Null Tom of Finland (1920-1991)
Untitled (Panel 6 from Sex in the Shed)
1975

S…

Description

Tom of Finland (1920-1991) Untitled (Panel 6 from Sex in the Shed) 1975 Signed and dated lower right Graphite on paper Getekend en gedateerd rechtsonder Grafiet op papier Signed and dated lower right Graphite on paper 29.6 x 22.4 cm (11.4 x 8.7 in) Footnotes: Provenance Private Collection, United Kingdom The present work is recorded by the Tom of Finland Foundation as work number 75.70 This lot is subject to the following lot symbols: * AR * VAT on imported items at a preferential rate on the hammer price and at the prevailing rate on the purchase commission. Please contact the department or the carriers we recommend for further information. VAT on imported items at a reduced rate on hammer price and the prevailing rate on buyer's premium. Please speak to the Department or our recommended shippers for further information. BTW op ingevoerde goederen tegen het verlaagd tarief op de hamerprijs en het geldende tarief op de aankoopprovisie. Neem gerust contact op met het bevoegde departement of onze aanbevolen transporteurs voor verdere informatie. AR An additional percentage will be charged to buyers for lots preceded by the symbol AR corresponding to artists' resale rights under the Copyright Regulations 2006. Please refer to the sales conditions for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

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Tom of Finland (1920-1991) Untitled (Panel 6 from Sex in the Shed) 1975 Signed and dated lower right Graphite on paper Getekend en gedateerd rechtsonder Grafiet op papier Signed and dated lower right Graphite on paper 29.6 x 22.4 cm (11.4 x 8.7 in) Footnotes: Provenance Private Collection, United Kingdom The present work is recorded by the Tom of Finland Foundation as work number 75.70 This lot is subject to the following lot symbols: * AR * VAT on imported items at a preferential rate on the hammer price and at the prevailing rate on the purchase commission. Please contact the department or the carriers we recommend for further information. VAT on imported items at a reduced rate on hammer price and the prevailing rate on buyer's premium. Please speak to the Department or our recommended shippers for further information. BTW op ingevoerde goederen tegen het verlaagd tarief op de hamerprijs en het geldende tarief op de aankoopprovisie. Neem gerust contact op met het bevoegde departement of onze aanbevolen transporteurs voor verdere informatie. AR An additional percentage will be charged to buyers for lots preceded by the symbol AR corresponding to artists' resale rights under the Copyright Regulations 2006. Please refer to the sales conditions for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

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Estim. 20 - 40 EUR

Set of 49 cassettes and CDs: "Peines de cœur d'une chatte anglaise", Full text read by Cathy Grandi and Georges Béjean. - La Voix de son livre, 1988. "Le Curé de Tours", full text read by Bernard Merle. - Listen to me" collection "La Messe de l'athée" - Full text, Le Livre qui parle; "La Grande Bretèche", read by Nicolas Robin "La Duchesse de Langeais" read by Fanny Ardant, 2 cassettes - La Bibliothèque des Voix, 1986. "Gambara" read by Françoise Malettra. -La Bibliothèque des voix. "La Peau de chagrin" read by Jacques Roland, 6 cassettes. - Le Livre qui parle, 1997. "Sarrazine" followed by "L'élixir de longue vie" - full text read by Sophie Chauveau and Xavier Hoffmann. - 2 cassettes, Thélème éditions, 1991. Othmar Schoeck - "Massimilla Doni" - Opera in 6 tableaux - 2 CDs, 1986. "Point de lendemain" read by Philippe Sollers, Musée du Louvre, 1 CD, 2004; "La Grande Bretèche" read by Pierre Bellemare. - 1 CD + 8-page booklet; "César Birotteau" performed by Henri Boisse, Livraphone Editions, MP3 CD, 2004; "Le Médecin de campagne" performed by Pierre Aussedat, Editions Livraphone, MP3 CD, 2004; "Eugénie Grandet" read by André Dussollier - 6 CDs "Le Curé de Tours", performed by Bernard Petit, Livraphone Editions, MP3 CD, 2004; "Études de femmes" - read by Thierry Frémont. Gallimard "écoutez lire "Le Lys dans la vallée" performed by Philippe Lejour, Livraphone Editions, MP3 CD, 2004; "La Vieille fille" performed by Sarah Jalabert, éditions Livraphone, MP3 CD, 2004; "Physiologie du rentier" full text performed by Bernard Petit "La Frélore" performed by Valérie Jeannet. Cassiopée, 2007. "L'Élixir de longue vie" performed by Valérie Jeannet. Cassiopée, 2007. "Le Médecin de campagne" performed by Pierre Aussedat. Full text, 7 Livraphone CDs. Balzac: "Le mousquetaire noir et la modiste" performed by Valérie Jeannet. Cassiopée, 2005. "Le Père Goriot" read by Jacques Castaldo - 3 cassettes La Voix de son livre, 1986. "La femme de trente ans" read by Pascal Monge, K.F.P. Le Livre à écouter. "Une ténébreuse affaire" Full text read by Yves Belluardo - CdL éditions, 1 CD MP3 "Château de Saché, visit to the Musée Balzac" 1 cassette "Facino Cane" introduction by Albert Béguin - 1 cassette [Bibliography] Set of 5 volumes: Royce, Balzac as he should be read (New York, Giraldi, 1946, Balzac - bibliographie des oeuvres traduites en roumain et parues en volume (1852-1965) (Bucharest, Romanian Institute, 1965). Royce, A Balzac bibliography (1969 reprint of the 1929 edition). Vidal, Variétés anecdotiques et historiques. Montpellier, Clerc, 1987. Waggoner, Bibliography of Balzac Criticism 1930-1990. French Research Publications, 1990. Staining on cover. Includes "De quelques Publications originales de Balzac demeurées en marge de sa bibliographie". [Bibliography] Set of 7 volumes: A Ciselet, Un grand bibliophile le vicomte de Spoelberch de Lovenjoul (P Edition universitaire, 1948). C Galantaris, Balzac bibliophile P, Puf, 1991, (offprint from Année Balzacienne 1991, with 7 plates of illustrations h.t.). Royce, Balzac as he should be read New York, Giraldi, 1946, (dispatch to James E Arnay). Royce, Indexes to A Balzac Bibliography (Chicago, University of C., 1930). D Bellos, Balzac Criticism in France 1850-1900 - The making of a Reputation (Oxford, Clarenton, 1976). Albert J. George, Books by Balzac, Syracuse University Press, 1960. Raymond Massant, Une contrefaçon belge d'Une Fille d'Ève d'Honoré de Balzac. Offprint from RHLF 1950; author's autograph letter to M. Horace Hennion.

