Null Sevres Art, Amphorenvase
Strasbourg Gustav Adolf Stulz 1889-1941. Large lid…

Description

Sevres Art, Amphorenvase Strasbourg Gustav Adolf Stulz 1889-1941. Large lidded vase with bronze mounts. Lid with pine cone, lateral handles with female heads and leaf decoration. Rich painting with musical scenery in front of a castle backdrop, castle view, musical instruments, bird builder and dove. Gilding. Bottom mark double L and S and addition Chateau de Versailles. H: 53 cm. Very good condition. D

2393

Sevres Art, Amphorenvase Strasbourg Gustav Adolf Stulz 1889-1941. Large lidded vase with bronze mounts. Lid with pine cone, lateral handles with female heads and leaf decoration. Rich painting with musical scenery in front of a castle backdrop, castle view, musical instruments, bird builder and dove. Gilding. Bottom mark double L and S and addition Chateau de Versailles. H: 53 cm. Very good condition. D

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Estim. 6 000 - 8 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 598, p. 231, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Miró, Museum of Modern Art Mexico". 1980. Lithograph on Arches vellum, copy 2/100. Signed, dedicated, dated and numbered in pencil. Publisher: Museo de Arte Moderno de México. Printer: Litografías Artística Damià Caus, Barcelona. Reproduced in Maeght Editeur "Miró Litógrafo VI", p. 148. Measurements: 76 x 56 cm; 97 x 77 x 4 cm (frame). This lithograph by Miró, limited to one hundred copies, was used for the poster announcing Joan Miró's exhibition in the Bosque de Chapultepec in the spring of 1980, at the Museum of Modern Art. Moons, stars, figures reduced to a few strokes in thick black enclosing in their interior primary colors... synthesize some of Joan Miró's soul constellations gathered in this image. Joan Miró was trained in Barcelona, and made his individual debut in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 100 - 200 EUR

Vintage Paperweights Incl Trumpet Flower, George Washington Sulphide, Etc. Description: Thirteen vintage paperweights including a Sevres George Washington sulphide weight, a large controllled bubble pear form weight, a Gentile glass bicentennial butterfly paperweight, a stoppered paperweight perfume bottle, eight controlled bubble / trumpet flower paperweights, and a controlled bubble bookend paperweight. Type: Paperweight bottle, bookend Materials: GlassBr> Markings & Inscriptions: Unmarked Date: Mid to late 20th century Maker: Gentile, several are possibly by Zimmerman or St. Clair Dimensions: Pear: 4.8" H. Bottle: 4.75" H. Provenance: From a Lehigh Valley, Pennsylvania collection. Generally very good condition, scattered minor surface wear.

Estim. 450 - 675 EUR

Georg Schrimpf, attr, "Blick von Krünn ins Wettersteingebirge" morning and hazy, summery foothill landscape, with hay barns in a wide plain in front of a rising mountain backdrop, fine neo-subtle landscape painting, watercolour on Schoellershammer cardboard, around 1930, unsigned, inscribed on the reverse "Blick von Krünn [sic. - meint: Krün] ins Wettersteingebirge (Obb.)", owner's annotation "Dr. Rauh Offenbach" and modern label with attribution "Schrimpf, Georg, German: München 1889-1938 Berlin", somewhat foxed and light-stained, framed behind glass and mat, mat opening approx. 46.5 x 66 cm. Artist information: actually Georg Gerhard Schrimpf, important painter and graphic artist of the New Objectivity (1889 Munich to 1938 Berlin), artistically self-taught, 1902-05 apprenticeship as a confectioner in Passau, journeyman years in Regensburg, Düsseldorf, Antwerp and Rotterdam, then travelling to Belgium and France, from 1913 friendship with Oskar Maria Graf, together travelling through Switzerland and northern Italy, staying for several months in the anarchist colony "Monte Verità" above Ascona, 1914 called up for military service, discharged in 1915 due to illness, from 1915 employed in a chocolate factory in Berlin, parallel intensive artistic activity, supported by Herwarth Walden, 1916 first exhibition in the gallery "Der Sturm", collaboration on the magazines "der Sturm" and "Die Aktion", 1917 moved to Munich, 1917 exhibition in the Galerie Neue Kunst, member of the KPD until 1919, active participation in the Munich Soviet Republic and member of the November Group, 1921 member of the "Neue Sezession" and exhibition participation in the Munich Glaspalast, 1922 trip to Italy, 1925 member of "Rote Hilfe", 1927-33 taught at the Kunstgewerbeschule München, 1932 with Adolf Dietrich, Hasso von Hugo, Theo Champion, Alexander Kanoldt, Franz Radziwill and Frank Lenk founded the artists' group "Die Sieben", 1933 appointed associate professor at the Staatliche Hochschule für Kunsterziehung in Berlin-Schöneberg, 1938 dismissed from the university by order of the Nazis, despite being categorised as a degenerate artist by Joseph Goebbels, several Nazi celebrities such as the Reich Ministers Darré and Hess were among his collectors, represented in the "Degenerate Art" exhibition in 1937, member of the Reich Association of Visual Artists in Germany, the Berlin Secession, the New Secession in Munich and the German Artists' Association in Weimar, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Wikipedia, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Davidson and Internet.

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