Null Badische Gewerbezeitung.
Organ der Großh. Landes-Gewerbehalle in Karlsruhe …

Description

Badische Gewerbezeitung. Organ der Großh. Landes-Gewerbehalle in Karlsruhe und der badischen Gewerbevereine. 4 vols. Karlsruhe, Braun 1883-90. with plates. hardcover. (2 mod.) (partly somewhat damaged). Available: 1883, 1887, 1888 and 1890 - Faintly browned in places and somewhat foxed. Not thoroughly collated.

1509

Badische Gewerbezeitung. Organ der Großh. Landes-Gewerbehalle in Karlsruhe und der badischen Gewerbevereine. 4 vols. Karlsruhe, Braun 1883-90. with plates. hardcover. (2 mod.) (partly somewhat damaged). Available: 1883, 1887, 1888 and 1890 - Faintly browned in places and somewhat foxed. Not thoroughly collated.

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Estim. 3 000 - 3 400 EUR

CANDIDA HÖFER (Germany, 1944). "Deutsche Oper am Rhein Düsseldorf," 2012. Photograph, c-print, copy 97/100. Signed and numbered on the back. Measurements: 30 x 45.5 cm; 48 x 63 cm (frame). "Deutsch Oper am Rhein Düsseldorf" is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consists of a selection of photographs taken in public places throughout the country. Characteristic of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on cultural spaces free of human presence. The self-imposed thematic constraints evident in her project are both cultural and formal in nature. The baroque, modern and contemporary interiors that Höfer captures through her lens offer a "formal portrait of the social itself," as it has been defined in Europe since the Enlightenment. Candida Höfer began her career in 1968 working as a portrait photographer for various newspapers and, from 1970, as an assistant to Werner Bokelberg. Later, between 1973 and 1982, she attended the Kunstakademie Düsseldorf, first studying film with Ole John, and later photography with Bernd Becher. Together with Thomas Ruff, Höfe was Becher's first student to use color photography, showing her work in slide form. She began making her famous interiors of public buildings in 1979, still during her student period. Eventually fame would come to him thanks to his series of photographs focusing on the lives of immigrant workers in Germany. Höfer's work is part of the tradition of German photographers directly inherited from the conceptual aesthetics and the teachings of Bernd and Hilla Becher from the Kunstakademie in Düsseldorf, who readapted the original project of the New Objectivity to adopt a unique way of facing the world. Following the working method initiated by their teachers, their photographs show an almost ethnographic interest in the multiplicity of forms of representation of contemporary culture, relating in a very particular way to the scenarios where society moves and knowledge develops. Höfer's are interiors of buildings, preferably for public use such as museums, churches, theaters or opera houses, archives and libraries, which are photographed when they have ceased all activity and are empty. Specializing in large formats, her photographs are taken from a classic frontal angle, or they seek a sharp diagonal that organizes the composition. The artist tends to photograph her scenes from a high viewpoint, so that the wall in the background is centered in relation to the final image. She held her first solo exhibition in 1975 at the Konrad Fischer Gallery in Düsseldorf. Since then, Höfer's work has been exhibited in leading museums around the world, such as the Kunsthalle in Basel, Hamburg and Bern, the Louvre in Paris, the Portikus in Frankfurt am Main, the MoMA in New York, the Power Plant in Toronto, the Kunsthaus in Bregenz, the Ludwig Museum in Cologne or, in our country, at the Museum of Contemporary Art in Vigo. Likewise, in 2002 he participated in Documenta 11, and in 2003 he represented Germany at the Venice Biennale, together with Martin Kippenberger. On the other hand, between 1997 and 2000 she combined her artistic practice with teaching, which she did at the Hochschule für Gestaltung in Karlsruhe. She is currently represented at the Guggenheim Museum in New York, the Hamburger Banhof in Berlin, the Kunsthalle in Nuremberg, the Museum of Modern and Contemporary Art in Trento, the Museum of Contemporary Photography at Columbia College in Chicago, the Fundación Telefónica in Madrid and the Philadelphia Museum of Art, among other public and private collections.