Estim. 10 000 - 15 000 EUR

Ramiro ARRUE (1892-1971) Maison et linge au soleil Huile sur carton fort signée en bas à gauche, étiquette manuscrite par l'artiste au dos portant un numéro d'exposition "n°21". 37,5 x 46 cm (Petits frottements, bords et coins émoussés) Paysage peint depuis l'atelier de l'artiste sur la coline de Bordagain à Ciboure dénommé "Patarragoïty" où il a emménagé en 1925, cette oeuvre témoigne de l'attention de Ramiro ARRUE à rendre la lumière, l'athmosphère et les variations de couleur dans les paysages qui l'entourent. Il s'agit d'une variante de l'oeuvre conservée dans la collection de la Mairie de Saint-Jean-de-Luz, inv. n°37, Vue de l'atelier du peintre à Ciboure en 1925, huile sur toile signée en bas à droite, 50 x 61 cm et publiée dans La Gran Enciclopedia Vasca, vol. VII, fascicule 68 p. 234 et titrée Vista de Larrun. Notre oeuvre a été exposée à Londres en 1927 où elle portait son étiquette. Probablement aquis lors de cette exposition au Club Espagnol de Londres, ce tableau est certainement toujours resté en Angleterre d'où il nous arrive aujourd'hui. Exposition: - Spanish Club of London, Ramiro ARRUE exhibition of scenes from Basque Life, (...), November 22nd to December 3rd, 1927, 134 Brompton road S.W.3 London. Bibliographie : - Olivier RIBETON, Ramiro ARRUE (1892-1971) un artiste basque dans les collections publiques françaises, ed. Musée Basque, 1991. (p. 64 et 65) - José GARMENDIA et Galerie Sialelli, Ramiro ARRUE, Biarritz, 1989. - Jose Antonio LARRINAGA, Los Cuatro Arrue artistas vascos, Bilbao, 1990.

Estim. 700 - 800 EUR

United Kingdom - SMITH (Charles Hamilton). Selections of ancient costume of Great Britain and Ireland, from the seventh to the sixteenth century, out of the collection in the possession of the author. London, William Bulmer, 1814. In-folio, [4] ff. pp. v-viii, and 63 aquatint plates engraved by L.A. Atkinson after the author's drawings, each captioned with a text leaf, [2] ff. Red half-basane with corners, smooth spine decorated (period binding). Small scuff marks on spine. First edition and first printing. The album should have only 60 plates; the number 63 is explained by the juxtaposition of two successive prints for certain subjects: plate 6 (King Edgar, and a youth of distinction), plate 35 (William Beauchamp, Lord Bergavenny), and 51 (King Henry VI at his devotions). The work is one of three suites of British costumes published by the atypical soldier Charles Hamilton Smith (1776-1859), also a collector and self-taught draughtsman. (Colas II, 2755.) A fine copy, despite the minor defects noted.

Estim. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 602, p. 234, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

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