Null Hansch, Anton
(1813 Vienna - Salzburg 1876). Torrent, in the middle distanc…
Description

Hansch, Anton (1813 Vienna - Salzburg 1876). Torrent, in the middle distance the tower of a small church, in the background high peaks. Oil on canvas. 1837. 32 x 40 cm. Signed lower right. "Anton Hansch 1837". Some craquelure. In wide stucco frame with nailed metal label with name and dates. - Outer margins somewhat rubbed, occasional small stains, 1 very small loss of color upper right. D

3614 

Hansch, Anton (1813 Vienna - Salzburg 1876). Torrent, in the middle distance the tower of a small church, in the background high peaks. Oil on canvas. 1837. 32 x 40 cm. Signed lower right. "Anton Hansch 1837". Some craquelure. In wide stucco frame with nailed metal label with name and dates. - Outer margins somewhat rubbed, occasional small stains, 1 very small loss of color upper right. D

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Franz Jung-Isenheim, "Höhlenbär" Scarcely clad prehistoric man encountering a brown bear in front of his cave, mixed media (gouache and watercolour over pencil preparatory drawing) on card, c. 1940, titled "Höhlenbär" (cave bear) lower right and partly signed in ligature "FR Jung-Ilsenheim", tiny losses of colour in places, unframed, dimensions approx. 25 x 31 cm. Artist information: actually Franz Xaver Jung, Austrian hunting and landscape painter, theatre painter, steel cutter, illustrator and postcard designer (1883 Vienna-Hietzing to 1963 Salzburg), initially trained as a hairdresser, early interest in painting, finally studied at the Vienna Academy under Heinrich Streblow, first exhibition of his works in 1910 at the international hunting exhibition in Vienna, active in Seitenstetten in Lower Austria around 1913, worked as a theatre painter in one of the largest theatre painter workshops in Vienna, in the 1st World War as a war painter for illustration. During the First World War, he worked as a war painter illustrating the multi-volume work "Ehrenhalle der k.k. Landwehr, the k.k. Landsturm and the k.k. In 1919 he moved to Steyr, where he learnt the art of steel cutting and spent a year as an assistant in the master studio for steel cutting under Prof. Michael Blümelhuber. Michael Blümelhuber, then professor and drawing teacher at the Steyr Girls' Lyceum and freelance artist, moved to Salzburg in 1924 and worked at Schloss Elsenheim, henceforth called himself "Franz Jung-Elsenheim", which he soon changed to "Jung-Ilsenheim", temporarily worked with the "Wia" artists' card publisher Teplitz-Schönau, member of the Salzburg Artists' Association and the Salzburg association Schlaraffia Juvavia (as a member of which he was nicknamed: "Lug to the Land of the Colourful" and "Knight of the Blue Flower", which is why he signed some of his works "Luginsland-Juvavia" and "Lugland" respectively). "Lugland"), moved to Berlin in 1937 and participated as a painter and artistic designer in the "Great International Hunting Exhibition", returned to Salzburg in 1941, source: Saur "Bio-Bibliographisches Künstlerlexikon", Fuchs, Info der Stadt Salzburg and Wikipedia.