Null Carossa,H.
The fate of Doctor Bürger. Olten, Vereinigung Olten Bücherfreund…

Description

Carossa,H. The fate of Doctor Bürger. Olten, Vereinigung Olten Bücherfreunde 1941. with 21 illustrations after pen and ink drawings and ╔1 sign. Original ink drawing╗ by K. Schmid. 6 p., 101 p., 1 sheet. Oprgt. (hand binding Emil Kretz) with ribbed boards, woodcut on front board and gilt headpieces. Ex. no. 481 (= paperback ex.), but printer's mark with inscription and signature: "Exemplare des Illustrators Nr. 12, Karl Schmid" (of XXXIII ex. with the ink drawing), which according to the printer's mark were bound in brown Levant goatskin, but here in full vellum.

1170

Carossa,H. The fate of Doctor Bürger. Olten, Vereinigung Olten Bücherfreunde 1941. with 21 illustrations after pen and ink drawings and ╔1 sign. Original ink drawing╗ by K. Schmid. 6 p., 101 p., 1 sheet. Oprgt. (hand binding Emil Kretz) with ribbed boards, woodcut on front board and gilt headpieces. Ex. no. 481 (= paperback ex.), but printer's mark with inscription and signature: "Exemplare des Illustrators Nr. 12, Karl Schmid" (of XXXIII ex. with the ink drawing), which according to the printer's mark were bound in brown Levant goatskin, but here in full vellum.

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Estim. 20 - 40 EUR

Set of 16 studies on Balzac: Ingrid Fischer-Zach, Die Bildwelt der "Comédie Humaine". Eine Untersuchung zur Metaphorik H. de Balzacs. Freiburg i. Br., 1969. Paperback. André Bellessort, Balzac et son oeuvre. Perrin, 1946, half cloth. Katharine Prescott Wormeley, Personal Opinions of Honoré de Balzac. Boston, Little Brown, 1899. Publisher's full cloth. Emil Ludwig, Kunst und Schicksal - Vier Bildnisse. Berlin, Ernst Rowohlt Verlag, 1927. Full cloth publisher. Maurice Descotes, Le Monde de l'enseignement dans l'œuvre romanesque de Balzac. Cahiers de l'Université, special issue 1985. Paperback. Emmanuel Querouil, Le Père Goriot et le roman d'éducation. Pierre Bordas, 1986. Paperback. Arsène Houssaye, Histoire du 41e fauteuil. Excerpt: chapter X "Balzac" pp. 233 to 237. L. Petit de Julleville. Histoire de la langue et de la littérature française des origines à 1900. Armand Colin, 1913. Volume VII, paperback. Hanns Heiss, Balzac, sein Leben und seine Werke. Heidelberg, Carl Winters Universitätbuchhandlung, 1913. full cloth. Pierre Laubriet, Un catéchisme esthétique: Le Chef-d'œuvre inconnu de Balzac. Paris, Didier, 1961. Paperback. Ramon Fernandez, Balzac ou l'envers de la création romanesque. Grasset, 1980. Paperback. Comte de Gobineau, Études critiques (1844-1848). Simon Kra, 1927, paperback, 600 copies on vellum. Herbert J. Hunt, Balzac's Comédie humaine. University of London, The Athlone Press, 1959. Full cloth. [Collective] Balzac dans le monde. Éditions contemporaines, Boivin et Cie, 1950. Paperback. Per Nykrog, La Pensée de Balzac dans La Comédie humaine. Copenhagen, Munksgaard, 1963. Full cloth. Dr. W. R. Bett, The Infirmities of Genius. London, C. Johnson, 1952. Full cloth. Lot of 18 studies on Balzac: Zola, Les romanciers naturalistes. Paris, Charpentier, 1923. Half-bound. Zola, le roman expérimental. Paris, Charpentier, 1923. Half-bound. Sergio de Pilato, Balzac e il mondo Giudiziario. Napoli, Edizioni "La Toga", 1937. Paperback. Gérard Gengembre, Balzac Le Napoléon des lettres. Gallimard, 1992. Paperback. Paul Albert, La Littérature française au XIXe siècle. Librairie Hachette et Cie, 1885. Demi-basane. Rémy Montalée, Reading Balzac. Paris, Eugène Figuière, 1925. Paperback. Pierre Abraham, Balzac. Rieder, 1929, paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, sd, paperback. Philippe Bertault, Balzac et la musique religieuse. Paris, Naert, 1929, paperback, mailing to Pierre Abraham. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback. André Le Breton, Le Roman Français au XIXe Siècle -Avant Balzac - Boivin et Cie, éditeurs, [1901]. Paperback. Simone Lang, Balzac-Express, La Comédie humaine. Éditions Saint-Germain-des-près, 1973. Paperback. Max Milner, Presentation of Massimilla Doni by Honoré de Balzac. José Corti, 1964. Paperback. Anne-Marie Baron, Le Fils prodige, L'Inconscient de La Comédie humaine. Paris, Nathan, 1993. Paperback. Diana Festa McCormick, Les Nouvelles de Balzac. Paris, Nizet, 1973. Paperback. Emile Faguet, Balzac. Hachette, 1913, bradel binding. Dr. Henri Favre, Balzac et le temps présent. Marpon et Flammarion, 1888, paperback. Jean-Daniel Gollut and Joël Zufferey, Construire un monde - Les phrases initiales de La Comédie humaine. Delachaux et Niestlé, 2000. Paperback. Lot of 14 studies on Balzac: Paul Flat, Essais sur Balzac. Plon, Nourrit, 1893, paperback. Paul Flat, Seconds essais sur Balzac. Plon, Nourrit, 1894, paperback. Richard Beilharz, Balzac. Darmstadt, Wissenschaftliche Buchgesellschaft, 1979, paperback. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback, mailing to Balzac bookseller Georges Courville. Mary F. Sandars, Honoré de Balzac, his life and writings. New York and London, Kennikat Press, 1970. Full cloth. [Collective] Hermétisme et Poésie - Comédie italienne et Théâtre français - Honoré de Balzac. Cahiers de l'Association Internationale des Études françaises, 1963. Paperback. Alphonse Pagès, Balzac moraliste. Michel Lévy Frères, 1866. Half-percaline. Alphonse de Lamartine, Balzac et ses œuvres. Michel Lévy Frères, 1866. Half basane. Gilbert Guislain, Balzac (Collection "Panorama d'un auteur") Studyrama, 2004. Paperback. Juliette Grange, Balzac, L'argent, la prose, les anges. La Différence 1990. Paperback. Arlette Michel, Le Mariage chez Honoré de Balzac - Amour et féminisme. Société d'édition "Les Belles Lettres", 1978. Paperback Paul Bourget, Études et portraits - Sociologie et littérature. Plon-Nourrit et Cie, 1906. Full cloth. Pierre-François Mourrier, Balzac, l'injustice de la loi. Éditions Michalon, 1996. Paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, 1906. Half cloth.

