Null Rambach,J.J.
Healing truths of the Gospel, according to the instruction of …

Description

Rambach,J.J. Healing truths of the Gospel, according to the instruction of the Sunday and feast day Gospels of the whole year: Together with some penitential sermons,...: Together with appended dispositions and necessary registers. Frankfurt and Leipzig, Spring (1737). 4°. 24 p., 1546 p., 29 p. blindstamped. Central binding with gilt-stamped fillets. Fillets and rich ribbed boards (some light worming). VD 18, 12734004. - Extensive work by the Giessen superintendent, with preface by his father-in-law Joachim Lange. - Overall good copy, without front flyleaf. Provenance: aristocratic library.

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Rambach,J.J. Healing truths of the Gospel, according to the instruction of the Sunday and feast day Gospels of the whole year: Together with some penitential sermons,...: Together with appended dispositions and necessary registers. Frankfurt and Leipzig, Spring (1737). 4°. 24 p., 1546 p., 29 p. blindstamped. Central binding with gilt-stamped fillets. Fillets and rich ribbed boards (some light worming). VD 18, 12734004. - Extensive work by the Giessen superintendent, with preface by his father-in-law Joachim Lange. - Overall good copy, without front flyleaf. Provenance: aristocratic library.

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Estim. 2 500 - 3 000 EUR

Andalusian School; XVIII century. "Immaculate Conception". Oil on canvas. Presents restorations. It has an informative label on the back of the "Caja General de Restauraciones". Provenance: Duques de la Conquista. Measurements: 120,5 x 85,5 cm; 129 x 95 cm (frame). We see in this work a representation of the Immaculate following the aesthetic models of the Spanish baroque with Mary dressed in white and blue (symbols of purity and the concepts of truth and eternity, respectively), surrounded by child angels, standing on the crescent and above her the representation of the Holy Spirit. Some angels carry symbols of the litanies, such as the lilies or the palm. In spite of following the mentioned models, the piece abandons the theatrical splendor of the baroque in favor of a much more sober, measured and balanced scenography that can be appreciated in the tones of color used by the artist and in the composition itself. The dogma of the Immaculate defends that the Virgin was conceived without Original Sin, and was defined and accepted by the Vatican in the Bull Ineffabilis Deus, December 8, 1854. However, Spain and all the kingdoms under its political dominion defended this belief before. Iconographically, the representation takes texts both from the Apocalypse (12: "A great sign appeared in heaven, a woman wrapped in the sun, with the moon under her feet, and on her head a crown of twelve stars") and from the Lauretan Litany prayed after the rosary and containing epithets of Mary taken from the Song of Songs of King David. Joining both texts and after an evolution that already begins at the end of the Gothic period, we arrive at a very simple and recognizable typology that presents the Virgin on the lunar quarter, with the stars on her head and dressed in light (with a halo on the head only or on the whole body), normally dressed in white and blue in allusion to purity and eternity (although she can also appear in red and blue, in relation then with the Passion), her hands on her chest almost always and represented young as a general rule. It has an informative label on the back of the "Caja General de Restauraciones".

Estim. 250 - 300 EUR

Olympic Games/ Summer, Tokyo/ 1964. Six official 1964 Olympic coins a) official rectangular badge, enameled: the rising sun by Yusaku Kamekura, with the words "Tokyo, 1964 (rings) in the sky-blue enameled cartouche, the words "Competitor" and the double sandy-brown ribbon (120x37), brooch on back; b) round participant medal in patinated bronze, by Taro Okamoto, obverse: for a single palm, three stylized athletes cross the finish line, a fourth pole vaults, reverse: around the rings, the words : XVIII Olympiad, Tokyo 1964, diam: 61, weight 118g; c) Railway Pass, with official logos and instructions in French and English, valid Nov. 5 in 2nd class (110x80); d) Round commemorative medal in white plastic case with red sun: obverse: start of the sprint, the 4 athletes elbow to elbow, "Tokyo 1964, XVIII Olympiad", reverse: rising sun and rings, framed, mention: "Tokyo 1964", diam: 30mm. Certificate: copper; d) silver-plated key ring, obverse: stadium view, XVIII, Tokyo 1964, reverse: Olympic cauldron. Diam: 30mm; e) a silver coin (925%, 20g) of 1000 yen with rings, Tokyo 64, Fuji-Yama (diam: 30mm). A smaller 100 yen coin with Olympic cauldron (600% silver) is enclosed.

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