Black lacquer kimono (kimono kake) holder with hira maki-e gold lacquer decorati…
Description

Black lacquer kimono (kimono kake) holder with hira maki-e gold lacquer decoration of môn with swastika, the gilt bronze fittings decorated with the same môn on a karakusa background (cracks, missing lacquer) JAPAN - EDO period (1603 - 1868) Dim. 164 x 122 cm

377 

Black lacquer kimono (kimono kake) holder with hira maki-e g

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A FINE SIX-PANEL BYOBU WITH THE TAGASODE (‘WHOSE SLEEVES?’) MOTIF AND PLUM BLOSSOMS A FINE SIX-PANEL BYOBU WITH THE TAGASODE (‘WHOSE SLEEVES?’) MOTIF AND PLUM BLOSSOMS Japan, early 20 th century, late Meiji (1868-1912) to Taisho period (1912-1926) Ink, gouache, and watercolor on paper with silk and gold thread for the textiles. Mounted on six panels with a burgundy lacquer frame with gilt-metal fittings. The large screen depicting an elaborate kimono hung from an ornate iko (kimono rack) next to a plum tree, beneath which are two further textiles, The textiles are rendered in silk thread and are decorated with a river near an open pavilions with beautiful multicolored grass and flowers as well as a temple complex. Signed and sealed to the lower right-hand corner. SIZE 379 x 172.3 cm Condition: Very good condition with minor wear, minor soiling, and slight fraying to the silk threads. In classical love poetry the phrase Tagasode (“Whose Sleeves?”) refers to an absent woman whose beautiful robes evoke memories of their owner. A number of early screens with this sobriquet depict sumptuously patterned kimonos draped over lacquered clothing stands. This later example displays fashionable textile patterns of the Edo period, and some of the with the pattern of common Kyoto textiles. Beginning in the medieval period, Kyoto was known for its textile industry, centered in what is now the Nishijin district. Empress Consort Tōfukumon’in (1607–1678), wife of Emperor Go-Mizunoo (1596–1680), frequently ordered richly ornamented garments from Kariganeya, a textile shop catering to the old aristocracy, and her purchases initiated official imperial patronage of Kyoto textiles. Museum comparison: Compare an earlier six-panel byobu with the same motif, dated first half of the 17 th century, in the Metropolitan Museum of Art (The MET), accession number 62.36.2, .3.