Null Köthe, Fritz Kussmund. 1975. Farbserigraphie auf Velinkarton. 43,7 x 58,5 c…

Description

Köthe, Fritz Kussmund. 1975. Farbserigraphie auf Velinkarton. 43,7 x 58,5 cm (56,3 x 76 cm). Signiert und nummeriert. - Punktuelle blasse Farbspuren bzw. Flecken. Partiell leichte Knickspuren mit Farbausbrüchen sowie Griffspuren. Verso mit Spuren der e Online - Modern and Contemporary Art Pop Art Köthe, Fritz Kissing mouth. 1975. Color silkscreen on wove cardboard. 43.7 x 58.5 cm (56.3 x 76 cm). Signed and numbered. - Pale traces of color and stains in places. Partial slight traces of creasing with paint losses and handling marks. Verso with traces of former mounting. Good overall. Excellent, very colorful and powerful impression with wide margins. One of 300 copies. Color silkscreen on wove cardboard. Signed and numbered. - Isolated faint color traces or rather stains. Partial slight crease marks with color losses. Verso with traces of former mounting. Good overall. Superb, very colorful and rich impression with wide margin. - One of 300 copies.

937

Köthe, Fritz Kussmund. 1975. Farbserigraphie auf Velinkarton. 43,7 x 58,5 cm (56,3 x 76 cm). Signiert und nummeriert. - Punktuelle blasse Farbspuren bzw. Flecken. Partiell leichte Knickspuren mit Farbausbrüchen sowie Griffspuren. Verso mit Spuren der e Online - Modern and Contemporary Art Pop Art Köthe, Fritz Kissing mouth. 1975. Color silkscreen on wove cardboard. 43.7 x 58.5 cm (56.3 x 76 cm). Signed and numbered. - Pale traces of color and stains in places. Partial slight traces of creasing with paint losses and handling marks. Verso with traces of former mounting. Good overall. Excellent, very colorful and powerful impression with wide margins. One of 300 copies. Color silkscreen on wove cardboard. Signed and numbered. - Isolated faint color traces or rather stains. Partial slight crease marks with color losses. Verso with traces of former mounting. Good overall. Superb, very colorful and rich impression with wide margin. - One of 300 copies.

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Ionesco, EugèneHommage a Fritz Wotruba. Mit einer signierten Original-Radierung. St. Gallen, Erker-Presse, 1975. 4°. 3 lose Doppelblattbogen in OKart. (etwas lichtspurig). Ionesco, Eugène Hommage a Fritz Wotruba. Mit einer signierten Original-Radierung. St. Gallen, Erker-Presse, 1975. 4°. 3 lose Doppelblattbogen in OKart. (etwas lichtspurig). Eins von 100 nummerierten Exemplaren, von Ionesco im Druckvermerk signiert. Die Radierung nummeriert und vom Künstler signiert. - In den Rändern zart gebräunt. Gutes Exemplar. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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Rosenthal "Sitting Fox" Designed by Max Hermann Fritz in 1940, signed, green Classic Rose stamp mark 1975-1982, embossed model number 985 and brush letter T, naturalistic moulding and underglaze painting, good condition, h 14 cm.

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Max Ackermann, "Dämmerung" abstract composition reminiscent of a pastel, colour silkscreen on light card, signed and dated "Max Ackermann (19)72" in pencil below the image on the right and numbered "130/150" on the left, slight traces of creasing, was never framed, image dimensions approx. 35 x 45 cm, sheet dimensions approx. 49 x 65 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1887 Berlin to 1975 Unterlengenhardt/Black Forest), pioneer of abstract art in Germany, childhood in Ilmenau/Thuringia, from 1903 trained as a porcelain modeller in a porcelain factory in Ilmenau, 1906-07 studied with Henry van de Velde at the Weimar art school on a grand ducal scholarship, Hans Olde, Ludwig von Hofmann and Sascha Schneider, 1908-09 studies at the Dresden Academy under Richard Müller and Gotthardt Kuehl, 1909-10 studies at the Munich Academy under Franz von Stuck, from 1912 studies at the Stuttgart Academy and pupil of Adolf Hölzel, 1915-17 military service in the First World War, from 1920s onwards, freelance work. World War I, freelance work in Stuttgart from the 1920s and foundation of a "training workshop for new art" in 1921, study trip to Paris in 1926, member of the Reich Association of German Visual Artists, maintained numerous contacts with important artists, including Piet Mondrian, Adolf Loos, Wassily Kandinsky and George Grosz, foundation of the seminar for "Absolute Painting" at the Stuttgart Adult Education Centre in 1930, 1936-45 ostracised as "degenerate", banned from teaching and exhibiting and some of his works confiscated, relocated to Hornstaad on Lake Constance and spent time painting in Hemmenhofen, his studio in Stuttgart destroyed in 1943, lecturer at the Stuttgart Adult Education Centre from 1946, awarded the title of professor and moved to Stuttgart in 1957, guest of honour at the German Academy in Rome Villa Massimo in 1964, received numerous honours, including the Ströher Prize in 1950. including the Ströher Prize for non-objective art in 1950 and the Federal Cross of Merit in 1972, worked in Stuttgart, Lake Constance and Bad Liebenzell, source: Vollmer, AKL, "Franz von Stuck und seine Schüler", matriculation of the Munich Academy, Dressler and Internet.

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