Description
Picasso, nach Pablo Paloma (von "Paloma et Claude"). 1950. Lithographie auf Velin. 32 x 24 cm. Punktuell auf Unterlage montiert, im Passepartout freigestellt und unter Glas gerahmt. - Kanten etwas angestoßen. Am unteren Rand gleichmäßig beschnitten. Ve Online - Modern and Contemporary Art Classical Modernism Picasso, after Pablo Paloma (from "Paloma et Claude"). 1950. lithograph on wove paper. 32 x 24 cm. Mounted in spots on support, matted and framed under glass. - Edges somewhat bumped. Evenly trimmed in lower margin. Verso with traces of mounting and adhesive residue. Paper evenly browned due to age. Good overall. Excellent, clear and well-matched impression of the full-format image. Cf. Mourlot 186, Bloch 664, Cramer Livres 60 - From an edition of 2000 copies. - The lithograph originally depicted a double portrait with Picasso's two children. His daughter Paloma is depicted here. - Without the depiction of Claude. - Published as the original book cover of the publication by Fernand Mourlot, "Picasso Lithographe II", edited by André Sauret, Monte Carlo 1950 - Printed by Mourlot, Paris. - Picasso made the composition with his fingers on transfer paper, diluting the lithographic ink as required. This was then transferred to the lithographic plate. Lithograph on wove paper. Spot-mounted to underlying mat, presented in passepartout and framed under glass. - Edges somewhat bumped. Evenly trimmed in the lower margin. On the verso with traces of mounting and adhesive residue. Paper evenly browned due to age. Good overall. Superb, clear and harmonious impression of the full-format depiction. - From an edition of 2000 copies. - The lithograph originally depicted a double portrait with Picasso's two children. His daughter Paloma is depicted here. - Without the depiction of Claude and the date and location note in the print below the depiction. - Published as the original book cover of the publication by Fernand Mourlot, "Picasso Lithographe II", edited by André Sauret, Monte Carlo 1950. - Printed by Mourlot, Paris. - Picasso made the composition with his fingers on transfer paper, diluting the lithographic ink as required. This was then transferred to the lithographic plate.
771
Picasso, nach Pablo Paloma (von "Paloma et Claude"). 1950. Lithographie auf Velin. 32 x 24 cm. Punktuell auf Unterlage montiert, im Passepartout freigestellt und unter Glas gerahmt. - Kanten etwas angestoßen. Am unteren Rand gleichmäßig beschnitten. Ve Online - Modern and Contemporary Art Classical Modernism Picasso, after Pablo Paloma (from "Paloma et Claude"). 1950. lithograph on wove paper. 32 x 24 cm. Mounted in spots on support, matted and framed under glass. - Edges somewhat bumped. Evenly trimmed in lower margin. Verso with traces of mounting and adhesive residue. Paper evenly browned due to age. Good overall. Excellent, clear and well-matched impression of the full-format image. Cf. Mourlot 186, Bloch 664, Cramer Livres 60 - From an edition of 2000 copies. - The lithograph originally depicted a double portrait with Picasso's two children. His daughter Paloma is depicted here. - Without the depiction of Claude. - Published as the original book cover of the publication by Fernand Mourlot, "Picasso Lithographe II", edited by André Sauret, Monte Carlo 1950 - Printed by Mourlot, Paris. - Picasso made the composition with his fingers on transfer paper, diluting the lithographic ink as required. This was then transferred to the lithographic plate. Lithograph on wove paper. Spot-mounted to underlying mat, presented in passepartout and framed under glass. - Edges somewhat bumped. Evenly trimmed in the lower margin. On the verso with traces of mounting and adhesive residue. Paper evenly browned due to age. Good overall. Superb, clear and harmonious impression of the full-format depiction. - From an edition of 2000 copies. - The lithograph originally depicted a double portrait with Picasso's two children. His daughter Paloma is depicted here. - Without the depiction of Claude and the date and location note in the print below the depiction. - Published as the original book cover of the publication by Fernand Mourlot, "Picasso Lithographe II", edited by André Sauret, Monte Carlo 1950. - Printed by Mourlot, Paris. - Picasso made the composition with his fingers on transfer paper, diluting the lithographic ink as required. This was then transferred to the lithographic plate.
You may also like
