Null Wehrmann, Antoinette M. (Toni)
(1898 Hamburg - resident in Stuttgart). 10 s…

Description

Wehrmann, Antoinette M. (Toni) (1898 Hamburg - resident in Stuttgart). 10 sheets mostly with Christmas scenes, some probably designs for greeting cards. Watercolors over pencil, dat. 1938 and 1945. ca. 14.5 x 10 to 23.5 x 17.5 cm. 9 mounted on card, sheet size approx. 25 x 18 cm. 8 sheets signed. "Toni Wehrmann", 6 dated, 1 sheet monogr. and dat. Partly with address stamp verso a. partly on cardboard signed in pencil a. titled: "Wichtelweihnacht", "Christfest der Seligen", "Das Krippenwunder", "Die Baumschmückung", "Der Kinder Christbescherung". - Partly stained. D

4420

Wehrmann, Antoinette M. (Toni) (1898 Hamburg - resident in Stuttgart). 10 sheets mostly with Christmas scenes, some probably designs for greeting cards. Watercolors over pencil, dat. 1938 and 1945. ca. 14.5 x 10 to 23.5 x 17.5 cm. 9 mounted on card, sheet size approx. 25 x 18 cm. 8 sheets signed. "Toni Wehrmann", 6 dated, 1 sheet monogr. and dat. Partly with address stamp verso a. partly on cardboard signed in pencil a. titled: "Wichtelweihnacht", "Christfest der Seligen", "Das Krippenwunder", "Die Baumschmückung", "Der Kinder Christbescherung". - Partly stained. D

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Grebo miniature mask. Liberia, Ivory Coast. H 15.5cm. With central forehead bulge, bulging forehead, tube eyes and beard made of raphia fibers. With certificate of authenticity from Toni Dähler! According to Toni Dähler, the mask was carved after the predecessor died to provide a home for her spirit (see certificate). The Grebo are an ethnic group of around 300,000 people who live on the banks of the Cavally River in southern Liberia. The Cavally River forms the border between Liberia and Côte d'Ivoire. The Grebo are also known as the Central Kru because they are located between two Kru groups. This geographical location of the Grebo and the fact that, like their neighbors, they also speak Kru and only a few masks of them are known, led to many years of confusion: the completely abstract masks of the Kru were mistaken for Grebo. However, the few surviving Grebo masks and their extremely rare figurative sculptures show rather smooth, pleasing forms and are thus stylistically very close to the Mande-speaking Dan in the north. Remnants of blue paint, traces of long use, intact. Provenance: ex collection Toni Dähler, Basel, 1958; ex Neumeister auction M 50, Munich 10 Nov. 2011, lot 523.

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AVIATION PRECURSORS - ERINNOPHILY / CARTOPHILY. CIRCUIT DE L' EST d' AVIATION - Meeting d' aout 1910, 1e étape PARIS-TROYES. Postcard no. 4, very close-up of the Antoinette monoplane "M. BLERIOT, on the runway, watching Aubrun's aircraft come into focus". - With bright red Meeting vignette, seal model with correct date August 7-18, 1910 (Siliombra 16).

14 kt gold bracelet with 7 20 Mark gold coins , YG 585/000 and ducat gold, 20 Mark 1900, Otto king of Bavaria, 3 x 20 Mark Wilhelm II. 1912, 1898, 1905, German king, emperor of Prussia, 20 Mark Wilhelm 1876, German king, emperor of Prussia, 20 Mark Friedrich 1888 German king, emperor of Prussia, 20 Mark Free and Hanseatic City of Hamburg 1878, l. approx.21 cm, total approx. 76.8 g, case lock with safety eight

Scheits, S. M. - Matthias Scheits ca. 1625/30 - Hamburg - ca. 1700. Matthias Scheits, artistically socialized in the Netherlands, continued to orientate himself towards Dutch genre painting after his return to Hamburg. He captured scenes of peasant life reminiscent of David Teniers and Adriaen von Ostade. The scene shown here was painted in 1695, a few years before Scheit's death, and is thus the latest version of the subject in his oeuvre - he had already created two drawings on this theme in 1675 (Hamburger Kunsthalle, Kupferstichkabinett, inv. no. 29446 and Albertina, Vienna, inv. no. 3686), which correspond compositionally to the painting; another version of the painting is also in Hamburg (Hamburger Kunsthalle, inv. no. 253). Scheits also dealt with this theme in etchings, "Der Zudringliche", oil on canvas, genre scene of a Dutch peasant dance on the edge of a village with two couples and other people at the right edge of the picture, one couple is taking a break while the other couple is dancing, the dancer is harassing his partner and she is trying to escape his advances, right and sign. and dat. 1695 restored, relined canvas, craquelure, several retouches, c. 60x83cm, slightly dam., c. 83x105cm, Literature: Peter Prange: Deutsche Zeichnungen 1450-1800, Die Sammlungen der Hamburger Kunsthalle Kupferstichkabinett, vol. 1, Cologne/Weimar/Vienna 2007, p. 322, no. 908, note 3, Provenance: In private ownership for decades, Northern Germany

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