Starting price 800 EUR

H. BELLANGÉ (1800-1866), Overgrown monument, around 1850, Pen drawing Hippolyte Bellangé (1800 Paris - 1866 ibid.): Overgrown monument, c. 1850, Pen drawing Technique: Pen drawing on Paper Inscription: monogrammed lower right: "ht. Bgé" Date: c. 1850 Description: What does a battle painter paint if he doesn't paint battles? Hippolyte Bellangé was one of the most important battle painters in the France of Louis-Philippe and Napoleon III. A huge oeuvre, filled with thousands of soldiers, weapons and horses, where man becomes mass. He is highly celebrated and highly decorated for these depictions of mega-events. But what he has not lost amidst all the painted sabre-rattling and dabbed gun smoke is his eye for detail. He was able to bring mass battles to life from a wide angle, but as if under a microscope, he was also able to perceive the fate of the individual soldier. Like his friend Nicolas-Toussaint Charlet, he depicted the lives of soldiers away from battle in numerous lithographs and drawings, sometimes melancholically compassionate, sometimes caricaturingly distanced. But always with an eye for detail, which in his case was not limited to outward appearances, but sometimes also took on psychological traits. But now back to the initial question: What does he paint now? First of all, very little else. Even when he slips into the genre, there is always a uniform somewhere that has found its way into the picture in one way or another. All the more astonishing is our drawing, which shows a destroyed piece of Christian art in that incomparably nervous stroke. It has been decaying and forgotten for so long that nature has stretched out its delicate fingers towards it. The cross lies broken on the ground. It is hard to imagine that it can return to its former splendour. If we are familiar with Bellangé's focussed depictions, in which the maltreated soldiers who have returned home are depicted, we cannot help but recognise an emotional connotation in this broken monument. Broken and lonely: these are words that can also be applied to the soldiers. In addition to this emotional dimension, what is particularly fascinating about this small and incredibly free drawing is the trembling line that does not stop anywhere and flits across the sheet as if driven, from which the clear forms only slowly emerge, only to be swallowed up again in the next moment by another twitch of line. This dynamic, almost breathing process is the special charm of this drawing, which is unusual for Bellangé, but exciting precisely because of it. Keywords: Monument, wayside cross, cemetery, small architecture, sculpture, column, antiquity, figure, ruin, vanitas, 19th century, Romanticism, Architecture, France, Size: Paper: 19,5 cm x 13,3 cm (7,7 x 5,2 in)

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