Ostendorfer, Michael
(c. 1490/1494 in Munich or Straubing - Regensburg 1559) Rep…

Description

Ostendorfer, Michael (c. 1490/1494 in Munich or Straubing - Regensburg 1559) Reprint. The Lamentation of Christ. Woodcut 1548 from 8 sticks (the upper 4 joined to 2) on 4 sheets with watermark "Kiener Fréres/Grand Raisin", about 1800. Each sheet c. 61 x 45.5 cm. With the monogr. and date in the block and "E5" below the lower right printing block. M. Geisberg, The German single-leaf woodcut: 1500-1550, New York, 1976, p. 964f. Cf. 2 Exe. in the Alberina Vienna, Graphic Collection, inv. no. DG1933/2203 and DG1933/2204. - The present could be Derschau prints, see Lugt 2510. - Slightly burnt and occasional small foxing.

4030

Ostendorfer, Michael

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Estim. 11 000 - 16 500 EUR

Max von Widnmann, "Gemeinschaftliche Lektüre" 1869/70, inscription Max Widnmann fecit on the side, green and brown patinated bronze, large-format depiction of Francesca da Rimini, probably with her husband Paolo Malatesta's stepbrother, reading a book together, symbolising the connection between the two people, who are accused of adultery in various traditions (the best known is probably Dante Alighieri's Divine Comedy), for which she and her lover were murdered by her husband Giovanni Malatesta, in medieval dress on a small rectangular plinth, mounted on a dark brown stained wooden base, in very good condition according to age, bronze h 79 cm, total h 93 cm. Enclosed: Book "Maximilian von Widnmann - Leben und Werk", Anneliese-Senger-Stiftung, Munich 2019, the sculpture is mentioned on p. 168. Info: This sculpture can only be shipped with a forwarding agent. Artist information: actually Maximilian Widnmann, from 1887 Ritter von Widnmann German sculptor (1812-1895), studied in Munich at the Academy of Fine Arts under Prof. Konrad Eberhard and Prof. Ludwig Michael von Schwanthaler, travelled to Italy, then initially worked in one of Schwanthaler's workshops, then freelanced in Munich, received commissions from King Ludwig I and took over Schwanthaler's professorship at the Academy in 1848. Source: "Maximilian von Widnmann - Leben und Werk", Anneliese-Senger-Stiftung, Munich 2019, p. 10.

Starting price 2000 USD

APIANUS Petrus - AMANTIUS Bartholomeus APIANUS Petrus - AMANTIUS Bartholomeus Inscriptiones sacrosanctae vetustatis... Ingolstadt, Petrus Apianus, 1534 In folio. Full sow skin on wooden boards. 5-rib spine with title in ink (Boissard Antiquitat. Vol. II, see below). Beveled boards decorated with filleting, scrollwork and central medallions. Metal clasps present and complete. Slight defect at tail cap. Title in red and black illustrated with a large superb vignette, text framed by ornamental and historiated frames, several of them on a black background, interesting figures in the text, some initials from the astronomical alphabet and the children's alphabet, woodcut by Michael Ostendorfer. Rare first edition of this very first work on classical inscriptions printed in Germany, and the world's first printed corpus of classical inscriptions. Although better known for his sumptuous scientific works, Apian was commissioned by the banker Raimund Fugger to publish these ancient inscriptions, most of which were to be found in Fugger's famous collection. At the end of the previous century, Pomponius Leto and his Roman Academy had begun to take an interest in the epigraphy of ancient Rome; this trend eventually gave rise to printed compilations like this one, which not only gave more distant people access to the city's material history, but also enabled inscriptions from all over Europe to be collected and studied together: for Brunet (I, 342), "this collection is the most considerable of its kind that we had at the time." Apian's work played an important role in the transmission of Italian material culture to Northern Europe. The book is beautifully illustrated, with picaresque woodcut borders by Michael Ostendorfer (or Hans Brosamer, depending on the bibliographer), numerous inscriptions depicted in situ and an emblematic device after Dürer. Bound with : BOISSARD Jean-Jacques V - [VI]. Pars Antiquitatum Romanarum Sive III [Sive IIII] Tomus Inscriptionum & Monumentorum, quæ Romæ in saxis & marmoribus visuntur [Containing the De sepulchris et vario sepeliendi ritu liber ... by Lilio Gregorio Giraldi] Frankfurt am Main, Théodore de Bry, 1600-[1602], 2 volumes 2 volumes containing for the 1st (V Pars) an engraved title page + 9 [ff.] + 127 engravings (out of 130) and for the second (VI Pars) 3 [ff.] + 47 pp. + 120 engravings (out of 145). A total of 247 engravings of Roman inscriptions and monuments. Some ff. and engravings browned.

Estim. 500 - 1 000 EUR

Michael Zeno Diemer (1867 Munich - 1939 Oberammergau) Steamship on a turbulent sea Under an atmospheric cloudy sky, the steamer of the imperial navy on a surging, foaming sea. Gouache and watercolor/paper or cardboard. L. a. signed with location Munich. Visible dimensions 26.8 cm x 49.4 cm. Frame. Gouache and watercolour on paper or cardboard. Signed with location Munich.

Estim. 2 000 - 3 000 EUR

CHARLES MUENCH (1966- ) Plein Air Oil on Panel Pacific Grove, CA Charles Muench received a Bachelor of Fine Arts degree from San Jose State University in 1988, studying primarily under Maynard D. Stewart, the son of Utah landscape painter, Leconte Stewart. After receiving his degree, Muench moved to New York City and attended classes at the Art Students League* with David Leffel, Michael Burban, Jack Faragasso, and others. In 1992, he moved to Madrid where he painted the city and countryside, studied Eugenio Velasquez (1817-1870), copied master works in the Prado Museum, and studied at the Circulo Bellas Artes, a cultural centre. Primarily a studio painter, Charles Muench has been intently studying landscape and plein-air* painting. He was honored in the Arts for the Parks Top* 100 in 1999, establishing his reputation in the genre. Charles is featured in the June 2010 issue of American Art Collector. He has been featured in the June 2007 and the June 2003 issue of Southwest Art as well as the May 2005 issue of Plein Air magazine. In 2011, Charles received the Southwest Art Award of Excellence at the California Art Club's 100th Annual Juried Exhibition. In 2010, Charles won the Edgar Payne Award for Best Landscape at the California Art Club's 99th Annual Juried Exhibition. He was unanimously elected a Signature Member of the California Art Club. Charles received the First Place Award at the 2008 Heritage Art Exhibition presented by Joan Irving Smith as well as the Collector's Choice Award at the 2008 and 2005 One of America's finest landscape painters, Charles Muench has won Gold medals in many of the most important art exhibitions in the world. Maynard Dixon Country Invitational. Charles was awarded the First Place Award and "Best Painting of the Cove" Award at the 2007 and 2005 Crystal Cove Alliance Invitational in Laguna Beach, CA. He also was honored with the Best of Show/Artist's Choice Award at the 2006 Telluride Plein Air Show. Charles received the Gold Medal Award at the San Luis Obispo Plein Air Event in October 2002. Charles has had his work included in the Arts for the Parks Top 100 Exhibit. His work is accepted annually in the California Art Club's Annual Gold Medal Exhibit and the Gilcrease Museum's American Art in Miniature Exhibition. In the August/September 2009 issue of International Artist, Muench had a one-page write up in an article titled "Master Painters of the World-United States Showcase", p. 27. The provenance of this lot is from the artist to a quality collector in South Florida. We have included quality scans to show it's actual condition. The dimensions are Approx. 12" x 16" (panel). The Gold wooden frame is 3" wide. This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

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