Miró, Joan o.T., aus: "Anti-Platon". 1962. Farbaquatintaradierung auf Maschinenbütten. 14,7 x 12,3 cm (32,8 x 25,7 cm). - Verso wenige leichte Druckspuren. Insgesamt sehr gut. Ausgezeichneter, stellen…

Online - Modern and Contemporary Art Classical Modernism Miró, Joan n.d., from: "Anti-Platon". 1962. color aquatint etching on laid paper. 14.7 x 12.3 cm (32.8 x 25.7 cm). - A few slight traces of printing verso. Overall very good. Excellent, in places burr and color-experimental impression with wide margins, scoop margin on the right and lower side. Cramer 77, Dupin 315 - One of 125 copies signed and numbered in the imprint. - Ed. Maeght, Paris. - Printed by Lacourière and Frélaut, Paris. - From the luxury edition "Anti-Platon". - Miró first produced some of the plates in 1951 as a luxury greeting card for the Galerie Maeght, Paris. He later reworked them and added figural etchings in 1962 to illustrate an edition of Anti-Platon by Yves Bonnefoy. Color aquatint etching on machine-made laid paper. - Slight printing traces on the verso. Very good overall. Superb, partly burr-like impression, experimental within the color aquatint, with wide margin and scoop margin on the right and bottom. - One of 125 copies that were signed and numbered in the collophone. - Publ. by Maeght, Paris. - Printed by Lacourière and Frélaut, Paris. - From the luxury edition "Anti-Platon". - Miró first produced some of the plates in 1951 as a luxury greeting card for the Galerie Maeght, Paris. He later reworked them and added figurative etchings in 1962 to illustrate an edition of "Anti-Platon" by Yves Bonnefoy.