Null Viola, Bill Hatsu-Yume First Dream. 2002. C-Print, Textumschlag und VHS-Kas…

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Viola, Bill Hatsu-Yume First Dream. 2002. C-Print, Textumschlag und VHS-Kassette in Portfolio (42,5 x 34,5 x 5cm). C-Print: 27 x 35,5 cm. Dieser verso signiert und nummeriert sowie mit Stempel des Photographen versehen. - Abzug an wenigen Stellen minimal Online - Photography - Modern Photography Viola, Bill Hatsu-Yume First Dream. 2002. C-print, text cover and VHS cassette in portfolio (42.5 x 34.5 x 5 cm). C-print: 27 x 35.5 cm. Signed and numbered on verso and with photographer's stamp. - Print minimally bumped and superficially rubbed in a few places, otherwise in good condition. Excellent print. One of 350 prints. C-print, text cover and VHS-cassette in portfolio. C-print signed and numbered and stamped by the photographer. - Photo minimally bumped or superficially rubbed in a few places, otherwise in good condition. Splendid impression. - One of 350 copies. This work is taxed. A premium of 23.95% will be added to the hammer price and 7% (books) or 19% VAT will be added to the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

1074

Viola, Bill Hatsu-Yume First Dream. 2002. C-Print, Textumschlag und VHS-Kassette in Portfolio (42,5 x 34,5 x 5cm). C-Print: 27 x 35,5 cm. Dieser verso signiert und nummeriert sowie mit Stempel des Photographen versehen. - Abzug an wenigen Stellen minimal Online - Photography - Modern Photography Viola, Bill Hatsu-Yume First Dream. 2002. C-print, text cover and VHS cassette in portfolio (42.5 x 34.5 x 5 cm). C-print: 27 x 35.5 cm. Signed and numbered on verso and with photographer's stamp. - Print minimally bumped and superficially rubbed in a few places, otherwise in good condition. Excellent print. One of 350 prints. C-print, text cover and VHS-cassette in portfolio. C-print signed and numbered and stamped by the photographer. - Photo minimally bumped or superficially rubbed in a few places, otherwise in good condition. Splendid impression. - One of 350 copies. This work is taxed. A premium of 23.95% will be added to the hammer price and 7% (books) or 19% VAT will be added to the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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Estim. 3 000 - 3 400 EUR

CANDIDA HÖFER (Germany, 1944). "Deutsche Oper am Rhein Düsseldorf," 2012. Photograph, c-print, copy 97/100. Signed and numbered on the back. Measurements: 30 x 45.5 cm; 48 x 63 cm (frame). "Deutsch Oper am Rhein Düsseldorf" is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consists of a selection of photographs taken in public places throughout the country. Characteristic of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on cultural spaces free of human presence. The self-imposed thematic constraints evident in her project are both cultural and formal in nature. The baroque, modern and contemporary interiors that Höfer captures through her lens offer a "formal portrait of the social itself," as it has been defined in Europe since the Enlightenment. Candida Höfer began her career in 1968 working as a portrait photographer for various newspapers and, from 1970, as an assistant to Werner Bokelberg. Later, between 1973 and 1982, she attended the Kunstakademie Düsseldorf, first studying film with Ole John, and later photography with Bernd Becher. Together with Thomas Ruff, Höfe was Becher's first student to use color photography, showing her work in slide form. She began making her famous interiors of public buildings in 1979, still during her student period. Eventually fame would come to him thanks to his series of photographs focusing on the lives of immigrant workers in Germany. Höfer's work is part of the tradition of German photographers directly inherited from the conceptual aesthetics and the teachings of Bernd and Hilla Becher from the Kunstakademie in Düsseldorf, who readapted the original project of the New Objectivity to adopt a unique way of facing the world. Following the working method initiated by their teachers, their photographs show an almost ethnographic interest in the multiplicity of forms of representation of contemporary culture, relating in a very particular way to the scenarios where society moves and knowledge develops. Höfer's are interiors of buildings, preferably for public use such as museums, churches, theaters or opera houses, archives and libraries, which are photographed when they have ceased all activity and are empty. Specializing in large formats, her photographs are taken from a classic frontal angle, or they seek a sharp diagonal that organizes the composition. The artist tends to photograph her scenes from a high viewpoint, so that the wall in the background is centered in relation to the final image. She held her first solo exhibition in 1975 at the Konrad Fischer Gallery in Düsseldorf. Since then, Höfer's work has been exhibited in leading museums around the world, such as the Kunsthalle in Basel, Hamburg and Bern, the Louvre in Paris, the Portikus in Frankfurt am Main, the MoMA in New York, the Power Plant in Toronto, the Kunsthaus in Bregenz, the Ludwig Museum in Cologne or, in our country, at the Museum of Contemporary Art in Vigo. Likewise, in 2002 he participated in Documenta 11, and in 2003 he represented Germany at the Venice Biennale, together with Martin Kippenberger. On the other hand, between 1997 and 2000 she combined her artistic practice with teaching, which she did at the Hochschule für Gestaltung in Karlsruhe. She is currently represented at the Guggenheim Museum in New York, the Hamburger Banhof in Berlin, the Kunsthalle in Nuremberg, the Museum of Modern and Contemporary Art in Trento, the Museum of Contemporary Photography at Columbia College in Chicago, the Fundación Telefónica in Madrid and the Philadelphia Museum of Art, among other public and private collections.

