Null Benz,E.C.J.
CXXII Continuation of the Church Register of the Royal Württemb…

Description

Benz,E.C.J. CXXII Continuation of the Church Register of the Royal Württemberg ... Stuttgart, in which the in the year 1816 at the Royal House... family events... are indicated. Stuttgart, to be found with the author (1816). Fol. 5 p., 73 pp. Damaged. OU. Contains the "...proclamations, copulations, baptisms, confirmations and deaths in the local parishes of all denominations...". Also lists the deceased according to the various diseases and types of death. - Somewhat stained.

1685

Benz,E.C.J. CXXII Continuation of the Church Register of the Royal Württemberg ... Stuttgart, in which the in the year 1816 at the Royal House... family events... are indicated. Stuttgart, to be found with the author (1816). Fol. 5 p., 73 pp. Damaged. OU. Contains the "...proclamations, copulations, baptisms, confirmations and deaths in the local parishes of all denominations...". Also lists the deceased according to the various diseases and types of death. - Somewhat stained.

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Starting price 60 EUR

LOUIS XVI / Placard printed (41.5 x 52 cm, traces of rodents at bottom) by J.B. Henry in Valenciennes, "Imprimeur Roi". Henry in Valenciennes, "Imprimeur du Roi", with royal vignette and decorative frame, announcing a "Funeral Ceremony" for January 21, 1825: "January 21 is for all of France a day of atonement and mourning" - "Since the Restoration, we have deposited our tears in the bosom of Religion and it is by acts of charity that we have signaled our sorrow" - The Mayor of Valenciennes Desfontaines de Preux decrees: the Feast of January 21st will be announced the day before by the funereal ringing of the belfry bells, the White Flag trimmed with a crepe will be displayed on the façade of the Town Hall (the inhabitants are invited to follow this example), all public entertainment will be forbidden on the evening of the 20th and the day of the 21st, the reading of Louis XVI's Testament will take place in the Church of Saint-Géry, followed by a petition in favor of the poor, and the belfry bells will ring at a quarter to eleven to announce the departure of the various Authorities.

Estim. 12 000 - 15 000 EUR

Immaculate Virgin, in the manner of Acisclo Palomino y Velasco (Córdoba, 1655 - Madrid, 1726), Cordoba school of the 17th century Oil on canvas. Measurements: 228 x 164 (framed), 205 x 145 (canvas). Provenance: important private collection, Spain. Acisclo Palomino y Velasco (Bujalance, Córdoba, 1655-Madrid), 1726 Cordovan painter and initially trained in Córdoba under the direction of Juan de Valdés Leal while studying humanities. With the help of Juan de Alfaro, a disciple of Velázquez, who was working at the Madrid court, in 1678 he traveled to Madrid. There he was introduced to the circle of Juan Carreño de Miranda and Claudio Coello, who facilitated contact with the royal collections and gave him the opportunity to collaborate on some works, such as the decoration of the room of Queen María Luisa de Orleans, first wife of Carlos II, and the gallery of the cierzo, both of the Real Alcázar. These works allowed him to obtain the title of painter to the king in 1688. The arrival of Luca Giordano in Madrid in 1692 made him interested in learning the technique of fresco, becoming one of the most important Spanish fresco artists of the second half 17th century. He collaborated in the preparation of the vaults of El Escorial and those of the old oratory of the Madrid City Council. Between 1697 and 1701 he worked in Valencia, painting the vaults of the church of Santos Juanes and the basilica of Nuestra Señora de los Desamparados. In 1705, he traveled to Salamanca where he executed the Triunfo de la Iglesia for the choir of the church of San Esteban (in situ). Between 1712 and 1713, He painted eight canvases with scenes and saints related to the history of the city of Córdoba for the chapel of Cardinal Salazar and for the main altar of the cathedral, both in that city. Between 1723 and 1725, he worked on his last work before his death, the decoration of the sacrarium of the Carthusian monastery of El Paular in Granada. Ordained a priest when he became a widower ...

Estim. 1 400 - 1 600 EUR

Valencian school; ca. 1500. "Virgin with child and singing angels". Tempera and gilding on panel. With period sgraffito and stephenwork. Presents old restorations. Presents deterioration. It needs restoration. Measurements: 122 x 89 cm; 150 x 118 cm (frame). Scene of religious character in which appears the virgin with the child in a central plane. She is dressed with a blue mantle and red tunic and still preserves the image of virgin-throne of the most classicist renaissance, being a whole block with hieratic character. The scene stands out for its sobriety, with four singing angels arranged on the sides of the figure on a background of reddish tones. The Spanish school is different from the rest of contemporary European artistic centers, thanks to the fact that during most of the 15th and 16th centuries there was an important settlement of Italian and Flemish painters. Thus, throughout the history of art, these centuries, meant an important focus within Spanish art, with schools such as Andalusian, Madrid and Valencia. In Spain, the change from the seventeenth to the eighteenth century was not a break with the previous tradition, but a continuation of it. On the other hand, economic recovery resulted in a thriving industrial and commercial bourgeoisie, which sought to distinguish itself socially through artistic patronage. At the same time, the Church was losing its monopoly as the only client of artists. All this will determine a definitive change in taste, and also in the genres treated: religious painting will now coexist with bourgeois portraiture, still life, landscape, historical and mythological themes and genre painting. It presents old restorations. Deterioration. In need of restoration.

Starting price 200 EUR

Hauber, E.C.Beschreibung der königlich dänischen Residenz-Stadt Kopenhagen und der königlichen Landschlösser. Mit 1 gr. mehrf. gefalt. Karte (dat. 1764). Dritte u. sehr verm. Aufl. Kopenhagen, Pelt, 1782. 3 Bll., 1 w. Bl., 243 S., 2 Bll. HLdr. d. Zt. mit goldgepr. RSchild (beschabt u. bestoßen). Dänemark Hauber, E.C. Beschreibung der königlich dänischen Residenz-Stadt Kopenhagen und der königlichen Landschlösser. Mit 1 gr. mehrf. gefalt. Karte (dat. 1764). Dritte u. sehr verm. Aufl. Kopenhagen, Pelt, 1782. 3 Bll., 1 w. Bl., 243 S., 2 Bll. HLdr. d. Zt. mit goldgepr. RSchild (beschabt u. bestoßen). Vgl. Engelmann 616. - Bruun II, 606. - Enthält detaillierte Angaben über Kirchen und Schlösser, Bibliotheken, Kunstsammlungen, Handelsgebäude, Fabriken, Gerichte, Hospitäler u.a. - Vorsätze leimschattig, papierbedingt gebräunt, tls. (stock-) fleckig, Karte fleckig, gebräunt u. mit tls. hinterlegten Einrissen. 3rd enlarged ed. With 1 folded map (dat. 1764). Contemp. half leather with gilt stamped label to spine (chafed and bumped). - Contains detailed information about churches and castles, libraries, art collections, trade buildings, factories, courts, hospitals etc. - Endpapers glue shaded, browned due to paper, partly foxed and stained, map stained, browned and with partly backed tears. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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