Null Willroider, Ludwig
(1845 Villach/Carinthia - Bernried on Lake Starnberg 191…

Description

Willroider, Ludwig (1845 Villach/Carinthia - Bernried on Lake Starnberg 1915). View of Frankfurt from the Mühlberg. Watercolor and pencil, ca. 28 x 49 cm. Signed lower left. inscribed "Frankfurt a.M. 911" lower right. Framed under glass (not framed). Fold mark in the center. D

4444

Willroider, Ludwig (1845 Villach/Carinthia - Bernried on Lake Starnberg 1915). View of Frankfurt from the Mühlberg. Watercolor and pencil, ca. 28 x 49 cm. Signed lower left. inscribed "Frankfurt a.M. 911" lower right. Framed under glass (not framed). Fold mark in the center. D

Auction is over for this lot. See the results

You may also like

Estim. 1 000 - 1 200 EUR

French Aubusson tapestry, 19th century. "Landscape with castle". Hand-knotted wool. Measurements: 215 x 296 cm. The refinement of this hand-woven tapestry testifies to the high quality of Aubusson tapestries. A luxuriant garden opens before us showing a small lake with bridges on its banks and a castle in the background. Cherry blossoms and rose bushes border the pond. The landscape has been resolved with ease and descriptive precision, in richly contrasting tones with a predominance of green, blue and earthy tones, with pink details. The subject is in keeping with nineteenth-century aristocratic taste. The city of Aubusson agglutinated numerous tapestry workshops, which were created by Flemish weavers who settled in the area at the end of the 16th century. They had a rudimentary operation, compared to the Royal Gobelins Manufacture: they had no painters, dyers, nor a commercial structure, so their tapestries were sold in inns, to a lower class private clientele, mainly provincial aristocrats. In the sixteenth and seventeenth centuries, the Aubusson workshops specialized in vegetable tapestries (with eminently floral decoration), but the situation changed radically when, in the mid-seventeenth century, this center was reorganized by Jean-Baptiste Colbert, minister of Louis XIV, with the aim of converting these workshops into royal manufactories. He then subjected the Aubusson and Felletin workshops to a guild regulation and, in exchange, promised to provide them with a painter and a dyer. This promise, however, would not become effective until the 18th century, a turning point for the workshops of La Marche, which would see a considerable increase in the quality of their tapestries by being able to count on a painter dedicated to making cartons and a dyer who would produce dyes of a higher quality than those used until then.

Starting price 350 EUR

Marx, Alexander Pittoreske Ansichten des Ludwig-Donau-Main-Kanals. Mit 24 (von 26) Stahlstichtafeln und 1 gest. Karte. Nürnberg, 1845-47. Quer-4°. Pp. d. Zt. (stärker beschabt). Donau Marx, Alexander Pittoreske Ansichten des Ludwig-Donau-Main-Kanals. Mit 24 (von 26) Stahlstichtafeln und 1 gest. Karte. Nürnberg, 1845-47. Quer-4°. Pp. d. Zt. (stärker beschabt). Erste Ausgabe. - Andres 154 - Text von F. Schultheiss. - Mit dekorativen Ansichten, eingefasst von breiter, prachtvoller Bordüre mit Personenstaffage. Die Ansichten zeigen Kanal bei Erlangen, Die Schleuse bei Riedenburg, Der Kanalhafen von Nürnberg, Der Dooser Brück.Kanal u.a. - Etwas gebräunt bzw. stock- u. braunfleckig, auch teils wasserrandig, überwiegend aber in den Aussenrändern. - Dabei: Simrock, K., Das malerische und romantische Rheinland. Mit 60 Stahlstichen. Leipzig, 1851. HLdr. mit RVerg. (beschabt). - Teils braun- bzw. stockfleckig, überwiegend in den Außenrändern. - Dabei: Tromlitz, A., Romantische Wanderung durch die Sächsiche Schweiz. Mit 30 Stahlstichen. Leipzig, 1837. Gr.-8°. OLwd. (R. verblasst). - Gutes Exemplar. 500

Starting price 600 EUR

Meixner, Ludwig - zugeschriebenStrandfischer. Um 1875. Öl auf Holzplatte. 17,7 x 28,3 cm. Im goldfarbenen Stuckrahmen der Zeit gerahmt. Dort verso mit Etikett mit Werkdetails von fremder Hand bezeichnet. - Entlang der Kanten etwas berieben und vereinzelt mit leichten Farbabplatzern als Spur der Rahmung. Verso die Holzplatte mit kleinen Kratzern und Klebespuren. Unter UV punktuelle Retuschen erkennbar. Insgesamt sehr gut. Stimmungsvolles Seestück. Maritime Kunst Meixner, Ludwig - zugeschrieben Strandfischer. Um 1875. Öl auf Holzplatte. 17,7 x 28,3 cm. Im goldfarbenen Stuckrahmen der Zeit gerahmt. Dort verso mit Etikett mit Werkdetails von fremder Hand bezeichnet. - Entlang der Kanten etwas berieben und vereinzelt mit leichten Farbabplatzern als Spur der Rahmung. Verso die Holzplatte mit kleinen Kratzern und Klebespuren. Unter UV punktuelle Retuschen erkennbar. Insgesamt sehr gut. Stimmungsvolles Seestück. Provenienz: - Süddeutscher Privatbesitz. - Im Personalstil und -sujet des Münchener Malers Ludwig Meixner gehaltenes Seestück, das atmosphärisch bei Nacht in das Licht des Mondes getaucht ist. Der See galt bis in das 19. Jh. als mystischer, sagenumwobener Ort, der noch wenig entdeckt, geschweige denn vertraut war. Diesem Eindruck folgend, zeigt sich unsere Sezene geheimnisvoll. Nur durch wenige Staffagefiguren, die sich am Strand befinden, wird die Szene belebt. Davon ist ein Mann als Fischer aktiv. Begleitet von seinem Hund, wirft er seine Angelrute soeben aus, im Begriff den nächsten Fang aus dem Meer zu ergattern. - Stilistisch ist die Arbeit der Romantik zuzuordnen, die Szene strahlt eine düstere, nahezu morbide Schönheit aus. Oil on wood panel. Framed in a gold-coloured stucco frame of the period. Inscribed on the verso with a label with work details by an unknown hand. - Slight rubbing along the edges and occasional losses of colour as traces of framing. On the verso the wooden panel with small scratches and ah´dhesive traces. Isolated retouches visible under UV light. Very good overall. Atmospheric seascape. - Provenance: Suthern german private ownership. - A seascape in the personal style and subject of the Munich painter Ludwig Meixner, atmospherically bathed in the light of the moon at night. - Stylistically, the work can be categorised as Romanticism, the scene radiates a sombre, almost morbid beauty.

Estim. 900 - 1 200 EUR

KUTCHINSKY BRACELET WATCH in yellow gold (750 thousandths). Dial with painted enamel miniature depicting "a sailboat at sea". Quartz movement. Leather strap. Case signed KUTCHINSKY and bears the jeweler's hallmark inside. English work. Caliber: 23 mm. Gross weight: 22.1 g. Former court jewelers to Ludwig of Bavaria, the Kutchinsky family fled Poland at the end of the 19th century for London, where they opened a jewelry workshop. After the Second World War, Kutchinsky's bold creations had a major impact. He made a name for himself with his enamelled jewelry and objects.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]