Starting price 500 EUR

Crinito, PietroPetri Criniti, viri doctissimi, De honesta disciplina lib. XXV, Poetis latinis lib. V, et Poëmaton lib. II. Cum indicibus. Mit Holzschnitt-Druckermarke auf Titel und am Schluss. Lyon, Seb. Gryphius, 1543. 24 Bll., 585 S., 2 Bll. 8°. Späterer Pgt. mit spanischen Kanten und hs. RTitel. Crinito, Pietro Petri Criniti, viri doctissimi, De honesta disciplina lib. XXV, Poetis latinis lib. V, et Poëmaton lib. II. Cum indicibus. Mit Holzschnitt-Druckermarke auf Titel und am Schluss. Lyon, Seb. Gryphius, 1543. 24 Bll., 585 S., 2 Bll. 8°. Späterer Pgt. mit spanischen Kanten und hs. RTitel. Baudrier VIII, 181. Adams C 2953. - Enthält die drei Hauptwerke des florentinischen Biographen und Dichters Pietro Crinito (1465-1504). "De honesta disciplina" wurde erstmals 1504 in Florenz veröffentlicht, "De Poetis Latinis" im Folgejahr. - Titelbl. mit zeitgen. hs. Besitzeintrag. Nur leicht gebräunt. Insgesamt sehr sauberes Exemplar. With woodcut printer's mark on title and at the end. Later vellum with Spanish edges and manuscript spine title. - Contains the three main works of the Florentine biographer and poet Pietro Crinito (1465-1504). "De honesta disciplina" was first published in Florence in 1504, "De Poetis Latinis" the following year. - Title page with contemporary handwritten ownership inscription. Only slightly browned. Overall a very clean copy. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 350 EUR

