Null Pietà.
Mourning Mother of God with the body of Christ on her lap and moving…

Description

Pietà. Mourning Mother of God with the body of Christ on her lap and moving robe. Carved wood, polychrome painted. 15 cm. - Traces of worm damage. D

2481

Pietà. Mourning Mother of God with the body of Christ on her lap and moving robe. Carved wood, polychrome painted. 15 cm. - Traces of worm damage. D

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Wooden sculpture - 18th/19th century, Baroque, wood, painted in color, worked out in full relief, flattened and slightly concave on the back, Pieta - image of grace, seated Virgin Mary on a cloud-like throne, her right hand supporting her, with her left hand she holds the head of her son, reworked version, supplemented, minimally bumped, rubbed, signs of age, approx. 48x58cm

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Flemish school; 17th century. "The Lamentation of Christ". Oil on copper. With faults. It has an 18th century Spanish frame with faults. Measurements: 20 x 15 cm; 43 x 28 cm (frame). It is a very emotional subject, fruit of the popular piety, which concentrates the attention on the drama of the Passion and the loving and sorrowful contemplation, with a realistic and moving sense. In Byzantium, and in Byzantine-influenced representations, the figure of Christ rests on the anointing slab, where his corpse was perfumed and prepared for burial, which later in Italian art became the tomb. This scene is not referred to in the Gospels, but finds its origin in mystical literature and religious texts of piety, as well as in those of the confraternities of flagellants. In the canonical Gospels and in the apocryphal Gospel of Nicodemus it is narrated how Joseph of Arimathea buried the body of Jesus, but there is no mention of the lamentations of his mother and followers, because the same texts say that they were at a distance contemplating the event.

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Lilio, Andrea (Attrib.) — Kreuzigung Christi — (Ancona 1555-1642 Ascoli Piceno) Figurenreiche Szenerie mit Jesus am Kreuz im Zentrum, dem von Longinus in Rüstung und zu Pferd mit einem Speer, der Heiligen Lanze, in die Seite gestochen wird, zu beiden Seiten weitere Beobachter, die trauernden Marien und Johannes. Öl/Kupfer. Verso alt bez. "Joas. Ands. Anconitanus". 20 x 30 cm.

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Bassano, Francesco - Werkstatt — Grablegung Christi — (Bassano 1549-1592 Venedig) Vielfigurige Szenerie in ausdrucksvoller Hell-Dunkel-Malerei; nur durch den Schein einer Kerze erhelltes Innere einer stallartigen Architektur, in der Josef von Arimathäa den Leichnam auf den Boden bettet, betrauert von den Marien und weiteren Figuren. Öl/Lwd., doubl. 86,5 x 76,5 cm; unger. - Altersspuren, Randmängel. - Ausschnitt nach dem Gemälde von Jacopo Bassano (da Ponte) im Louvre, Paris, aus dem Jahr 1575/77.

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