Null Pasor,G.
Lexicon Graeco-Latinum in novum domini nostri Jesu Christi Testame…

Description

Pasor,G. Lexicon Graeco-Latinum in novum domini nostri Jesu Christi Testamentum. 6th ed. Herborn 1654. 24, 728 p., 56 p. - ╔bound: Ders.╗ Etyma nominum propriorum, itemq. analysis Hebraeorum, Syriacorum, & Latinorum... Ebda. 1654. 4 p., 90 p., 3 p. ins. prgt. d. (stained). ADB XXV, 194: "His main work, however, is his Lexikon zum Neuen Testamente, first published in Herborn in 1620 and then more frequently, through which he founded the lexicography of the New Testament. Schleusner and Schöttgen are based on it". - Some browning and spotting, some inscriptions in an old hand on front pastedown and a few underlines on back pastedown. Inner cover with traces of sealing wax.

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Pasor,G. Lexicon Graeco-Latinum in novum domini nostri Jesu Christi Testamentum. 6th ed. Herborn 1654. 24, 728 p., 56 p. - ╔bound: Ders.╗ Etyma nominum propriorum, itemq. analysis Hebraeorum, Syriacorum, & Latinorum... Ebda. 1654. 4 p., 90 p., 3 p. ins. prgt. d. (stained). ADB XXV, 194: "His main work, however, is his Lexikon zum Neuen Testamente, first published in Herborn in 1620 and then more frequently, through which he founded the lexicography of the New Testament. Schleusner and Schöttgen are based on it". - Some browning and spotting, some inscriptions in an old hand on front pastedown and a few underlines on back pastedown. Inner cover with traces of sealing wax.

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Custos, Raphael - after Lucas Kilian6 copper engravings with biblical motifs from the series: Emblemata Sacra Passionis Salvatoris nostri Jesu Christi. Later prints from the 18th century after the engravings from 1620, each copperplate engraving on wove paper. Dimensions from 16.5 x 10.5 cm to 17.5 x 11.5 cm. Each with the engraved text below the depiction. Each mounted in spots on support and presented under passepartout. - 1 work trimmed somewhat more irregularly along the margins, the image not affected. There the paper somewhat wavy as a result of adhesive mounting. 1 work with scattered, faint brown stains. Overall very good. Splendid, high-contrast and sharply engraved impressions of the almost full-size images. Old Art - Prints Custos, Raphael - after Lucas Kilian 6 engravings with biblical motifs from the series: Emblemata Sacra Passionis Salvatoris nostri Jesu Christi. Later prints from the 18th century after the engravings from 1620, each copperplate engraving on wove paper. Dimensions from 16.5 x 10.5 cm to 17.5 x 11.5 cm. Each with the engraved text below the depiction. Each mounted in spots on support and presented under passepartout. - 1 work trimmed somewhat more irregularly along the margins, the image not affected. There the paper somewhat wavy as a result of adhesive mounting. 1 work with scattered, faint brown stains. Overall very good. Splendid, high-contrast and sharply engraved impressions of the almost full-size images. Hollstein, pp. 6, 185, 4, Le Blanc 1854 - 1890, pp. 2, 78, 1 - Contains: - The head of Judas (sheet 3) - Crown of thorns and cane (sheet 5) - The sweatcloth of Veronica (sheet 6) - Cross with inscription (sheet 8) - Tools and arrows (sheet 9) - Dicing angel (sheet 11). - The prints were created by Raphael Custos, who was the half-brother of Lucas Kilian (1579-1637) and who designed the motifs. Together with Wolfgang Kilian (1581 - 1683), the three (half) brothers worked cooperatively in their workshops. They all learned from their father Domenicus Custos (1560 - 1612). The engravings by Raphael Custos unmistakably show the style of Lucas Kilian, who was one of the masters of so-called ornamental engraving and became particularly famous for his use of Mauresque and cartouche ornamental forms. - From the 12-part series "Emblemata Sacra Passionis Salvatoris nostri Jesu Christi". 6 copper engravings with biblical motifs. Later prints from the 18th century after the engravings from 1620. Each copper engraving on wove paper. Each with the engraved text below the depiction. Each spot-mounted to underlying mat and presented in mat. - 1 work slightly irregularly cut along the margins, the depiction not affected. There the paper a bit wavy as a result of adhesive mounting. 1 work with scattered, faint brown stains. Overall very good. Splendid, high-contrast and sharp-like impressions of the almost full-format depictions. - With works as mentioned above. - From the 12-part series "Emblemata Sacra Passionis Salvatoris nostri Jesu Christi".

Estim. 400 - 500 EUR

Incunabulum - MANCINI (Domenico). Dominici Mancini de passione domini nostri Jesu Christi liber incipit. [Paris], [Atelier de Georges Mittelhus], [1488]. In-8 of [16] ff. signed. A-B8. Half blond calf, spine ribbed with gold and cold fillets, black mar. title page, gilt fillet on covers (late 19th c. binding). Light foxing. Qqs underlining and marginalia. A native of Mittelhausen in Alsace (of the noble von Mittelhausen family), Georges Mittelhus set up his own printing house in Paris in 1470. At the start of his Parisian activities, Georges Mittelhus used typefaces reminiscent of the Strasbourg influence, particularly that of Johann Grüninger. But gradually, as he added to his range of typefaces, he took his cue from Parisian printers and, from 1492 onwards, definitively adopted new letterforms that better suited his customers' tastes. From his presses, which operated in this way until 1503, some fifty works were printed, most of them theological and for moral edification, with limited distribution. Ex-libris JM.

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