Princess Royal. Belonging to Sir Thomas Mostyn Baronet. Portrait of the mare fro…

Description

Princess Royal.

Belonging to Sir Thomas Mostyn Baronet. Portrait of the mare from the side, standing on the pasture. In the background a servant leading a horse. Chalk lithograph by Adrien after V. Adam, Paris for Leloutre about 1830. qu.fol. - fol. 4 of a set, with bilingual text in the lower margin. Text in lower margin. Some dusting and creases, small ins. ╔Including: Primrose╗ and his fill. Broodmare belonging to the Duke of Grafton. Chalk lithograph by Adrien n. V. Adam, Paris for Leloutre c. 1830. qu.fol. sheet 8 of a set. - Vertical throughout. Missing due to box pleat (smoothed). Somewhat dusty and small marginal tears. - ╔Monitor.╗ "Horse of special strength and vivacity, so belonging to King George IV". Chalk lithograph by Adrien after V. Adam, Paris for Leloutre. Qu.fol. With the name in the stone and address and inscription in the lower margin. Fine horse artwork. - Edge somewhat dusty and small tear right. - ╔ "Cossack Horse.╗ Belonging to the Duke of Northumberland". Chalk lithograph by Adrien after V. Adam, Paris for Leloutre. Ca. 27 x 40 cm. With the inscription in the stone and address and text (bilingual) in the lower margin. Somewhat dusty a. slightly rubbed. Marginal nicks - ╔Racehorse.╗ Moser. Famous racer belonging to H.R.H. the Duke of York. Chalk lithograph by Adrien after V. Adam, about 1830. qu.fol. With the name in the stone and text in the lower margin. Mounted under mount. - Fine portrait of the horse from the side, after unsaddling. On the left the rider with the horse blanket under his arm. - Somewhat light-stained and foxing in places - Together 5 sheet. R

2785

Princess Royal.

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After Sir Anthony van Dyck, Flemish 1599-1641- Portrait of Michel le Blon; oil on oak panel, 27.5 x 22.5 cm.

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Circle of Sir Godfrey Kneller, German/English 1646-1723- Portraits of Henry and George Oxenden, 4th and 5th Baronet, standing half-length in classical landscapes; oil on canvas, the first inscribed 'Henry Oxenden 1st Son of / Dr George Oxenden 3d / Son of Sr Hen: Oxenden 8t / after S Henry' (upper left), the second inscribed 'George Oxenden / now Sr George 2 Son / of Dr George Oxenden' (upper right), each bears old label inscribed with the sitter's biography and 'Portrait by Sir G Kneller' attached to the upper stretcher bar, each 76.2 x 63.5 cm., a pair (2). Provenance: Property of Lady Capel Cure. Her sale, Christie's, 20 November 1931, lot 60. Note: The pair of paintings depict Sir Henry Oxenden, 4th Baronet (1690-1720), and his brother Sir George Oxenden, 5th Baronet (1694-1775) as children. Henry Oxenden served at MP for Sandwich, Kent, from 1713 until his death in 1720, after which his younger brother, George Oxenden, inherited his seat, going on to serve as MP for Sandwich from 1720 to 1754, and also holding the positions of Lord of the Admiralty (1725-27) and Lord of the Treasury (1727-37). Although Kneller was not known for specialising in portraits of children, he did on occasion depict younger sitters who still exude the authority and gravity of his adult figures, such as in his portrait of a brother and sister, possibly Richard Boyle and his sister, Lady Jane, which sold at Bonhams, London, on 5 July 2017 (lot 28) for £25,000.

Estim. 100 - 200 EUR

Circle of Frank Owen Salisbury, British 1874-1962- Portrait of a judge, identified as Sir Thomas William Richardson, half-length, wearing a wig and court dress; oil on canvas, indistinctly signed (lower left), bears old label inscribed '178 Cromwell [?] Road / London / Sir Thomas W. Richas [?]' attached to the reverse of the frame, 80.4 x 62.9 cm. Provenance: Private Collection, UK.

Estim. 2 000 - 3 000 EUR

English school (early 18th century) Betrothal portrait of a young girl with posy of flowers and spaniel with country house in the distance, oil on canvas, 125 x 100cm Prov: Formerly from Dalham Hall, Suffolk Dalham Hall The provenance of this painting tells us that it was formerly housed at Dalham Hall, a Grade II listed country house in Suffolk. At the time this painting was made, Dalham Hall was the seat of the Affleck Baronetcy. Over the years, the Afflecks distinguished themselves in the Navy, in politics and the church. Assuming, as is most likely, that the painting was commissioned by one of the Baronets Affleck, then this work is probably a depiction of one of the Baronets' daughters. The sitter may well be one of the eighteen children of the 2nd Baronet, Gilbert Affleck MP (c.1684-1764) and Anna Dolben. In 1901, the 7th Baronet, Sir Robert Affleck (1852-1919) sold Dalham Hall, reputedly after being defrauded by his solicitor of as much as Â£10,000. The buyer was the South African diamond magnate Cecil Rhodes, who died before taking possession

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