Montesquieu, Charles deDe l'Esprit des Loix, ou du rapport que les loix doivent avoir avec la Constitution de chaque Gouvernement, les Moeurs, le Climat, la Religion, le Commerce &c... 3 Bde. Mit einer gestochenen und gefalteten Karte. Genf, Barillot (sic) et fils, o.J. (um 1748-1750). Bd. 1: 2 Bll., XXIV, 466 S. Bd. II: 12 Bll., 376 S., 101 S. Bd. III: 9 Bll., 453 S., 1 w. Bl., 100 S. Kl.-8° (17 x 10,5 cm). Geflecktes Ldr. d. Zt. mit reicher RVergoldung und goldgepr. RSchildern, Rotschnitt und Marmorvorsätzen. (Kapitale von Bd. 1 restauriert, die anderen mit Läsuren, Bd. I beschabt, Bd. II leicht wurmstichig. Etwas berieben und bestoßen.) Frankreich Montesquieu, Charles de De l'Esprit des Loix, ou du rapport que les loix doivent avoir avec la Constitution de chaque Gouvernement, les Moeurs, le Climat, la Religion, le Commerce &c... 3 Bde. Mit einer gestochenen und gefalteten Karte. Genf, Barillot (sic) et fils, o.J. (um 1748-1750). Bd. 1: 2 Bll., XXIV, 466 S. Bd. II: 12 Bll., 376 S., 101 S. Bd. III: 9 Bll., 453 S., 1 w. Bl., 100 S. Kl.-8° (17 x 10,5 cm). Geflecktes Ldr. d. Zt. mit reicher RVergoldung und goldgepr. RSchildern, Rotschnitt und Marmorvorsätzen. (Kapitale von Bd. 1 restauriert, die anderen mit Läsuren, Bd. I beschabt, Bd. II leicht wurmstichig. Etwas berieben und bestoßen.) Dritte Ausgabe, erste im Kleinformat. - Tchemerzine VIII, 460 (b): "La carte n'a été ajoutée qu'à un petit nombre d'exemplaires." - Unter Umständen ein vom Autor genehmigter Raubdruck des Pariser Verlegers Durand, Titelblätter mir der Variante "Barillot" mit einem "r": "Parmi les autres éditions publiées en 1749, signalons une réimpression, en trois volumes in-12°, de la contrefaçon de Durand. Cette réimpression qui a, sur la page de titre l'adresse de 'Barillot' (avec un seul r) date peut-être de mai 1749." (C.P. Courtney, L'esprit des lois dans la perspective de l'histoire du livre, in: Le Temps de Montesquieu, 2002). - Karte mit Einriss. Vereinzelt gering fleckig. Insgesamt sehr gut erhalten. France - 3 vols. With an engraved and folded map. Mottled cont. leather with rich gilt decoration on spine, gilt labels, red edges and marbled endpapers (Capitals of vol. 1 restored, the others with defects. Vol. 1 scuffed, vol. II slightly worm-holed. Somewhat rubbed and bumped.) - Third edition, first in small format. - Tchemerzine VIII, 460 (b): "La carte n'a été ajoutée qu'à un petit nombre d'exemplaires." - Possibly a pirated edition by the Parisian publisher Durand, authorised by the author, title pages with the variant "Barillot" with a single "r": "Parmi les autres éditions publiées en 1749, signalons une réimpression, en trois volumes in-12°, de la contrefaçon de Durand. Cette réimpression qui a, sur la page de titre l'adresse de 'Barillot' (avec un seul r) date peut-être de mai 1749." (C.P. Courtney, L'esprit des lois dans la perspective de l'histoire du livre, in: Le Temps de Montesquieu, 2002). - Map with tear. Sporadically a little bit stained. Overall very well preserved. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 300 EUR

Giraudoux, JeanJudith. Tragödie in drei Akten. Mit 12 blattgroßen Original-Farblithographien von Max Ernst und Dorothea Tanning. Stuttgart, manus presse, 1972. 49 S., 1 Bl. Folio (41,5 x 29,5 cm). Lose Lage in gelber OLwd.-Mappe mit gedrucktem Deckel- und Rückentitel (unteres Gelenk minimal angeplatzt). Ernst, Max Giraudoux, Jean Judith. Tragödie in drei Akten. Mit 12 blattgroßen Original-Farblithographien von Max Ernst und Dorothea Tanning. Stuttgart, manus presse, 1972. 49 S., 1 Bl. Folio (41,5 x 29,5 cm). Lose Lage in gelber OLwd.-Mappe mit gedrucktem Deckel- und Rückentitel (unteres Gelenk minimal angeplatzt). Erste Ausgabe. - Spies/Leppien A 28 C. Spindler 161, 14. - Eines von 401 nummerierten Exemplaren (GA 500). Im Druckvermerk von Max Ernst und Dorothea Tanning signiert. Gedruckt auf Vélin d'Arches. - Die sechs Lithographien von Ernst zeigen Bühnenbildentwürfe für das Drama, die weiteren sechs von Tanning Kostümentwürfe. - In den Rändern leicht gebräunt, Textseiten teils mit leichtem Abklatsche der Lithographien. Wohlerhalten mit farbkräftigen Abzügen der Graphiken. With 12 full-page original colour lithographs by Max Ernst and Dorothea Tanning. Loose quires in yellow orig. cloth portfolio with printed cover and spine title (lower joint minimally cracked). - First edition. - One of 401 numbered copies (total ed. 500). Signed by Max Ernst and Dorothea Tanning in the imprint. Printed on Vélin d'Arches. - The six lithographs by Ernst show set designs for the drama, the other six by Tanning show costume designs. - Slightly browned in the margins, some of the text pages with slight offsetting of the lithographs. Well preserved with colourful impressions of the prints.

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