Null GILBERT POILLERAT AND ANDRÉ ARBUS
Large gold-patinated wrought-iron pedest…

Description

GILBERT POILLERAT AND ANDRÉ ARBUS Large gold-patinated wrought-iron pedestal table with a circular top in devoured eglomized mirror, highlighted by an openwork belt with an oval motif, embellished with four rings and resting on curved legs with deer hooves, linked by a twisted brace. Circa 1942 (Worn gilding and mirror glass) Height 74 cm - Diameter 122 cm A pedestal table in gold patina wrought iron and eglomised mirror (Wear to the gilding and mirror glass). H. 29 1/8 in. - Diam. 48 in. PROVENANCE : Former Henri Thévenin collection Private collection, Paris BIBLIOGRAPHY : Yvonne Brunhammer, "André Arbus, architecte-décorateur des années 40", Norma éditions, Paris, 1996, pp. 190 and 369 George Waldemar, "André Arbus", Art et Industrie, Paris, 1948, reproduced pl. 13

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GILBERT POILLERAT AND ANDRÉ ARBUS Large gold-patinated wrought-iron pedestal table with a circular top in devoured eglomized mirror, highlighted by an openwork belt with an oval motif, embellished with four rings and resting on curved legs with deer hooves, linked by a twisted brace. Circa 1942 (Worn gilding and mirror glass) Height 74 cm - Diameter 122 cm A pedestal table in gold patina wrought iron and eglomised mirror (Wear to the gilding and mirror glass). H. 29 1/8 in. - Diam. 48 in. PROVENANCE : Former Henri Thévenin collection Private collection, Paris BIBLIOGRAPHY : Yvonne Brunhammer, "André Arbus, architecte-décorateur des années 40", Norma éditions, Paris, 1996, pp. 190 and 369 George Waldemar, "André Arbus", Art et Industrie, Paris, 1948, reproduced pl. 13

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Vintage wall sconce in the shape of the sun of the 50's. Following the style of GILBERT POILLERAT (France, 1902-1988). Metal with golden patina. Electrified. It has slight flaws in the polychrome. Measurements: 70 cm (total diameter); 24 cm (sun circle diameter). Vintage ceiling lamp in the shape of a sun. Alternating rays of two sizes radiate from the central sphere. Gilbert Poillerat studied at the École Boulle, where he trained as an engraver and metal chiseler, graduating in 1921. Between 1921 and 1927, he worked for the wrought iron expert Edgar Brandt doing design and production work. In 1927, he began working for the Baudet, Donon and Roussel building structures company, and headed their decorative hardware division, producing tables and lamps. During the 1930s and 1940s, Poillerat continued to design furniture and architectural elements. He drew inspiration from a variety of sources, including historical architecture and nature. In 1934, he began producing jewelry. In the mid-1930s, under the influence of Christian Bérard and Jean Cocteau, Poillerat was inspired by the neo-baroque movement. In 1946, Poillerat left Baudet, Donon and Roussel to work as a teacher at the École Nationale des Arts Decoratifs. There he taught for 26 years, while continuing his own design production, collaborating with artists of the stature of André Arbus, Jean Pascaud and Vadim Androusov.

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Manner of Gilbert Poillerat Console table, second half 20th century Variegated marble, wrought steel 83.5cm high, 95cm wide, 38cm deep

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