Werba, Nadia o.T. (abstrakte Komposition). 1959. Acryl auf Velin. 70 x 49,3 cm. Signiert und datiert. Punktuell unter Passepartout montiert und im Modellrahmen gerahmt. - Acrylfarbe technik- und alter…

Online - Modern and Contemporary Art French Modernism Werba, Nadia n.d. (abstract composition). 1959. Acrylic on wove paper. 70 x 49.3 cm. Signed and dated. Mounted in spots under passepartout and framed in model frame. - Acrylic paint slightly greased due to technique and age. Isolated light water stains and isolated rust stains, predominantly in the lower area of the depiction, also verso. There partly with studio traces and along the margins with traces of glue from a former mounting. Good overall. Nadia Werba is a French artist who initially created a painterly oeuvre. Based in Paris, she had contacts with Fernand Léger and André Lhote, who influenced her. Werba expressed herself in her painting in abstraction, the pictorial language that developed as a new attitude and aesthetic in Europe after the end of the Second World War. In the 1960s, Werba devoted herself increasingly to film and created an extensive oeuvre in this field. The quality of her paintings and works on paper from the early 1950s, from which our work originates, shows a clear and self-confident, open treatment of the pictorial ground, balanced between the abstract form and the deliberately empty pictorial space. - Nadia Werba is a French artist who initially created a painterly oeuvre. Based in Paris, she had contact to Fernand Léger and André Lhote who influenced her. Werba expressed herself in her painting in abstraction, the pictorial language that developed as a new attitude and aesthetic in Europe after the end of the Second World War. In the 1960s Werba increasingly devoted herself to film and created a comprehensive oeuvre. The quality of her paintings and works on paper from the early 1950s, from which our work originates, shows a clear and self-confident, open treatment of the pictorial ground, balanced between the abstract form and the deliberately empty pictorial space. Acrylic on wove paper. Signed and dated. Spot-mounted to mat and framed in model frame. - Acrylic color slightly greased due to technique and age. Isolated light water stains and brown stains, predominantly in the lower depiction area, also on the verso. There partly with studio traces and along the margins with traces of glue from a former mounting. Good overall. Filigree work with gestural-abstract expression, the acrylic paint very glossy. -