Null Kalckreuth, Leopold Graf von
(1855 Düsseldorf - Eddelsen near Hittfeld 1928…

Description

Kalckreuth, Leopold Graf von (1855 Düsseldorf - Eddelsen near Hittfeld 1928). Wagon on the village street. Etching from: The Graphic Arts. XLIV. Volume 1 published by Ges. d. vervielf. kunst, Vienna 1921. 11.5 x 14.8, sheet size 16.7 x 19 cm. Glued on gray paper (38.5 x 28 cm) at upper margin and there typogr. inscribed R

3774

Kalckreuth, Leopold Graf von (1855 Düsseldorf - Eddelsen near Hittfeld 1928). Wagon on the village street. Etching from: The Graphic Arts. XLIV. Volume 1 published by Ges. d. vervielf. kunst, Vienna 1921. 11.5 x 14.8, sheet size 16.7 x 19 cm. Glued on gray paper (38.5 x 28 cm) at upper margin and there typogr. inscribed R

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Olympic Games/ summer, 1912/ Stockholm/ Coubertin/ Pommery/ Mumm/ Château Lafitte/ Two programs for the Royal dinner on July 7, 1912. Both feature the same striking cover of the god Thor with his sacred hammer in his chariot pulled by the two goats Tanngrisnir and Tanngnjöstr. a) the list of foreign and Swedish guests, with seating plan....Four speeches will be given, with Colonel Balck opening for the King of Sweden, and Baron de Coubertin closing on behalf of the Swedish Olympic Committee. Surrounding Baron de Coubertin (place d'honneur 199) were all the world's leading personalities, as well as a number of Frenchmen, including Comte d'Arnaud, Paul Champ, de Courcel, Maurice Dezaure, Glandaz, Robert Guérin and Charles Isambert; b) Under the same cover (fold at the top, and small tear at the bottom of the center fold): the detailed menu for the July 7, 1912 dinner....Music: Strauss, Camille Saint-Saëns's "La danse de la Gipsy", and Rossini's overture to "Le Barbier de Séville". On the menu, the real tortoise claire will be cutting a path in pirogues for a platoon of sole, a squadron of veal à l'écarlate, and a squadron of carmen ducklings....The wines will really be pushing themselves: Pommery et Greno, sec; G.H.Mumm Cordon Rouge, and Château Lafitte grand vin 1893. Extremely rare. 23 x 13.7 cm

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Graf zu Stolberg, ChristianAnekdoten für das Herz. Mit Holzschnitt-Titelvignette. Altenburg, Richter, 1782. 2 w. Bll., 4 Bll., 294 S. Kl-8°. HLdr. d. Zt. mit mont. RSchild u. Lederecken (etw. stärker beschabt, berieben u. bestoßen, mit Bezugsdefekten). Graf zu Stolberg, Christian Anekdoten für das Herz. Mit Holzschnitt-Titelvignette. Altenburg, Richter, 1782. 2 w. Bll., 4 Bll., 294 S. Kl-8°. HLdr. d. Zt. mit mont. RSchild u. Lederecken (etw. stärker beschabt, berieben u. bestoßen, mit Bezugsdefekten). Holzmann-B. I, 1708. Erste Ausgabe. - Selten. - 1. u. letztes w. Bl. u. Titelbl. mit kl. Ausschnitt, tls. etw. (finger)fleckig u. wasserrandig, nur vereinzelt etw. stockfleckig u. mit hs. Eintragungen. Insgesamt gut erhaltenes Exemplar. With woodcut title vignette. Cont. half calf binding with mount. label on spine a. leather corners (somewhat stronger scuffed, rubbed a. bumped, with small cover defects. - First edition. - Rare. - 1st a. last white white leaf a. title leaf with small cutout, partly somewhat soiled a. waterstained, only isolated somewhat foxed a. with handwritten annotations. Altogether well preserved.

Estim. 13 900 - 27 800 EUR

Musealer Becher mit Schaffgotsch-Wappen und Hochschnittdekor — Friedrich Winter, Hermsdorf, um 1700 — Vielpassiger Fuß unterseitig gehöht und mit teils polierter Schliffrosette, konische Wandung mit hochgeschliffene Ovale und Rollwerk im Wechsel, darüber reich geziert mit Akanthusranken, Maskaronen und Pinienzapfen im seltenen Hochschnitt, dazwischen das Wappen der Grafen Schaffgotsch mit Architektur und der Umschrift „Aucun temps ne le Change“ sowie zwei tiefgeschnittene Szenen mit Reitern in felsiger Landschaft sowie mit einem auf Hügel vor Architekturhintergrund tanzendem Mann, davor ein Kavalier einen Jagdhund mit Hasen auf dessen Rücken ziehend. Farbloses Glas. H. 13 cm. - Lippe mit kleinem Chip. - Vergleichbares Becherglas von F. W. befindet sich im Museum für Angewandte Kunst in Wien (Inv.-Nr. GL 2770). Vgl. folgende Lit.: R. Rückert: Die Glassammlung des Bayerischen Nationalmuseum München, Nr. 769f.; B. Klesse/H. Mayr: Veredelte Gläser aus der Renaissance und Barock, Sammlung Ernesto Wolf, Abb. 103; R. v. Strasser/W. Spiegl: Dekoriertes Glas, Renaissance bis Biedermeier, Abb. 114; U. Junker: Das Glasschweifwerk in Hermsdorf, S. 7; S. Zelasko: Barock und Rokoko im Hirschberger Tal, Nr. 99.

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