Null Kiesinger, Kurt Georg,
Federal Chancellor together with David Ben Gurion at…

Description

Kiesinger, Kurt Georg, Federal Chancellor together with David Ben Gurion at a reception in April 1967 on the steps to the terrace of Palais Schaumburg. 4 anonymous vintage silver gelatin prints. 18 x 24 cm. - Ger. With: 2 photographs with Kiesinger from the German Day of the Junge Union (1966). Silver gelatin prints by Hans Heer, Fränkisches Volksblatt Würzburg, verso with publisher's stamp and date stamp. Nov. 13, 1966. 12 x 17 cm. - Signs of use, 1 image with crease, the other with small damage to upper margin. D

2630

Kiesinger, Kurt Georg, Federal Chancellor together with David Ben Gurion at a reception in April 1967 on the steps to the terrace of Palais Schaumburg. 4 anonymous vintage silver gelatin prints. 18 x 24 cm. - Ger. With: 2 photographs with Kiesinger from the German Day of the Junge Union (1966). Silver gelatin prints by Hans Heer, Fränkisches Volksblatt Würzburg, verso with publisher's stamp and date stamp. Nov. 13, 1966. 12 x 17 cm. - Signs of use, 1 image with crease, the other with small damage to upper margin. D

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Estim. 60 - 80 EUR

Georges SCOTT (1873-1943). French school. a - Bolivar and his staff. b - South American officer on parade. Pair of watercolors, one signed lower right. framed under glass together (foxing). 19 x 13 cm each

Estim. 12 000 - 15 000 EUR

FRANCESCA WOODMAN (Denver, Colorado, 1958-New York, 1981). "Space2," Providence, Rhode Island, 1976. Gelatin silver print. Later printed by Igor Bakht, stamp on reverse. Signed by George and Betty Woodman, annotated n. 17 "For Igor Kind Ryards" in pencil. PE/FW credit stamp on verso. Provenance: Foster Glasgow private collection. Measurements: 13.5 x 13.5 cm (image); 26.2 x 21.5 cm (paper). Francesca Woodman made this series in Providence, where she was a student, after having spent some time in Rome (on a scholarship). In the "Space2" series, Woodman photographs herself interacting with architectural spaces, often dilapidated or abandoned. She uses these spaces not only as settings, but as active elements of the composition. Walls, doors and windows become an integral part of the images, interacting with her body in symbolic and visual ways. Woodman uses spaces that evoke a sense of abandonment that contrast with her physical presence, adding a layer of tension and vulnerability to the images. Francesca Woodman was an American photographer known for her intimate black and white self-portraits. She graduated from Rhode Island School of Design, the University of Fine Arts in Providence. Her photography is characterized primarily by the use of a single model, usually nude. It was usually her, but in various photographs she portrayed several of her friends. The body captured by the camera was usually in motion, due to long exposure times, or the image was not sharp. He also used other techniques, such as masking himself or trying to blend in with the objects or the environment itself. She was born into a family of artists. From an early age, together with her brother Charles Woodman, she was introduced to the art world by her parents, George Woodman and Betty Woodman, who were both visual artists. Today, they manage an archive of more than 800 images of their daughter, 120 of which have been exhibited or published. She belongs to the generation of avant-garde women of the 1970s who claimed their contribution and vision of the world, which also includes activist artists such as Cindy Sherman, Martha Rosler or Ana Mendieta.

Starting price 200 EUR

Kassák, LajosMegnöttek és elindulnak. Regény. (Sie sind herangewachsen und verschwunden. Roman). Budapest (Szeged), Pantheon (Délmagyarország), (1932). 338 S., 1 Bl. 8°. OBroschur mit photoill. VDeckel (etw. beschabt u. berieben). Avantgarde - Ungarn Kassák, Lajos Megnöttek és elindulnak. Regény. (Sie sind herangewachsen und verschwunden. Roman). Budapest (Szeged), Pantheon (Délmagyarország), (1932). 338 S., 1 Bl. 8°. OBroschur mit photoill. VDeckel (etw. beschabt u. berieben). Roman von Lajos Kassák (1887-1967), dem ungarischen Dichter, Schriftsteller, Maler, Kunsttheoretiker und der Hauptfigur der ungarischen Avantgarde. Im Jahr 1915 gründete er die antimilitaristische, aktivistische Zeitschrift "A tett" (Die Tat) nach dem Vorbild der deutschen "Die Aktion". Als diese 1916 verboten wurde, gründete und redigierte er eine neue avantgardistische, aktivistische Zeitschrift "MA" (Heute). In ihr veröffentlichte er unter anderem Werke von Georg Grosz, Kurt Schwitters, El Lissitzky, Hans Richter, Jean Cocteau, Guillaume Apollinaire, Marc Chagall und László Moholy-Nagy. - Tls. unaufgeschnittenes Exemplar, papierbedingt im Rand sehr zart u. gleichmäßig gebräunt, insgesamt wohlerhalten. Avant-garde - Hungary - Orig. brochure with ill. cover (rubbed and scuffed). - Partly untrimmed copy, due to paper somewhat browned in the margins, altogether well preserved. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 400 - 600 EUR

George FOREMAN Everlast boxing glove (replica) signed by George Foreman accompanied by a color photo of the boxer in a box. 30 x 30 x 15 cm

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