Starting price 4500 EUR

Wehle, (Heinrich Theodor)Sechs Landschaftliche Compositionen. Erfunden von Wehle. In Aqua Tinta geäzt von C. Haldenwang, Grosherzoglich Badischem Hofkupferstecher. Mit 6 Aquatinta-Tafeln. Carlsruhe, Johann Velten (Kunsthändler), um 1805. Quer-Folio (32 x 38 cm). Lose eingelegte Tafeln in Original-Umschlag mit gedrucktem Deckeltitel (unscheinbare Braunfleckchen). Wehle, (Heinrich Theodor) Sechs Landschaftliche Compositionen. Erfunden von Wehle. In Aqua Tinta geäzt von C. Haldenwang, Grosherzoglich Badischem Hofkupferstecher. Mit 6 Aquatinta-Tafeln. Carlsruhe, Johann Velten (Kunsthändler), um 1805. Quer-Folio (32 x 38 cm). Lose eingelegte Tafeln in Original-Umschlag mit gedrucktem Deckeltitel (unscheinbare Braunfleckchen). Thieme-B. XXXV, 256. Nagler XIV, 215/216. ADB LV, 358ff. Hasso von Haldenwang: Christian Haldenwang S. 41ff. und 312-325. AKL LXVIII, 157ff. (für Haldenwang). - Wahrscheinlich im selben Jahr in Leipzig und mit einem abweichenden Titel in Karlsruhe veröffentlicht. - Mit einer beiliegenden Original-Zeichnung von Joseph Winkelirer. Zeigt ein Doppelporträt von Wehle und dem Architekten Karl Friedrich Schäffer. - Heinrich Theodor Wehle (1778-1805), deutscher Landschaftsmaler, Zeichner und Radierer, berühmt für seine Landschaftsbilder. Aufgrund seines frühen Todes mit 27 Jahren besteht sein Oeuvre nur aus einer relativ kleinen Anzahl von 117 Zeichnungen und Gemälden in verschiedenen Techniken und 33 heute bekannten Drucken nach seinen Originalzeichnungen. - "Sein Schaffen spiegelt literarische wie künstlerisch vermittelte Strömungen wider. Besonders stark wurde es durch seine Reiseeindrücke beeinflusst. Bereits das Fragment seines überlieferten zeichnerischen Werks deutet darauf, dass W. bei längerer Lebenszeit eine wichtige Rolle in der zeitgenössischen deutschen Kunstlandschaft hätte einnehmen können, durchaus gleichbedeutend mit Zingg und Klengel oder auch Caspar David Friedrich und Johann Christian Clausen Dahl." (Anke Fröhlich, Artikel: Hendrich Bozidar Wjela (Heinrich Theodor Wehle), in: Sächsische Biografie, hrsg. vom Institut für Sächsische Geschichte und Volkskunde, https://saebi.isgv.de/biografie/10757) - Umschlag und Tafeln unbeschnitten. Tafeln mit einigen leichten Braunflecken, meist auf die Ränder beschränkt. Hervorragendes Exemplar dieser seltenen Folge arkadischer Landschaften, bei der nicht nur die Originalzeichnungen, sondern auch die Drucke von bedeutenden Vertretern der deutschen Landschaftsmalerei zu Beginn des 19. Jahrhunderts stammen. 6 plates with brownish aquatint views of arcadian landscapes. In publisher's printed grey wrappers. Plates and wrappers uncut. Wrappers with a few minor spots. - Probably published the same year in Leipzig and with a variant title in Karlsruhe. - With an enclosed original drawing by Joseph Winkelirer. Shows a double portrait of Wehle and the architect Karl Friedrich Schäffer. - Heinrich Theodor Wehle (1778-1805), a German landscape painter, draughtsman and etcher, renowned for his landscape paintings. Due to his early death at 27 his oeuvre consists of only a relatively small number of 117 drawings and paintings in various techniques and 33 prints after his original drawings which are known today. - Plates with a few light tiny brown spots mostly confined to margins, else fine. An excellent copy of this suite of arcadian landscapes in which as a rare coincidence not only the original drawings but also the prints were made by two important figures in German landscape painting in the beginning of the 19th century. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 350 EUR

Becker, CarlOffizier und Herrenreiter im Gespräch. Original-Illustrationsentwurf für die Meggendorfer Blätter. Um 1900. Kreide und Tusche auf chamoisfarbenem, festen Vélin, weiß gehöht. 33,5 x 26 cm. Monogrammiert. Punktuell auf Unterlage und unter Passepartout montiert, unter Glas gerahmt. Meggendorfer Blätter Becker, Carl Offizier und Herrenreiter im Gespräch. Original-Illustrationsentwurf für die Meggendorfer Blätter. Um 1900. Kreide und Tusche auf chamoisfarbenem, festen Vélin, weiß gehöht. 33,5 x 26 cm. Monogrammiert. Punktuell auf Unterlage und unter Passepartout montiert, unter Glas gerahmt. Verso mit Stempel der Meggendorfer Blätter mit hs. Nennung des Künstlers und Inventar-Nummer. - Fein ausgeführte, zeichnerische Vorlage für die nach ihrem Begründer und Illustrator Lothar Meggendorfer (1847-1925) benannte satirische Zeitschrift, welche von 1889 bis 1928 unter wechselnden Titeln erschien. - Carl Becker (1862 - vor 1935) war ein aus Karlsruhe stammender Porträt- und Genremaler sowie Illustrator für Militärkunst. Er studierte in seiner Heimatstadt an der Großherzoglich Badischen Kunstschule Malerei und war anfangs in Berlin, ab 1899 in München tätig. - Einige wenige, sehr unscheinbare Braunfleckchen. Sehr guter Zustand. Original illustration sketch for the Meggendorfer Blätter. Around 1900. Chalk and ink on buff, strong vélin, heightened with white. Monogrammed. Mounted in spots on backing and under passepartout, framed under glass. - Verso with stamp of the Meggendorfer Blätter with handwritten name of the artist and inventory number. - Finely executed drawing for the satirical magazine named after its founder and illustrator Lothar Meggendorfer (1847-1925), which was published from 1889 to 1928 under different titles. - Carl Becker (1862 - before 1935) was a portrait and genre painter from Karlsruhe as well as an illustrator of military art. He studied painting in his hometown at the Grand Ducal School of Art in Baden and was active initially in Berlin and from 1899 in Munich. - A few very inconspicuous brown spots. Very good condition.

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