Null Georges-Lucien GUYOT (1885-1973)
Pink flamingos
Watercolor.
Dry stamp of th…
Description

Georges-Lucien GUYOT (1885-1973) Pink flamingos Watercolor. Dry stamp of the studio. (Horizontal median fold). 25.5 x 11 cm

181 

Georges-Lucien GUYOT (1885-1973) Pink flamingos Watercolor. Dry stamp of the studio. (Horizontal median fold). 25.5 x 11 cm

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Lot of 8 books: Lécuyer & Cadilhac, Demeures inspirées et sites romanesques. SNEP, 1949. Full leatherette. Contains 4 chapters on Balzac: la maison de Baleac, Balzac chez Lucien de Rubempré, Le lys dans la vallée & La véritable Eugénie Grandet. The first is by Lécuyer, the others by Cadilhac. Sur les pas de Balzac, paroles de préfets. Revue de l'Académie du Centre, 1999. Pitt-Rivers, Balzac et l'art. Chêne, 1993. Gaillard, Paris au temps de Balzac. Prestige, 2001. Oster & Goulemot, La vie pariseinne. Sand/Conti, 1989. Loisel, La Comédie humaine vendômoise au temps de Balzac. Auguste Borget, painter and traveler around the world. Ukraine and France in the 19th century. Paris-Munich, 1987. Cordonnier, Causeries du samedi - II. 1964. [Balzac et les femmes] Lot de 9 volumes dont : R Barbiera, Il salotto della contessa Maffei (Milano, Treves, 1895, half-percaline). LJ Arrigon, Balzac et la Contessa (P, Portiques, sd, dispatch with recipient's name cut out). S de Korwin-Piotrowska, L'étrangère - Eveline Hanska de Balzac (P, Colin, 1938). H Rebell, Les inspiratrices de Balzac (P, Dujarric, sd, demi-percaline). M Bouteron, La véritable image de madame Hanska (P, images du temps, 1929, sur rives). J. Helm-Floyd, Les femmes dans la vie de Balzac (P, Plon, 1926, full percaline). A Arrault, Madame de Berny, Balzac's first love (Tours, Arrault, 1948). A Arrault, Madame Hanska le dernier amour de Balzac (Tours, Arrault, 1949). E Dufour-Kowalski, Balzac et Madame Hanska - Réminiscences d'un Roman d'Amour (P, Panthéon, 1994). Good set in good condition. [Balzac et ses amis] Lot of 9 works: Mme Emile de Girardin, La Canne de Balzac. Paris, Calmann-Lévy, 1885. Eldon Kaye, Charles Lassailly. Paris, Minard, Genève Droz, 1962. Parménie & Bonnier de la Chapelle, Histoire d'un éditeur et de ses auteurs - P.J. Hetzel. Paris, Albin Michel, 1953. Ségu, Henri de Latouche, un romantique républicain. Paris, Les Belles Lettres, 1931. Ségu, Henri de Latouche, un journaliste dilettante. Paris, Les Belles Lettres, 1931. Mon cher George - Balzac et Sand, histoire d'une amitié. Paris, Gallimard, 2010. Zulma Carraud, Les Goûters de la Grand'mère. Paris, Hachette, 1869. In-12, pink library, spines partly split. Georges d'Heilly, Madame de Girardin. Paris, Bachelin-Deflorenne, 1868. In-16, on laid paper. Jouin, Jean Gigoux. Paris, bureaux de l'Artiste, 1895. In-4, partly uncropped.

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930