Null Barlaeus,C.
Rerum per octennium in Brasilia et alibi gestarum, sub praefect…
Description

Barlaeus,C. Rerum per octennium in Brasilia et alibi gestarum, sub praefectura illustrissimi comitis I. Mauritii Nassaviae &c. comitis, historia. Editio secunda. Cui accesserunt G. Pisonis medici Amstelaedamensis tractatus. Cleves, Silberling 1660. Title, eng. Dedication and 1 (of 10) engraved plates. - and maps. 4 (of 5) pp., 664 p., 11 pp. Prgt. d. Sabin 3409. cat. Nederlandsch hist. Scheepvaart Mus. I, 538; Rodrigues 344; Borba de Moraes II, 79; cf. Garraux 23. Second edition of the so-called "Kleiner Barlaeus", in this edition expanded by the 4 articles by Piso on atmosphere and climate as well as on the natural history of Brazil, whose history is treated under the governorship of Johann Moritz von Nassau-Siegen, who opened up this region for the colonial trade of Holland. - The 3 engraved maps and 6 of the 7 copper plates are missing, as well as the portrait and the printed title. - Of the engravings, the copper title, the engraved dedication leaf and the plates are present. Dedication leaf and the plate on the solar eclipse of 1640 - Printed title and portrait bound in copy. Front. Front cover loose.

1618 

Barlaeus,C. Rerum per octennium in Brasilia et alibi gestarum, sub praefectura illustrissimi comitis I. Mauritii Nassaviae &c. comitis, historia. Editio secunda. Cui accesserunt G. Pisonis medici Amstelaedamensis tractatus. Cleves, Silberling 1660. Title, eng. Dedication and 1 (of 10) engraved plates. - and maps. 4 (of 5) pp., 664 p., 11 pp. Prgt. d. Sabin 3409. cat. Nederlandsch hist. Scheepvaart Mus. I, 538; Rodrigues 344; Borba de Moraes II, 79; cf. Garraux 23. Second edition of the so-called "Kleiner Barlaeus", in this edition expanded by the 4 articles by Piso on atmosphere and climate as well as on the natural history of Brazil, whose history is treated under the governorship of Johann Moritz von Nassau-Siegen, who opened up this region for the colonial trade of Holland. - The 3 engraved maps and 6 of the 7 copper plates are missing, as well as the portrait and the printed title. - Of the engravings, the copper title, the engraved dedication leaf and the plates are present. Dedication leaf and the plate on the solar eclipse of 1640 - Printed title and portrait bound in copy. Front. Front cover loose.

Auction is over for this lot. See the results

You may also like

PER BARCLAY (Oslo, 1955). "The slaughter house", 1996. Type C photograph of the installation created. Provenance: private collection. Formerly Oliva Arauna Gallery (Inver-Kalis SA). Measurements: 205 x 165 cm. With the installation "The Slaughterhouse", Per Barclay played with the reflective effect of the blood of the cattle, making the floor shine. In the same way that in other installations he deployed symbolisms of the disturbing effects of spilled oil in uninhabited spaces, here the references are multiplied: nods to the history of art, but also to the idea of sacrifice and violence. Per Barclay is a sculptor, photographer and art historian. His art installations have been seen in museums all over the world. Per Barclay's work combines concepts of tension and drama, which he works with the influence of the Norwegian artist Edvard Munch. After studying art history in Bergen, in 1979 he left Norway to find new artistic references in Italy. In Florence he studied design and photography, then moved to the Academy of Bologna in 1981 and two years later to Rome. After spending time in Naples, he moved to Turin, where he came into direct contact with the artists of Arte Povera. From then on, the artist used oil and water as pictorial elements, and steel and glass as structural materials for his pieces. In 1994 he moved to Paris, where he lives and develops his projects. His works can be found, among others, in the National Museum of Art, Architecture and Design, the Henie-Onstad Art Centre, in the museum of contemporary art "Kiasma" in Helsinki and in different museums in Spain (Koldo Mitxelena Kulturunea, Museo Nacional Centro de Arte Reina Sofía), Italy and France (Centre de Création Contemporaine). He participated in the Venice Biennale in 1990, in the Lillehammer Art Museum during the Winter Olympics in Lillehammer in 1994, in the Bergen International Festival in 2001 and the Northern Norwegian Festival in 2009, and has contributed to the international project Skulpturlandskap Nordland.