Null Schmidt Crans, Johan Michael
(1830 Rotterdam - The Hague 1907). Boy with ra…

Description

Schmidt Crans, Johan Michael (1830 Rotterdam - The Hague 1907). Boy with raincoat and fisherman's hat. Charcoal drawing. Approx. 28 x 20 cm. - Slight wear. d

4185

Schmidt Crans, Johan Michael (1830 Rotterdam - The Hague 1907). Boy with raincoat and fisherman's hat. Charcoal drawing. Approx. 28 x 20 cm. - Slight wear. d

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Starting price 400 EUR

Album mit ca. 260 OPhotographien u. Photopostkarten einer Schiffspassage mit der "Scharnhorst" von China nach Deutschland. 24. März - 26 April 1936. Meist Silbergelatine Abzüge auf Photopapier (Agfa Brovira u.a.). Maße von 4 x 4 cm bis 20,5 x 14,5 cm. Quer 4°. Eingesteckt in Stoffalbum d. Zt. mit Kordelbindung. Dort meist hs. bezeichnet. Album mit ca. 260 OPhotographien u. Photopostkarten einer Schiffspassage mit der "Scharnhorst" von China nach Deutschland. 24. März - 26 April 1936. Meist Silbergelatine Abzüge auf Photopapier (Agfa Brovira u.a.). Maße von 4 x 4 cm bis 20,5 x 14,5 cm. Quer 4°. Eingesteckt in Stoffalbum d. Zt. mit Kordelbindung. Dort meist hs. bezeichnet. Ab Shanghai mit ausführlichen Landgängen bzw. Aufenthalten in Hongkong, Manila, Singapur, Penhang, Sumatra, Colombo, Suezkanal, Port Said, Marseille, Barcelona, Mallorca, Southhampton, Rotterdam, Den Haag bis Bremerhaven. - Die "Scharnhorst" verblieb nach Kriegsausbruch in Japan und wurde dort zu einem Flugzeugträger umgebaut. - Mit einigen Photopostkarten sowie Fremdbildern garniert. - Hemdchen mit kl. Randläsuren, einige Aufnahmen entnommen, tls. etw. ausgesilbert, insgesamt jedoch sehr gut erhalten. Album with approx. 260 orig. photographs and photo postcards of a ship passage with the "Scharnhorst" from China to Germany. Mostly gelatin silver prints on photographic paper (Agfa Brovira and others). Inserted in cont. cloth album with cord binding. - From Shanghai with numerous stops in Hong Kong, Manila, Singapore, Penhang, Sumatra, Colombo, Suez Canal, Port Said, Marseille, Barcelona, Mallorca, Southhampton, Rotterdam, The Hague to Bremerhaven. - The "Scharnhorst" remained in Japan after the outbreak of war and was converted into an aircraft carrier there. - Garnished with a few photo postcards and foreign pictures. - Interleaves with small marginal tears, some photographs removed, some silvered, but overall in very well preserved condition. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 80 - 120 EUR

James Holland, attr., Italian Landscape Wide country road lined with a few trees in a hilly landscape with passers-by and a mountain range in the background, watercolour over graphite, mid-19th century, signed "J. Holland" lower right, somewhat faded and paper more browned, matted and framed behind glass, mat cut-out approx. 14.5 x 21.5 cm. Artist information: English painter and illustrator (1799/1800 Burslem to 1870 London), from 1812 flower painter in a pottery, 1819 moved to London, 1824 first exhibition at the Royal Academy of Arts, 1830 study trip to France, 1835-43 member of the Society of Painters in Water-colours, subsequently member of the Royal Society of British Artists, 1836 trip to Milan, Venice, Paris and Geneva, further study trips to Rotterdam, Portugal, Normandy and Wales, 1857 he exhibited his works publicly for the last time. Source: Thieme-Becker and Wikipedia.

Estim. 1 500 - 2 250 EUR

C. Beeldemaker, Jagdhunde zu Füßen einer Ruine five hunting dogs in an evening mountainous summer landscape against a backdrop of morbid ruins, slightly impasto genre painting in restrained colours, oil on canvas, signed and dated "CBeeldemaker Ft. 1700", this is either Adriaen Cornelisz Beeldemaker (1618 Rotterdam to 1709 The Hague) or his son Cornelis Beeldemaker (1671 Leiden to after 1742), on the reverse several old owner's labels "Carl W. Grasnick, Berlin-Charlottenburg ...", craquelure, old closed loss in the canvas, old restoration, framed in an old gilt stucco frame with brass frame label "A. C. Beeldemaker 1625-1701", folded dimensions approx. 33 x 41 cm.

Estim. 900 - 1 350 EUR

Adrien De Braekeleer, attr, Two genre scenes including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. Artist info: actually Ferdinand Norbertus Adrianus De Braekeleer, also Adriaan or Adriaen, Belgian genre painter (1818 Antwerp to 1904 Antwerp-Borgerhout), initially trained and worked as a merchant, later turning to painting and pupil of his uncle Ferdinand de Braekeleer the Elder (1792-1883), influenced by the history painting of Hendrik Baron Leys (1815-1869), who, as the brother-in-law of his teacher Ferdinand de Braekeleer the Elder, worked in his studio for a time, organised various exhibitions in Antwerp, Nijmegen, Rotterdam, The Hague and Ghent, active in Antwerp, source: Thieme-Becker, Bénézit, Müller-Singer, Wurzbach, Müller-Klunzinger, Boetticher, Seubert as well as French. and Dutch Wikipedia.

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