Null BENJAMIN PALENCIA Barrax (Albacete) (1894) / Madrid (1980) "Vicente", 1963
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Description

BENJAMIN PALENCIA Barrax (Albacete) (1894) / Madrid (1980) "Vicente", 1963 Ink on paper Signed and dated in the lower right corner. Work registered in the Palencia Archive. Measurements: 27.5 x 21.5 cm

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BENJAMIN PALENCIA Barrax (Albacete) (1894) / Madrid (1980) "Vicente", 1963 Ink on paper Signed and dated in the lower right corner. Work registered in the Palencia Archive. Measurements: 27.5 x 21.5 cm

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Estim. 2 500 - 3 000 EUR

BLEDA Y ROSA, María Bleda (Castellón, 1968) José M. Rosa (Albacete, 1970). Grao de Castellón, 1994. Series "Soccer fields". 1992-1995. Gelatin-silver bromide positive on rigid 100% cotton support. Ed. 5/15. With label of the Visor Gallery, Valencia. Measurements: 45 x 55 cm; 84 x 93 cm (frame) (each one). "Campos de fútbol" is one of the most representative series of the photographers Bleda and Rosa. They themselves explain about this project: "With the aim of representing the passage of time through the photographic image, at the end of 1992 we began to photograph soccer fields, attracted by those spaces that we could find at the exit of any town or on the outskirts of the city. These were places similar to those of our childhood, but due to factors such as migration from the village to the city, low birth rates or urban sprawl, they were in an advanced process of transformation or abandonment". María Bleda and José María Rosa are two Spanish photographers who use photography as a resource for their artistic expression. Their joint work could be considered as a single author and has been recognized with the National Photography Award. Since 1992 they have been holding regular exhibitions, both individual and collective, all over Spain, but also in Scotland, Portugal, the United States, China, etc. Their work can be found in the collections of different institutions such as ARTIUM, Museo Nacional Centro de Arte Reina Sofía, Museo de Arte Contemporáneo de Castilla y León, etc. They have also received several awards and recognitions such as: 1995 Imágenes Jóvenes - Arte Joven, Madrid.1996 Premio Arte Joven, Valencia.1997 Accésit Certamen de Artes Plásticas, Castellón.1999 Grand Prix Ville de Collioure.2001 Premio Altadis Artes Plásticas, Madrid.2002 Honorable Mention, IV Premio de pintura y fotografía ABC, Madrid.2005 Premio PHotoEspaña Fotógrafo Revelación, Madrid. Presents label of the Visor Gallery, Valencia.

Estim. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Miró, Museum of Modern Art Mexico". 1980. Lithograph on Arches vellum, copy 2/100. Signed, dedicated, dated and numbered in pencil. Publisher: Museo de Arte Moderno de México. Printer: Litografías Artística Damià Caus, Barcelona. Reproduced in Maeght Editeur "Miró Litógrafo VI", p. 148. Measurements: 76 x 56 cm; 97 x 77 x 4 cm (frame). This lithograph by Miró, limited to one hundred copies, was used for the poster announcing Joan Miró's exhibition in the Bosque de Chapultepec in the spring of 1980, at the Museum of Modern Art. Moons, stars, figures reduced to a few strokes in thick black enclosing in their interior primary colors... synthesize some of Joan Miró's soul constellations gathered in this image. Joan Miró was trained in Barcelona, and made his individual debut in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Starting price 7500 EUR

Soledad SEVILLA (1944 - ), attributed to "Composition" Alhambra series Untitled and unsigned. Acrylic or oil on canvas. 222 x 186 cm. 90 ARTPRICE results, including 39 in Paintings: Two highest bids: Insomnio de las brumas matinale, Oil on Canvas, 212 x 110, €32,000 Subastas Segre 21/09/2021, Y hasta la estrilla asustas en su Cielo, Acrylic on Canvas, 220 x 186, €18,000 Fernando Duran 19/03/2019. References: http://www.soledadsevilla.com/inicio/alhambra/ http://www.spainisculture.com/fr/artistas_creadores/soledad_sevilla_portillo.html http://www.soledadsevilla.com/ Born in Valencia in 1944, she trained in Barcelona at the San Jorge Higher School of Fine Arts and began her artistic activity based on experimentation and geometric forms. In the early 80s, she moved to the United States, where she wrote "Las Meninas", a series of in-depth studies of Velázquez's painting "Las Meninas". She followed this up with another book devoted to the Alhambra and its architecture. Her aim is to select and analyze in detail the tensions of the action, which explains her particular interest in bulls and the bullfighter's cape (the subjects of her next collection). Since 1990, she has devoted herself primarily to the recovery of artistic spaces, such as the castle of Vélez Blanco (Almeria). Since then, she has endeavored to establish a close link between the site and her pictorial work. Some of her works have been exhibited in museums in Madrid, Barcelona, Alava Vitoria, Granada, Sweden, Alicante and Japan. She has taken part in numerous group exhibitions in Spain, Germany, Belgium, the United States, Italy and France, and has held solo exhibitions in Europe, the Americas and Asia. Alfons Roig Prize (1977), Prix National des Arts Plastiques (1993), Médaille d'Or du Mérite des Beaux-Arts (2007), Prix Velázquez des Arts Plastiques (2020), Nomination as member of the Royal Academy of Fine Arts of San Carlos de Valencia (2022). Lots can be collected by appointment only, on THURSDAY SEPTEMBER 26, 2024, in Paris IIIème (Métro : Rambuteau - Ligne 11). [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 20 - 30 EUR

Eberhard Schlotter, Nachts Glaszylinder in nächtlicher Umgebung, mit verzerrtem Gesicht, surreal composition by the well-known graphic artist, aquatint etching on laid paper, around 1980, signed "Eberhard Schlotter" in pencil below the image on the right and numbered "64/100" on the left, wide-margined copy, on cardboard support and framed behind glass, image dimensions approx. 39 x 29 cm, sheet dimensions approx. 63.5 x 53 cm. Artist information: German painter and graphic artist (1921 Hildesheim to 2014 Altea/Spain), 1935-39 apprenticeship as a white binder, parallel 1936-37 trainee at the Kunstgewerbeschule Hildesheim, studied 1939-41 at the Munich Academy, 1941-45 military service and captivity, subsequently freelance in Darmstadt, undertook numerous study trips, including to Switzerland, the Orient, Italy, Southf. Switzerland, the Orient, Italy, southern France, South America and North Africa, 1955-57 chairman of the Neue Darmstädter Sezession and the Deutscher Künstlerbund, 1967-68 taught at the Hamburger Kunstschule, 1980-86 professor at the University of Mainz, from 1982 member of the Academia de Bellas Artes Madrid, 1986 visiting professor at the University of Bogotá, Colombia, received various honours, including the Federal Cross of Merit in 1994. including the Federal Cross of Merit in 1994, worked in Darmstadt and from 1956 had a second home in Altéa-Alicante Cap Negret, source: Vollmer and Internet.

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