Null Udaipur.
Palace of Udaipur (today a museum). Above simplified view, below v…

Description

Udaipur. Palace of Udaipur (today a museum). Above simplified view, below view of the temple garden with the maharaja and many bamts. Gouache on fabric, 20th/21st cent. 73.5 x 46.5 cm. Under mount a. glass in removable frame (not framed). D

2972

Udaipur. Palace of Udaipur (today a museum). Above simplified view, below view of the temple garden with the maharaja and many bamts. Gouache on fabric, 20th/21st cent. 73.5 x 46.5 cm. Under mount a. glass in removable frame (not framed). D

Auction is over for this lot. See the results

You may also like

Estim. 3 000 - 4 000 EUR

Italian school, XVII-XVIII century. Following models of ORAZIO GENTILESCHI (Pisa; 1563-London; 1639). "Virgin of the milk". Fragment of the "Rest in the Flight into Egypt" (Louvre Museum). Oil on canvas. Presents some lack in the frame. It needs restoration. Measurements: 117 x 102 cm; 131 x 116 cm (frame). This painting of classicist school retakes the motive of the maternity extracted from the painting of the mannerist painter Orazio Gentileschi dedicated to the theme of the flight to Egypt (oil painting conserved in the Louvre), where the Holy Family appears making a rest in its way, after leaving Bethlehem to escape to the persecution of Herod. The painter in question is inspired by that image of the Virgin breastfeeding the Child Jesus, respecting the volumetric and monumental proportions of the bodies. He also follows the model of the Virgin of the Milk. Jesus suckles the breast while looking at us out of the corner of his eye, adopting a natural gesture, without any artifice. The mother has classical features that remind us of the timeless. Her hair is gathered in a silky, light brown bun. The painter has chosen a range of more contrasting and earthy tones than the original, so that the flesh tones are slightly atheistic and the light models bodies and features with ingenuity. The whole shows a sacred and leisurely image without the need to introduce symbolic elements. Orazio Lomi Gentileschi was an Italian painter born in Tuscany. He began his career in Rome, painting in a mannerist style. Much of his early work in Rome was collaborative in nature. He painted the figures in Agostino Tassi's landscapes in the Rospigliosi palace, and possibly in the great hall of the Quirinal palace. After 1600, he was influenced by the more naturalistic style of Caravaggio and began to have commissions in Fabriano and Genoa before moving to Paris, to the court of Maria de' Medici. He remained there for two years, but only one painting from his stay has been identified, an allegorical figure of Public Happiness, painted for the Luxembourg Palace, and now in the Louvre collection. In 1626, Gentileschi, accompanied by his three sons left France for England, where he joined the household of the king's prime minister, George Villiers, 1st Duke of Buckingham. He was a favorite artist of Queen Henrietta Maria, for whom he painted the ceiling of the Queen's House at Greenwich. The paintings of his English period are more elegant, artificial and sober than his earlier works. They include two versions of The Finding of Moses (1633), one of which was sent to Philip IV of Spain; it was previously supposed to have been a gift from Charles I, but is now known to have been sent on Gentileschi's own initiative.

Starting price 200 GBP

Sammlung von 14 Dokumenten zur Berliner Stalinallee. Mit zahlreichen Aufnahmen der Erbauung, Ansichten versch. Abschnitte, Fassadenaufrissen sowie alltägl. Szenen. Berlin und Brandenburg Sammlung von 14 Dokumenten zur Berliner Stalinallee. Mit zahlreichen Aufnahmen der Erbauung, Ansichten versch. Abschnitte, Fassadenaufrissen sowie alltägl. Szenen. Enthält: 10 Postkarten mit architekt. Ansichten der Stalinallee (bei Nacht, Block C Süd, Deutsche Sporthalle des Architekten Richard Paulick u.a.). Überwiegend Silbergelatineabzüge, einige typographisch bezeichnet, tls. gelaufen. - 16 großformatige dokumentierende Fotokarten (14 x 20,5 cm). Je verso typographisch bezeichnet. Eingelegt in OLeinen Kassette mit DVignette "Nationales Aufbauprogramm Berlin". Gezeigt wird: Grundsteinlegung durch Otto Grotewohl im Jahr 1952, Stalinpreisträger Koroljew zeigt neue Arbeitsmethoden, das Hochhaus A-Süd am Strausberger Platz, Café Warschau, U-Bahnhof Marchlewskistrasse (heute U-Bahnhof Weberwiese), u.a. - 3 Kleinschriften: Das wird sozialistische Wirklichkeit! Blick auf den Zentralen Platz mit Stalinstraße vom Museum. - Vorwärts zum Aufbau des Sozialismus. Die Stalinallee, die erste sozialistische Straße der Hauptstadt Deutschlands Berlin. - Das alles gehört Dir. -- Als Prestigeobjekt der DDR beginnt 1952 der Ausbau der Stalinallee mit dem architektonischen Vorbild des Sozialistischen Realismus und Sozialistischen Klassizismus der Sowjetunion. - Papierbedingt tls. etw. gebräunt. Insgesamt sehr wohlerhaltene und historisch reizvolle Sammlung. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 30 - 50 EUR

Reunion of seven framed pieces: - View of the Vatican and Castel Sant'Angelo, reproduction, à vue 25x35 cm - Two views of Italian city streets, ink, on view 33x25.5 cm - Italian palace door, ink, view 26x16.5 cm - San Lorezo, roofs, ink, view 13x20.5 cm - View of Venice, watercolor signed "Camus" lower right, on view 15x23 cm - View of Venice, oil on canvas signed "Paradini" lower right, 20x25 cm

Estim. 230 - 260 EUR

OPERA - PUCCINI Giacomo (1858 - 1924) - Autograph letter signed Autograph letter signed, stamp dated 15.8.1921, by one the greatest Italian composers. Addressed to his friend Maria Bianca Ginori Lisci whom he considered a refined connoisseur of music, often asking for her advice and procuring her tickets for performances. Written during his stay in Munich. "Saluti aff.si da Monaco, fresco anche troppo, e costì? La ringrazio per la stanza alla Guardia...". On a traveled postcard with a color illustration on the back, depicting a view of Munich and an autograph note: "Hotel Regina Palast”.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]