Null u. Buddha assembly. Multifigured thangka. Tree in a rainbow circle. Tibet 1…

Description

u. Buddha assembly. Multifigured thangka. Tree in a rainbow circle. Tibet 19th century. Brocade border. Signs of age. 43 x 33 cm. R

2287

u. Buddha assembly. Multifigured thangka. Tree in a rainbow circle. Tibet 19th century. Brocade border. Signs of age. 43 x 33 cm. R

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Thangka, Tibet/Nepal probably 1st half 20th century, centerpiece with multi-figured depiction of Buddhas, deities and lamas, some with their disciples, finely painted on fabric, partly with gold, 51.5 x 37.5 cm, bottom glass framed. Glass framed, overall size: 63 x 53 cm, 4297 - 0003

Estim. 100 - 150 EUR

Technique: fine painting on canvas, behind glass, framed, Dimensions: 75 x 51.5 cm, frame 80 x 56.5 cm, Condition: good

Estim. 500 - 600 EUR

Thangka. Tibet, 19th century. Mixed technique on fabric. The wooden frame has some Chips. It has slight flaws in the paint and wear. Measurements: 84 x 59 cm; 92 x 61 cm (frame). Tibetan thangka with a central representation of a boddhisattva surrounded by a rich genealogy of worshipers. The central figure could be Padmasambhava, the great Buddhist teacher of Uddiyana, in present-day Pakistan, introducer of Buddhism in Tibet during the 8th century AD. Tibetan thangkas are Buddhist banners, painted or embroidered on silk, other fabrics or paper, which can be rolled. They were hung in monasteries and family altars, and occasionally carried by monks in religious processions. Originally, thangka paintings became popular among itinerant monks, as scroll paintings were easy to transport from one monastery to another. They were also important teaching instruments, as they showed scenes from the life of Buddha, prominent lamas and bodhisattvas.

Estim. 500 - 600 EUR

Tibetan Thangka of the 19th century. "Padmasambhava and consorts". Oil on canvas. The canvas is damaged. Measurements: 100 x 75 cm; 111 x 85 cm (frame). Thangka with the representation of Padmasambhava, from Tibet. Padmasambhava was the great Buddhist master of Uddiyana, in the present Pakistan, introducer of Buddhism in Tibet during the VIII century AD. He is depicted flanked by his two wives, the Bengali princess Mandarava (right) and the Tibetan Yeshe Tshogyal (left). In the background, a landscape with small villages has been depicted. Tibetan thangkas are Buddhist banners, painted or embroidered on silk, other fabrics or paper, which can be rolled up. They were hung in monasteries and family altars, and occasionally carried by monks in religious processions. Originally, thangka paintings were popular with itinerant monks, as scroll paintings were easy to transport from one monastery to another. They were also important teaching tools, depicting scenes from the life of the Buddha, prominent lamas and bodhisattvas.

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