Null Huang Bore 黃般若 (1901-1968): 'Vimalakirti and his servant', ink and colour o…

Description

Huang Bore 黃般若 (1901-1968): 'Vimalakirti and his servant', ink and colour on paper, dated 1947 Dim.: 217,3 x 72,2 cm (the scroll) Dim.: 99 x 58 cm (the work)

579

Huang Bore 黃般若 (1901-1968): 'Vimalakirti and his servant', ink and colour on paper, dated 1947 Dim.: 217,3 x 72,2 cm (the scroll) Dim.: 99 x 58 cm (the work)

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Estim. 1 000 - 2 000 EUR

Mordechai Levanon (1901-1968) - Safed, Oil on Canvas. Mordechai Levanon (1901-1968) - Safed, Oil on Canvas. Signed. 68x46cm. Lebanon was born under the name of Mordechai Veis in a village near the city of Najvard in Transylvania , the Austro-Hungarian Empire (now Oradea, in Romania). He began studying painting while still in Romania with his older brother, who was also a painter. In 1921 he immigrated to the Land of Israel and joined the Histadrut. Studied for a few months at Bezalel. Until 1925 he worked as an agricultural laborer in the Labor Brigade in the Galilee colonies, and later as a construction worker. From 1925 to 1927 he studied at a painting studiowith the painter Yitzhak Frankel (Fernel), and lived in the Mahloll neighborhood in Tel Aviv. After that he left all work and devoted himself to painting. As the son of a rabbi in a town in Transylvania, he knew the Holy Land from the stories of the Bible, and when he arrived in Israel, his spiritual perception of the place merged with the physical landscapes. In 1929, he was part of the Messad group and participated in exhibitions of the artists of Palestine. In 1938, he settled in Jerusalem. 1963 opened a studio in Safed and since then divided his time between it and Jerusalem. Presented solo exhibitions and participated in group exhibitions in Israel and abroad. Winner of the Dizengoff Prize for 1940 and 1961. He was married to Rachel nee Goldfinger and had two sons and a daughter. Died in Jerusalem in 1968 after a long illness.

Estim. 600 - 800 EUR

Bust of Frederick William of Prussia; Northern Europe, c. 1880. Patinated bronze on marble base "rosso levanto". Measurements: 17 x 5,5 x 5,5 cm. Bust of Frederick William of Prussia, known as the Soldier King. King in Prussia and Elector of Brandenburg from 1713 until his death in 1740, as well as Prince of Neuchâtel. His political awakening came during the plague outbreak of the Great Northern War in Prussia, which led him to challenge the corruption and inefficiency of the government. He initiated reforms, especially in the military, significantly growing the Prussian army. A believer in absolute monarchy, he focused on state development and financial reorganization, imposing taxes and strict regulations on civil servants.

Estim. 500 - 600 EUR

KATSAKAWA SHUNSHO (Japan, ca. 1750-1821). "The kite." Ukiyo-e woodcut. Signed in plate. Presents some faults in the frame, dampness and dirt. Measurements: 24 x 35 cm; 66 x 59 cm (frame). The versatility and skill with the drawing of Katsukawa Shuncho is patent in this composition in which elegant ladies with kimono take the tea and observe their small one to play with a kite, that one of the servants prepares to make fly. It is an intimate and delicate image of a garden, characteristic of the work of this important Japanese artist. Katsukawa Shuncho was a Japanese artist of ukiyo-e, a genre of woodblock prints. His legacy encompasses various forms of artistic expression, standing out as an engraver, painter and illustrator. His work, developed during the Edo period, is distinguished by his technical mastery and his contribution to the depiction of actors, beautiful women and other traditional subjects. Katsukawa began his career as a disciple of Katsukawa Shunsh? but his style evolved under the influence of prominent artists of the time, including Torii Kiyonaga, Kubo Shunman and Kitagawa Utamaro. Katsukawa's reputation is highlighted in the Katsukawa school, where the rarity of his depictions of actors is appreciated, as well as his ability to create outstanding works in genres such as hashira-e, sanmai-tsuzuki and paintings of women. Katsukawa's artistic legacy is manifested in a series of remarkable works in which his skill in genres such as actor portraiture, consecutive images and depictions of nude women are evident, leaving a lasting impact on the history of ukiyo-e.

Papal medals Pius XI (1922-1939) Diptych of medals cast in casket of origin 1933 VII Centenary of the foundation of the Order of the Servants of Mary - Opus: Pietro Giampaoli - Cusumano/Modesti 271 - AE (g.150 e 140 - Ø 80 mm) Modesti mentions the second specimen (see medal note) but of very rare appearance, in fact missing from his collection; in the note he describes the scene of the seven founders at the feet of the Blessed Virgin and the facade and staircase of the Order's church. Of great rarity. - FDC

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