Null Essence.
Monatsschrift für junge bildende Kunst (later: Monatsschrift für O…

Description

Essence. Monatsschrift für junge bildende Kunst (later: Monatsschrift für Originalgraphik und Dichtung). Edited by R. E. Konrad. Collection of 231 issues (including numerous duplicates). Zurich 1950-51. fol. Each issue with original graphic. OU. (signs of wear). Available: Dec. 1950 (10 ex.); Mar. 1951 (5 ex.); Apr. 1951 (69 ex.); Jun. 1951 (2 ex.); Jul./Aug. 1951 (52 ex.); Sep. 1951 (4 ex.); Oct. 1951 (40 ex.); Nov. 1951 (32 ex.); Christmas 1951 (17 ex.). - One of 777 copies each. - Signs of age and wear, not thoroughly collated.

1200

Essence. Monatsschrift für junge bildende Kunst (later: Monatsschrift für Originalgraphik und Dichtung). Edited by R. E. Konrad. Collection of 231 issues (including numerous duplicates). Zurich 1950-51. fol. Each issue with original graphic. OU. (signs of wear). Available: Dec. 1950 (10 ex.); Mar. 1951 (5 ex.); Apr. 1951 (69 ex.); Jun. 1951 (2 ex.); Jul./Aug. 1951 (52 ex.); Sep. 1951 (4 ex.); Oct. 1951 (40 ex.); Nov. 1951 (32 ex.); Christmas 1951 (17 ex.). - One of 777 copies each. - Signs of age and wear, not thoroughly collated.

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Kohler, Alfred - 1916 Schwabach - 1984, "Landschaft mit Häusern", unsigned, foxing, passepartout, RhG dam, c. 46x60,5cm; Kohler attended the Nuremberg State School of Applied Arts from 1933 to 1935, in 1935 he continued his studies at the Academy of Fine Arts in Munich, where he was the youngest art student at the age of 18, after one semester he became a master student, in 1937 he left the academy, from 1938 he exhibited at the Franke Gallery in Munich, his paintings were soon classified as "degenerate art" by the National Socialists, so that he had difficulties in obtaining painting materials. He returned to Schwabach in 1938, and from 1938 to 1945 he was banned from selling his work. In 1941, his studio was destroyed in an air raid on Schwabach. After the end of the war in 1945, Kohler took part in the founding of Nuremberg art associations such as the "Circle" and the Schutzverband Bildender Künstler, but he soon left the circle again because he did not want to support "the developing uniformity of the young artists, who were often similar in their works for guesswork"; he was one of the last representatives of classical modernism in Germany,

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LUZIA LAGE (b. 1962) "The Measurement of the Sea" Acrylic on canvas, signed. Dimension: 81x100 cm (frame with 100x120 cm). Presents a certificate of authenticity, signed by the author. # Presents a certificate of authenticity, signed by the author. # Luzia Lage (b. 1962), was born in Lisbon. She simultaneously took the Drawing and Painting Course at IADE and the Painting Course at the University of Fine Arts in Lisbon. About the author Lídia Jorge wrote. Through animist expressionism, her work reveals the rigor of drawing, the transfiguration of the body and freedom in space. Luzia Lage paints the perplexity of Life. The weight of the real and the lightness of overcoming. The strength of the dream and the distance of sleep. The mystery of creativity and the limit of hands. The dazzle of the idea and the oscillation of the material. In addition to the many individual and collective exhibitions in which she participates, the author works with public works, of which we highlight the three-dimensional tile panel - "Mães de Água", CREL and the collective commemorative panel for the inauguration of Casa do Artista in Lisbon. She was awarded the following prizes: 1st Prize Press in the Fine Arts category "Personalidade Feminina de Portugal 2009" and the International Prize: 1st Prize for Painting and Fidelity to Art awarded by the Vera World Fine Art Festival 201

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Kunstakademie Dresden. 6 sign., dat. u. nummerierte sowie tls. bezeichnete OGraphiken aus: Elf Grafiken und ein Unikat von den Lehrern der Hochschule für Bildende Künste. 1989. Imp.-Fol. (ca. 55,5 x 45 cm). 8 lose Bl. (mit Titel u. Inhaltsverz.) in OLwd.-Kassette (VDeckel mit Fleck). Kunstakademie Dresden. 6 sign., dat. u. nummerierte sowie tls. bezeichnete OGraphiken aus: Elf Grafiken und ein Unikat von den Lehrern der Hochschule für Bildende Künste. 1989. Imp.-Fol. (ca. 55,5 x 45 cm). 8 lose Bl. (mit Titel u. Inhaltsverz.) in OLwd.-Kassette (VDeckel mit Fleck). Eins von 10 nummer., sign. u. dat. Exemplaren auf Hahnemühle-Bütten. - In den Grafischen Werkstätten der Hochschule für Bildende Künste Dresden auf der Handpresse gedruckt. Typographische Gesamtgestaltung Dietmar Nieschler. Kassette Buchinderei Siegfried Haubold. - Enthält: Elke Hopfe. Säugling. Lithographie. - Siegfried Klotz. Sitzender Akt. Radierung. - Bruno Konrad. Gegen den Strom. Radierung. - Horst Leifer. Selbst. Holzschnitt. - Hernando Léon. Die Gasse der Akrobaten. Lithographie. - Werner Liebmann. Mord vor Ort. Lithographie. - Akt im unteren Rand verso etw. fleckig, sonst insg. wohlerhalten. 6 signed, dated, numbered and partially inscribed orig. graphics as listed above. In orig. cloth-cassette. - One of 10 numbered copies. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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