Null Dyck, Anthonie van
(1599 Antwerp - London 1641) after. Jacobus de Cachopin.…

Description

Dyck, Anthonie van (1599 Antwerp - London 1641) after. Jacobus de Cachopin. Engraving on laid paper by L. Vorsterman about 1630. Pl. 23.5 x 17 cm. Just trimmed on and within the subject resp. Mounted under passep. New Ho. 52 VI. Exquisite, contemporary impression in excellent condition.

3441

Dyck, Anthonie van (1599 Antwerp - London 1641) after. Jacobus de Cachopin. Engraving on laid paper by L. Vorsterman about 1630. Pl. 23.5 x 17 cm. Just trimmed on and within the subject resp. Mounted under passep. New Ho. 52 VI. Exquisite, contemporary impression in excellent condition.

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Vorstermann der Ältere, LucasDie Beweinung Christi. Um 1634. Kupferstich auf Bütten. 34,1 cm x 43,5 cm (34,5 x 43,5 cm). Mit der gestochenen Signatur, der Widmung an Anthony van Dyck und George Gage sowie mit dem Privileg der spanischen Krone. Unter Glas gerahmt. - Ränder etwas unregelmäßig geschnitten, am rechten Rand beschnitten. Vereinzelt Randeinrisse (der längste ca. 3,4 cm), teils verso hinterlegt. Mit einer vertikalen, geglätteten Falzspur. Verso mit Spuren der Montierung in den oberen Ecken und leichte Anschmutzungen. Insgesamt noch gut. - Ausgezeichneter, prachtvoller und kontrastreicher Abzug der nahezu formatfüllenden Darstellung. Alte Kunst - Graphik Vorstermann der Ältere, Lucas Die Beweinung Christi. Um 1634. Kupferstich auf Bütten. 34,1 cm x 43,5 cm (34,5 x 43,5 cm). Mit der gestochenen Signatur, der Widmung an Anthony van Dyck und George Gage sowie mit dem Privileg der spanischen Krone. Unter Glas gerahmt. - Ränder etwas unregelmäßig geschnitten, am rechten Rand beschnitten. Vereinzelt Randeinrisse (der längste ca. 3,4 cm), teils verso hinterlegt. Mit einer vertikalen, geglätteten Falzspur. Verso mit Spuren der Montierung in den oberen Ecken und leichte Anschmutzungen. Insgesamt noch gut. - Ausgezeichneter, prachtvoller und kontrastreicher Abzug der nahezu formatfüllenden Darstellung. Hollstein 32, New Hollstein 539. - 2.-5. Etat, unser Blatt mit den Inschriften "Anton. van Dyck inuen" und "Cum priuilegio", die ab dem 6. Etat in der Formulierung verändert sind. - Hg. von Vorstermann dem Älteren in Zusammenarbeit mit Anthonis van Dyck. - Nach dem gleichnamigen Gemälde von 1628 - 1630 von Anthonis van Dyck (1599-1641), unser Stich die seitenverkehrte Kopie. Copper engraving on laid paper. With the engraved signature, the dedication to Anthony van Dyck and George Gage and with the privilege of the Spanish crown. Framed under glass. - Margins a bit irregularly cut, right margin cut. Occasional marginal tears, partially closed on the verso. With a vertical, smoothed fold mark. On the verso with traces of mounting in the upper corners and slight soiling. Still good. - Superb, splendid and high-contrast impression of the almost full-format depiction. - 2nd-5th state, our sheet with the inscriptions "Anton. van Dyck inuen" and "Cum priuilegio" which change from the 6th state on. - Edited by Vorstermann the Elder in collaboration with Anthonis van Dyck. - After the painting of the same name from 1628 - 1630 by Anthonis van Dyck (1599-1641), our engraving the laterally reversed copy.

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