidades de Castilla la Mancha, the Fernando Zóbel Institute Collection. Cuenca, the Provincial Council of Ciudad Real, the City Council of Manzanares, the Contemporary Art Collection of UNION FENOSA. Museo de Pintura Hispanoamericana de Palacio de Losada and the City Council of Torrelavega, Cantabria. Among many other collections. The author's catalog is attached.

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ESTEBAN VICENTE PÉREZ (Turégano, Segovia, 1903 - New York, 2001). Untitled, 1967. Ink on paper. Signed. Exhibitions: Madrid, Elvira González Gallery, "Esteban Vicente. Black and white", 17 March - 14 April 2000, page 33 (reprod.). Barcelona, Alejandro Sales Gallery, "Esteban Vicente", November 2006 (reprod.). Measurements: 48 x 70 cm; 70 x 90 cm (frame). Esteban Vicente enters, in 1921, in the School of Fine Arts of San Fernando, in Madrid, with the purpose of training as a sculptor, but soon decides to devote himself to painting. In 1928 he held his first exhibition, after which he went to Paris, where he remained until 1930. He returned to Spain and exhibited in Barcelona and Madrid, and after the outbreak of the Civil War he worked in hiding in the mountains surrounding the capital. However, the same year of 1936 he decides to go to New York, his wife's place of origin. There he exhibited for the first time at the Kleeman Gallery in 1937. Four years later he obtained the American nationality since, having been a supporter of the Republican side, he decided not to return to Spain. He carried out numerous commissions and exhibitions in the following years, and between 1947 and 1947 he was a professor of painting at the University of Puerto Rico. Upon his return to the United States he established a relationship with the nascent New York School, participating in his exhibitions at the Kootz Gallery (1950), the Ninth Street Art Exhibition (1951) and at the Sidney Janis and Egan Galleries. He was a founding member of the New York Studio School, where he taught for thirty-six years. From the eighties onwards his work began to be known in Spain, retrospectives were dedicated to him (Banco Exterior, 1987, and Museo Reina Sofía, 1997) and he was awarded mentions such as the Gold Medal for Merit in Fine Arts (1990) and the Great Cross of Alfonso X the Wise (1999). In 1998 the Esteban Vicente Museum of Contemporary Art was inaugurated in Segovia, where a large part of his work is preserved today. Vicente's works are kept in major contemporary art museums around the world, such as the Metropolitan, the Guggenheim and the MOMA in New York, the Museo Nacional Reina Sofia in Madrid, the Smithsonian in Washington D.C., the Withney Museum of American Art or the Indianapolis Museum of Art, among others.

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