Null Shigenobu, Yanagawa
(1787-1832). Aman no ukibashi (The bridge to heaven). C…

Description

Shigenobu, Yanagawa (1787-1832). Aman no ukibashi (The bridge to heaven). Color woodblock print around 1820. 2x hanashi-bon (ca. 21,5 x 32 cm.), double page. D

3738

Shigenobu, Yanagawa (1787-1832). Aman no ukibashi (The bridge to heaven). Color woodblock print around 1820. 2x hanashi-bon (ca. 21,5 x 32 cm.), double page. D

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Estim. 400 - 500 EUR

KUNISADA e HIROSHIGE II. Edo Fire E - Brigade E. Colored woodcut. 350x225 mm. Sign: Toyokuni ga and Hiroshige ga. Publisher: Katoya Imazo. Censorship: Aratame. Excellent impression, fresh in color, with bokashi and black glossy printing (Black Overgarment), margins a little bit soiled. Print with three panels. Above the dedication to Brigade E, below, on the right, portrait, on the left, landscape. From the series "Edo no hana meishoe" (Outstanding flowers of Edo), each sheet of the series dedicated to a fire department. Above E-brigade, fifth Ryudo section, right portrait of Kawarazaki Gonjuro with make-up mask as Musashi Goro Sadayo, left landscape with bridge over the Ryugawa River.In the two lower boxes appear the signatures of Kunisada, in Toshidama red cartouche (box on the right), and Hiroshige II, in red cartouche (box on the left). Hiroshige II moved to Yokohama in 1865 and produced prints in collaboration with Kunisada, who had previously worked with Hiroshige I.

Starting price 50 EUR

Yanagawa SHIGENOBU (1786 -1842) The Samurai, 1973 Japanese erotic lithograph after an original print Unsigned Numbered in pencil on 600 copies (number given as an example) On laid paper, approx. 31 x 43 cm Excellent condition We can arrange shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not available in tubes: on quotation This description has been translated automatically: Yanagawa SHIGENOBU (1786 -1842) The Samurai, 1973 Japanese erotic lithograph from an original print Unsigned Numbered in pencil out of 600 copies (number given as an example) On laid paper approximately 31 x 43 cm Excellent condition We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

Starting price 320 EUR

FRATELLI ALINARI (19th), Piazza Bocca della Verità, Rom, around 1880, albumen paper print Fratelli Alinari (19th century): Piazza Bocca della Verità with Temple of Hercules Victor with visitor looking at the Fontana del Tritone, Rome, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Lower right Blank stamp, Fratelli Alinari. Florence. 19th century Inscription: At the lower part inscribed in the printing plate: "No 6712 Roma_Piazza Bocca della Verità. Tempio di Vesta". Date: c. 1880 Description: The picture shows part of the Forum Boarium in Rome. Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, architectural photography, travel photography, temple, Forum Boarium, fountain, 19th century, Historicism, Architecture, Italy, Rome (Latium), Size: Cardboard: 18,8 cm x 24,3 cm (7,4 x 9,6 in)

Starting price 400 EUR

FRATELLI ALINARI (19th), Ponte Vecchio over the Arno, Florence, around 1890, albumen paper print Fratelli Alinari (19th century): View of the city from the banks of the Arno over the Ponti Vecchio bridge, with Santa Trinita in the background, Florence, c. 1890, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle signed in the printing plate: "(Ed. ne Alinari)". Lower middle inscribed in the printing plate: "Firenze - Veduta dei Lungarni coi Ponti Vecchio, S. Trinita, Carraia e di Ferro alle Cascine.". Lower middle numbered in the printing plate: "P.e I.n N.o 3118.". Date: c. 1890 Description: The image is extremely sharp and detailed. The cables stretching across the Arno at the front of the picture can be clearly recognised. Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, travel photography, river, Arno, river bank, bridge, Ponte Vecchio, segmental arch bridge, old bridge, 19th century, Historicism, Cities, Italy, Size: Cardboard: 27,8 cm x 33,6 cm (10,9 x 13,2 in), Depiction: 18,8 cm x 24,6 cm (7,4 x 9,7 in)

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