186 Philippe MICHEAU-RUIZ (contemporary)
Untitled (PMR07-04), 2007
Acrylic and m…
Description

186 Philippe MICHEAU-RUIZ (contemporary) Untitled (PMR07-04), 2007 Acrylic and mica on canvas board, signed on the back. 14 x 22.3 cm. For Philippe Micheau-Ruiz, the landscape is a place of memory and a space for meditation, shaped by man or nature. Guided by the principle of how dreams work, the artist offers the viewer an immersive experience in the landscape to capture the "state of nature".

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186 Philippe MICHEAU-RUIZ (contemporary)

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Soledad SEVILLA (1944 - ), attributed to "Composition" Alhambra series Untitled and unsigned. Acrylic or oil on canvas. 222 x 186 cm. 90 ARTPRICE results, including 39 in Paintings: Two highest bids: Insomnio de las brumas matinale, Oil on Canvas, 212 x 110, €32,000 Subastas Segre 21/09/2021, Y hasta la estrilla asustas en su Cielo, Acrylic on Canvas, 220 x 186, €18,000 Fernando Duran 19/03/2019. References: http://www.soledadsevilla.com/inicio/alhambra/ http://www.spainisculture.com/fr/artistas_creadores/soledad_sevilla_portillo.html http://www.soledadsevilla.com/ Born in Valencia in 1944, she trained in Barcelona at the San Jorge Higher School of Fine Arts and began her artistic activity based on experimentation and geometric forms. In the early 80s, she moved to the United States, where she wrote "Las Meninas", a series of in-depth studies of Velázquez's painting "Las Meninas". She followed this up with another book devoted to the Alhambra and its architecture. Her aim is to select and analyze in detail the tensions of the action, which explains her particular interest in bulls and the bullfighter's cape (the subjects of her next collection). Since 1990, she has devoted herself primarily to the recovery of artistic spaces, such as the castle of Vélez Blanco (Almeria). Since then, she has endeavored to establish a close link between the site and her pictorial work. Some of her works have been exhibited in museums in Madrid, Barcelona, Alava Vitoria, Granada, Sweden, Alicante and Japan. She has taken part in numerous group exhibitions in Spain, Germany, Belgium, the United States, Italy and France, and has held solo exhibitions in Europe, the Americas and Asia. Alfons Roig Prize (1977), Prix National des Arts Plastiques (1993), Médaille d'Or du Mérite des Beaux-Arts (2007), Prix Velázquez des Arts Plastiques (2020), Nomination as member of the Royal Academy of Fine Arts of San Carlos de Valencia (2022). Lots can be collected by appointment only, on THURSDAY SEPTEMBER 26, 2024, in Paris IIIème (Métro : Rambuteau - Ligne 11). [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Ian Philip Alpine A110 Bleu de France Pièce UNIQUE 1/1 Resin sculpture, fiberglass, acrylic paint and body gloss varnish. Matte black lacquered base. Dimensions: 70 x 35 x 15 cm for the Alpine and 80 x 40 x 2 cm for the base. Thanks to Thierry Doreau for the shoot in the Driver 402 showroom. With galleries in Paris, Cannes, Reims and Namur, events on his calendar, and even and major automotive events such as Rétromobile, Ian Philip is definitely 100%, or more, in artistic creation. After a long period in the Marvel world, Ian Philip is now transposing his pop codes and their heroes, who are as charismatic charismatic but more real than the comic-book stars Formula 1 champions. His approach is one of fascination, respect, but also humor and joy. the same distance that a child's gaze a child's eye. For many of us, this relationship for many of us, the same relationship we feel for and motorsport. This is undoubtedly one of the reasons for the artist's success. artist's success. A sculptor as much as a painter, Ian Philip is as comfortable with color as he is with form. A natural from his background as a body painter. He shapes his prototypes by hand, restoring the volumes and volumes and lines of iconic Ferrari models, Aston Martin, Porsche and Alpine. He invents the hybrid silhouettes of his Business series, 3D images of gentlemen drivers and revisits helmets. It takes hours of patient, meticulous work, in an aseptic atmosphere, to achieve the exact exact finish. At the end of the day is the sheer brilliance of the material gliding glides over the curves. A vitamin-rich miracle propelled by spray gun or aerosol. or aerosol. A bomb effect; in the language of the imagination, each of Ian Philip's pieces is an eye-catcher. As a lover of beautiful cars, we're obviously to his aesthetic reinterpretations and powerful reinterpretations. Whether it's the GT silhouettes on the Skate, the scaled-down sculptures of the sculptures of the F40, portraits of Lewis Hamilton, his muse Hamilton, his muse, or the Brick series of Lego-style with Lego-style F1 champions, Ian Philip's style play with contemporary codes and bend them to his own and to his own taste.

JOSEPH MARIONI (Cincinnati, Ohio, 1943). "Yellow painting. 2001. Acrylic on canvas. Signed, titled and dated on the back. Size: 107 x 102 cm. From the seventies onwards, Joseph Marioni began an aesthetic exploration of the limits of painting. In monochrome paintings such as this one, there is a special tension between colour, light and support: Marioni repeatedly applies layers of satin colour on the painting in such a way that, depending on the incidence of light and the viewer's position, they reveal the underlying layers of colour. The painting of the American painter Joseph Marioni falls within the sphere of influence of the New York Radical Painting group, with which he shares above all the research into the parameters of painting. Joseph Marioni's works, created in a characteristic manner since 1970, combine to form a conceptual oeuvre with a resounding aesthetic that allows us to ask fundamental questions about the genre of painting. Marioni has participated in numerous solo and group exhibitions in the United States and Europe. His works are represented in major private and public collections, including the Whitney Museum of American Art in New York, the San Francisco Museum of Art, the Kolumba (Museum) in Cologne, the Kunstmuseum Wolfsburg, the Kunstmuseum Basel and the Kunstmuseum St. Joseph Marioni lives and works in New York. Solo exhibitions (selection): 2006: Peter Blum Chelsea, New York, USA 2007: Liquid Light, Wade Wilson Art, Houston, USA 2007: University Art Gallery, University of Massachusetts, New Bedford, USA 2008: Liquid Light, McNay Art Museum, San Antonio, USA. 2008: Drawing Color - between Black and White, Mark Müller Gallery, Zurich, Switzerland 2009: Beneath the Seen, Wade Wilson Art, Houston, USA 2010: Baronian-Francey, Brussels, Belgium 2011: 90 Years of New: Joseph Marioni, The Phillips Collection, Washington, USA 2012: Painting, Hengesbach Gallery, Berlin, Germany 2013: Marioni/MacPherson, UQ Art Museum, St Lucia, Queensland, Australia